YouTube version has better streaming quality: https://youtu.be/bLeZQ7Nh1Qg

"Since Humanity has gone into space we have discovered hundreds of new worlds. Most of them are lifeless wastelands of dust, ice, volcanic lava and all sorts of things. There were no signs of life in the universe, even the simplest one, not to mention any kind of "organized civilizations"...
And now we stumble upon this strange desolated world full of ancient ruins. God only knows what we would find here..."

Submission for One Synth Challenge #174 featuring "Infernal Synth" by sjoerdvankreel.

This synth reminds me a bit of 90's rackmount synths with a small display and several buttons to edit the sound. Those instruments were pretty feature packed, but their interfaces were usually described as "operating system from hell". I think I could guess why this synth is called "Infernal".

Unfortunately, my CPU isn't capable enough to handle at least two or three instances of this synth, so I decided to make a one instance entry this time. 

I made different sounds for all four oscillators with filters and shapers. Than I used audio routing mixer to bring sounds in and out through-out the track. This synth has a potential to become fully multitimbral (but sending audio to individual output is not possible with VST3 I guess).

1 instance of "Infernal synth" used to create a track.

Contest thread: https://www.kvraudio.com/forum/viewtopic.php?t=599859

***Additionally, you can find download links on my Patreon page https://www.patreon.com/infravolt. The links for this track will be available for public till the end of September. After that, they will be available only for patrons.***

What Lurks On Planet X?

What Lurks On Planet X? (OSC#174)

Made only with the open source synthesizer "InfernalSynth" for the One-Synth-Challenge 174 in Reaper using 25 tracks and some FX for EQ, compression, limiting.

OSC 174 - Frank Geppert - Infernal Joy

OSC KVR submission
https://sites.google.com/site/kvrosc/2023/osc-174-infernalsynth

Precision

Here's my OSC infernalsynth track for the KVR forums. all sounds made by InfernalsSynth from scratch.

Stats:
34x Infernalsynth
Infernalsynth FX

Plugin:
Airwindows KplateA
Airwindows PurestGain
BusterSe
Dragonfly Hall
FreeClip
KClip Zero
KHs TranceGate
Limiter No6
Pancake 2
PanFlow
STFU
Supercharger
Supermassive
TDR Kotelnikov
TDR Molotok
TDR Nova
TDR Vos SlickEQ
Wider

Biwig:
Arpegiator
Chain
Drum Machine
Echo
EQ-2
EQ+
FX Selector
Gate
Humanize
Instrument Layer
Instrument Selector
Key Filter
Mid Side Split
Note Delay
Note Grid
Note Transpose
Peak Limiter
Quantize
Tool

Echo Forge

Entry for One Synth Challenge 174
Created with 20 instances of InfernalSynth by sjoerdvankreel
Daw: Renoise

https://www.kvraudio.com/forum/viewtopic.php?t=599859

OSC 174

Espigüete (OSC 174)

Watch the really stupid animation i've done for it:
https://www.youtube.com/watch?v=qwWn9rXIuHo

Made for the One-Synth Challenge 174 with 31 Instances of InfernalSynth by sjoerdvankreel in FL Studio 21 using these FX:
Channel EQ: 6 | Fruity Balance: 1 | Fruity Compressor: 1 | Fruity Delay 3: 1 | Fruity Limiter: 5 | Fruity Multiband Compressor: 2 | Fruity Reeverb 2: 3 | Fruity Stereo Enhancer: 2 | kHs Transient Shaper: 1 | Maximus: 1 on Master | OrilRiver: 1 | Soundgoodizer: 4 | xFer OTT: 5 | Youlean Loudness Meter 2: 1 | 

Yes the number in the title is completely random. I thought it would be funny to have a completely uneven weird number in the title instead of 2000 or 3000 or something :P

Impedance Music - Wolfracer-6907 (OSC#174 InfernalSynth)

An entry for One Synth Challenge #174, synth InfernalSynth 1.2

Beyond Dimensions

14x InfernalSynth https://sjoerdvankreel.github.io/infernal-synth/
& stock Reaper plugins

230m k240

KVROSC174

The Grand Egoic Programming Deception

UC - The Grand Egoic Programming Deception - KVROSC174

Feedback Madness
Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 2, "Feedback Madness", 02:15, PulDeFilt
Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS


Dates:
26-Oct-2025 (inception), 30-Oct-2025 (finalised), 30-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/feedback-madness

Description:

Following up an idea on feed back loops, looper cross amplitude modulation with my software based digital modular synthesiser, PulDeFilt; plus analogue synthesisers: Soma Enner, Soma Lyra 8 and Soma COSMOS.


Track 1, "From This", 01:04, Soma Lyra 8 + Soma COSMOS + PulDeFilt:
**************
Records a short Soma Lyra 8 performance, two motifs introduced and recorded into Loops 1 and 2, ready to use in Track 2.


Track 2, "Feedback Madness", 02:15, PulDeFilt:
**************
*(1). This is where is all began. Having recorded two short 11 and 12 second samples from the Soma Lyra 8 from track 1 into loops 1 and 2, it was time to experiment with loops 1 and 2 amplitude modulating (AM) each other.

I wanted to explore the possibilities of dynamic assignment of multiple looper outputs to cross amplitude modulate each other. So I decided to start simple and just cross link only two looper outputs.

The audio signals from looper 1 and looper 2 where then multiplied together, i.e. amplitude modulation. Now to add some spice, after amplitude modulation, this was fed into a delay+feedback+gain block and added back to the looper 1 AM input. This delay was necessary as a technical matter but then later proved to be a useful timbral tool by playing the delay times according to a prescribed discrete set of delay times (as assigned to 8 midi note pads, along with the feed back gain assigned to a rotary encoder of the midi instrument again played by the performer. The discrete delay time tuning was determined by ear, old school style, play one delay time, write that down, play the next delay time that sounded right, write it down and continue, then assign to the tuning library.

Since the original audio from the Lyra 8 was feed into the Soma COSMOS for reverb, no reverb VST was necessary in the digital modular synthesiser, PulDeFilt.


Track 3, "Wander", 02:41, Soma Lyra 8 + Soma COSMOS
**************
A purely Soma Lyra 8 performance.


Track 4, "Uncover", 03:21, Soma Enner + Soma Lyra 8 + Soma COSMOS + PulDeFilt
**************
Here the Soma Lyra 8 played a dual role, firstly as the delay+distortion for the Soma Enner performance and secondly, the Lyra 8 played in it's own right. This was then feed into the Soma COSMOS to layer in and out various motifs and play the Blur and Drift dials. PulDeFilt was used here purely as a mixing console and to layer up performances.


Track 5, "Leaving", 02:00, PulDeFilt + Soma Lyra 8 + Soma COSMOS
**************
After all the hyper activity, a calming finale. PulDeFilt was used to play a pulse oscillator drone through a single delay+feedback block then off to a band pass filter, adjusting the centre frequency dynamically during the performance. This provided the backing for the Soma Lyra 8 performance. The Lyra 8 audio was passed through to the COSMOS for a touch of reverb.

Uncover

There Will Be a Tear in the Wall

GRANDLiZ4RDWiZ4RD666 - Ascending to Agartha

This is my second account. The main account is in the links...

I upload my freshest works here because I reached upload limit on main account. I also keep posting on YouTube, so it's better to subscribe there. Don't forget to check out Patreon and support if you like the music...

What Lurks On Planet X? (OSC#174)

VCA-089