Aša Vahištā

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

All submissions to Haiku 310:

https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #310: One push of the door, a single step

The existing infrastructure of corrosion control: the experts, the system, the process.

Access of So-called Aggressive Anions

This is meant to be a tribute not only to the rights owner, but also to those who had recorded previous versions of this traditional blues number: artists like Charlie Patton and Memphis Minnie, for instance... And of course it represents a humble homage to Sir Brian Jones.

Teth Sin : acoustic & electric guitars, vocals, bass guitar, samplers (drums, organ)

Original composition & lyrics by William James Dixon
Arrangement, mix, mastering & cover artwork design by Teth Sin

The little red rooster

The Little Red Rooster (Willie Dixon cover by Teth Sin)

One mans journey through time and space in search of a cure for sleep deprivation.

I Am Liquid

got a pain in my sawdust too

This track was created for the Naviar Haiku group.
310 week haiku
naviarlab.tumblr.com/

2019-12-12

One push of the door, a single step ( Naviarhaiku 310 )

12Dec19

My naviarhaiku310 submission
https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
:D

As far as the eye can see [naviarhaiku310]

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.
---
My contribution to edition 310 of the weekly Naviar Haiku challenge, driven by the amazing Naviar Records.
More organelle and effects processed on dictaphone then recorded onto a 4-track, with field recordings on top.

Hope you like it!
---
Naviar Haiku challenge #310: https://www.naviarrecords.com/2019/12/11/naviarhaiku310-one-push-of-the-door-a-single-step/
Poem: Takuboku Ishikawa
Picture: Mukund Nair https://unsplash.com/@m_k_nd

Corridor (naviarhaiku310)

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

picture by Mukund Nair https://unsplash.com/@m_k_nd

Door Ajar [naviarhaiku310 - One Push of The Door, a Single Step]

Naviar records haiku music challenge # 310

Featured in https://soundcloud.com/resonance-extra/naviar-broadcast-95-one-push

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Halls of Akasha (naviarhaiku310)

This week's Haiku is a poem by Takuboku Ishikawa.
 
Naviarhaiku310 – One push of the door, a single step

One push of the door, a single step
And the corridor seems to stretch
As far as the eye can see.

Takuboku Ishikawa is best remembered for his emphatic and introspective tanka: his poems were accepted by the one of the most important tanka journals of the early 20th century, “Myojo”, when he was only 16.
Takuboku Ishikawa’s two major collections of tanka, “Ichiaku no Suna” (“A Handful of Sand”) and “Kanashiki Gangu” (“Sad Toys”), came out in 1910 and 1912. “Sad Toys” was published posthumously in June 1912, two months after he died of tubercolosis at the age of 26.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 18th December 2019

haiku by Takuboku Ishikawa https://www.poetryfoundation.org/poets/takuboku-ishikawa

finding the way (naviarhaiku310)

Peppermint