⭐Die Antwoord⭐BAITA JOU SABELA🤭ft Slagysta⚔ 🔥Out Now🔥smarturl.it/BaitaJouSabela

Music Producer from Poland. 1991.
Downtempo, Ethnic, House, Techno, Triphop, Psy
https://linktr.ee/EssexMosq

Banda Nella Nebbia won the Grand Prix at the 2015 Polish Radio New Tradition Festival, while its leader, performing under the stage name Franciszek Szpilman, received the Czesław Niemen Award for Outstanding Stage Personality.

Their debut album features eight tracks recorded at the Polish Radio S4 Studio in spring 2016.

„To my ear, the music sounded like “folkloric Shostakovich” with minimalist John Adams and blues in the background. (...) A group of young talented artists convinced me from the first notes. (...) One can feel hard work on reheasing material, and deep commitment in playing.” MARIA POMIANOWSKA

„Grand music, like NoMeansNo, Primus, Faith No More and John Zorn joined forces with John Coltrane and Frank London. Soon whole world will know this band, I wish them the best and keep my fingers crossed!” MACIEJ SZAJKOWSKI

Radical Ethno: no one has managed to devise a more appropriate label for Banda Nella Nebbia, which skillfully marries wild, primal energy with technical virtuosity. While formally sophisticated in style, their music is performed with fluency and ease, making it both transparent and readily appealing.

BNN’s music borrows heavily from a wide range of popular music, including Frank Zappa, Les Claypool and Primus, John Zorn, and Hypnotic Brass Ensemble, but traditional Lithuanian, klezmer, and Polish themes are equally important inspirations for them. While rooting their sound in diverse sources of traditional music, Banda Nella Nebia shape their original style by intentionally deconstructing pop-culture clichés, taking us on an unexpected, uncanny, and breathtaking rollercoaster ride.

BOOKINGS: info@feellifemusic.com
http://feellifemusic.com
CONTACT: globular@live.co.uk

Deep psychedelic bass and world infused sounds, radiating from the heart of Bristol, UK.

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

@Hyperboloid // @MadDecent // @GoodEnuff // @Beryoza

"Who The Hell Is Gillepsy?" on UKF
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