01 Blake Blaxter – Intro
02 Alva Noto & Ryuichi Sakamoto – Microon I
03 David Elpezs – Brisa
04 Somme – Collision With A Pigeon (B&D Mix)
05 Maps & Diagrams – w48-7
06 Frog Pocket – Miall Leath
07 Mind Over Midi – Subdivision
08 Russ Gabriel – Middle Section
09 Linkwood – Solar Panel
10 Severnaya – Glow
11 Insect O. – Icebergs
12 VC-118a – Specter
13 Boards Of Canada – Semena Mertvykh
14 Mønic – T-Net 3
15 Walton – Space Water
16 Shed – Der Wolf Kehrt Zurück
17 Biosphere – Startoucher
18 Max Richter – Organum
19 Tinkah – Thought 5
20 Aquarium – Planet Aquarium (Outro)

variFocus Mixes

AEM #7 | Alternative Elevator Music by Madera (Mix Session, May 18, 2021)

Hey there,

das tut mir voll Leid, wenn ich da etwas geschrieben habe, was anscheinend als "hate speech" aufgefasst worden ist.
Ich weiß leider noch nicht mal um was für einen Kommentar es geht:-( aber gut so, wenn ihr das gelöscht habt, insofern das irgendwie nicht p.c. war.
Es war auf jeden Fall nicht meine Intention jemanden zu beleidigen und hate ist ganz weit entfernt von mir, das extremste Gefühl wäre so etwas wie Ärger oder genervt-sein.
Sollte ich es irgendwie rückvollziehen können, werde ich mich bei dieser Person entschuldigen. Gerade tauchen leider nur ganz viele Fragezeichen auf:-(
Promoten ist auch nicht meine Intention, wenn dann habe ich bei Musik Assoziationen zu Musik, so funktioniert mein Gehirn... ich möchte auf jeden Fall keine Werbung machen! Ich bin Musikkonsument und dankbar für die Möglichkeit auf dieser Plattform musikalischen Input zu bekommen!

Herzliche Grüße,

Greets, 

Mandoline 

--
Gesendet mit der GMX Mail App


SoundCloud Newsletter


Am 02.12.25, 13:02 schrieb SoundCloud Warnings <no-reply@account.soundcloud.com>:

￼

Hi there,

We are writing to you today because your comment on SoundCloud has been found to be in breach of our Terms of Use on the grounds of containing hate speech.

The content in question is your comment from 2 Dec 2025 at 05:19 on the following track:

Café Del Mar (DJ Kid Paul Mix 30 years anniversary Vinyl Remaster)

The relevant section of our Terms of Use is highlighted below, for your reference:

(viii) You must not use the Platform to upload, post, store, transmit, display, copy, distribute, promote, make available, continue to make available or otherwise communicate to the public:

any Content that (a) breaches our Community Guidelines; (b) includes hate speech on the grounds of race, ethnicity, cultural identity, religious belief, disability, gender, identity or sexual orientation;

As such, we have removed this content from your account. Please note that a repeated violation of our Terms of Use could lead to the permanent suspension of your account.

While we always strive to be fair and objective in our decision making, you have the right to dispute this decision. To do this, respond to this message with the reason you believe this removal was done in error. Please provide us with as much information as possible in order to assist us in our review.

Regards,

SoundCloud Trust & Safety Team



vielen lieben Dank liebes trust & safety Team, genau das habe ich gemacht, weil ich gerne eine Klärung gehabt hätte: als Antwort habe ich bekommen: GMX Mailer Daemon....hmm, wie kann ich euch biddeschön eine Rückmeldung geben bzw eine Klärung ermöglichen? bin mittlerweile ziemlich frustriert!!!!!!!!

Liebes Soundcloud-Team,

leider weiß ich keinen besseren und direkteren Weg mein Anliegen zu schildern und wähle aufggrunddessen diesen.
Ich habe versucht auf Eure E-Mail zu antworten, versucht das Problem zu verstehen und bestenfalls zu lösen. Ich habe eine Antwort bzw Frage bei entsprechender musikalischer Adresse (Mix)  mit dem Wunsch hinterlassen, mir bitte zu erklären, was genau passiert ist und oder bzw das Problem gewesen ist. Ich bekomme von euch nur eine Rückmeldung, dass es in den Bereich von "hate speech" geht ohne Angaben, was ich gesagt haben soll und ohne Rückmeldung, wer sich inwiefern angegriffen auf welche Art und Weise gefühlt haben soll. Ich find das ziemlich befremdlich. Ich möchte natürlich nicht vorschnell urteilen. Ich bitte jedoch ausdrücklich um eine Klärung, um nicht vorschnell zu handeln. Eine Kündigung des Abo's würde ich irgendwie schade finden, weil ich im Großen und Ganzen eure Plattform mag.
Vielen lieben Dank im Voraus!

Greets, 

Mandoline 
--
Gesendet mit der GMX Mail A

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

dropkick from Gokijets, Iwate, Japan.
since 1999.

Not a musician. Here for listening pleasure, sharing mixes, and promoting the artists whose work I so dearly appreciate.

this is klangbild from leipzig, the musical brainchild of michael pfütze (osc 2) and ronny mai (osc 1). we are doing acid, acid house and machine funk since 1994. 

klangbild has released tracks and remixes over the past years on various labels such as kellermusik records, submit records, tetmusik, hardfloor versus series, alfa matrix and hands productions.

here you can find some unreleased and self promotional stuff of us. if you like what you hear just feel free to contact us, booking and label requests are always welcome: https://www.facebook.com/transistorbass/

Label. 
Concept.
Playground. 
Music Lovers.
Open Collective.

Mike Dub - formerly known as Little M - had his first contact with electronic dance music in 1991 as he was listening to Marusha's radio show "Dance Hall" on the famous radio station DT64. Since that moment, as he heard that track called "Weekend" by DJ Dick, Mike Dub should never get away from DJ culture and
electronic music anymore. An own record collection had to be built up, a first set of turntables had to be bought and deejaying had to be tried out. 
In October of 1992 Mike had his first gig at a youth club called "Sky West" in Pirna (near Dresden) and played Hip Hop music by Public Enemy, 2Live Crew and Eric B. &amp; Racim
In March of 1993 it came to his first club residency as he was asked to spin some records on Sundays at the "Sachs Music Hall" - the first and the biggest discotheque in Saxony ant that time. From now on his popularity in and around Dresden expanded quickly. Within the first two years he got gigs in almost every
club and location in east Saxony, and later even in Berlin, Nürnberg and the Czech Republic.
In 1994 Mike got his second residency at the
Musikfabrik - a truly legendary dance club in Saxony, well known even beyond state borders because of DJ Hardsequencer's (a.k.a. Hardy Hard) "Friday Scene" Radio Shows. This dance club had a unique flair and was so popular, that, as the dance club unfortunately burned down in 1998, even weeks later were found flowers, CD's and soft toys laid down at
the former entrance stairs
In the meantime Little M began to play more and more House music and finally became resident DJ at the infamous "Vivito Kicks" parties at the Parkhotel dance club in Dresden. Till 1996 Mike had become one of the most booked DJ's in Saxony, appreciated
for his well balanced and crunchy pumpin sound. Every Star-DJ that visited Dresden - from Paul van Dyk through Westbam to Sven Väth - could rely on a perfect warmed up crowd, prepared by Little M, of course! 
At this time he had produced some tracks
together with Hardy Hard - some of them even
appeared on local club samplers. But, as Hardy
moved to Berlin and to Low Spirit records, this
connection broke apart quickly.
Since then Mike played at many small clubs and big events and presented a wide spread repertoire from House, Electro, Chillout to finest Detroit Techno. Finally, in 1999, he became resident DJ at the Kilowatt -the only serious Techno club of Dresden at that timeand
stayed there until it's closing in 2002.
In the meanwhile he had various gigs at the
discotheque Dance Factory where he finally met Alex Carbo. Quickly they discovered their almost identical understanding of progressive, smooth and groovy Techno music and started to write their first tracks together.
