Last of the 4 tracks of MUT03 .
4th reference of Madriz Underground Tekno Records.
Pressing and distribution by Melting Pot Records
Mastered by Koschitzky Mastering
Buy :
https://www.meltingpot-records.net/item/view/32040/Madriz-Underground-Tekno-03 or by DM

Nyor - The Awakening Of The AI (Blast Of The Machines 1.0)(MUT03 B2) RECORD OUT NOW

Dogmatrai (Free Download)

The Tides

A1 | Tek n Roll - Buenos Aires

In my work, I explore the transmission of music, particularly folk traditions. This is why I aim to delve into a specific realm of atmosphere and pan-mediterranean structure. In doing so, I seek to both counterbalance and transgress dominant occidental tuning systems, moving away from rigid tonal frameworks toward a more modal approach, freer, more organic, and rooted in alternative systems of resonance and listening.

Estovän

On fais du mieux qu'on peut pour ce divertir !

Toutes critiques sont appréciées , merci aux copains qui supportent 
Plus est a venir gardez l'oreille tendue !!

HarBard - Flat Tire

ELECTRONIC SOUL

Record b2b Coyro
163 BPM

Made with:
- Korg emx
- Korg electribe 2
- Korg ea-1
- Elektron Digitakt-1
fx

Happy 1Y anniversity on soundcloud to Lillie
Enjoy!

Lillie & Coyro - Double Trouble

PPP (Lanzamiento para "Psytek Mafia Vol.4" ) Free Download

CYBORG PROJECT – Elektro Simbolism
Technical and Conceptual Description of the Process
CYBORG PROJECT is a sonic performance and experimental DJ set that intersects high-BPM electronic music, advanced time manipulation, and deep listening practices. My work does not rely on traditional beatmatching, but rather on sculpting sound as living matter, approaching the set as a process of continuous transformation rather than a linear sequence of tracks.
The approach I develop is called Elektro Simbolism: a methodology in which frequency, timbre, and the perception of time operate simultaneously as symbolic and technical devices.
Technical Process of the Set
I work primarily with Pioneer RX3, Elektron machines, and external/pre-processed sound through a DAW. The set often begins with a hi-tech or psycore track pushed to the maximum BPM allowed by the system (up to ~666 BPM). Instead of using this BPM as a functional rhythmic speed, I treat it as a point of rhythmic dematerialization, where the beat ceases to be perceived as pulse and starts operating as texture.
From this extreme state, I perform an inverse process of temporal carving:
progressive BPM reduction,
micro pitch adjustments,
exploration of digital artifacts,
until the audio is brought into liminal zones between rhythm, noise, and oscillation.
Use of Loops and Granularity
A central technique within Elektro Simbolism is the simultaneous use of pre-set loops on the RX3 across both decks, treated in a mirrored manner. On one deck, the track is looped from wide loops down to microscopic loops, progressively reducing their length. On the other deck, I perform the inverse process, moving from micro-loops toward longer loop structures.
This crossing generates phenomena akin to granular synthesis within a DJ context, where extremely short fragments of audio are isolated based on timbre, texture, or internal resonance, and transformed into rhythmic materials, drones, or oscillations. The loop ceases to function as a repetition tool and becomes a sonic microscope.
Drones, Oscillations, and Frequency
The set incorporates drones and oscillatory layers that function as a continuous field over which rhythmic events emerge and dissolve. These layers are not conceived as “ambient” elements, but as background tensions that sustain the body of the set, even at extreme BPM levels.
I consciously work with:
slow oscillations,
internal modulations (LFOs),
sub-rhythmic vibrations,
which engage in dialogue with concepts such as resonance, trance, and the bodily perception of sound (for example, frequencies close to theta states, without seeking a literal translation).
Body–Machine Relationship
Elektro Simbolism does not aim to recreate rituals or “tribal” aesthetics, but rather to investigate how technology produces specific bodily states. The body of the audience—and my own—is understood as a sensitive system that responds to:
spectral density,
extreme repetition,
sustained vibration,
the collapse of the traditional pulse.
The result is a set that oscillates between contemporary ritual, sound engineering, and performance, where error, digital artifacts, and saturation function as active elements of the discourse.
Synthesis
Elektro Simbolism is a practice in which:
BPM is used as a plastic material,
the loop functions as a tool for microscopic analysis,
the track operates as an energetic field,
and the DJ set becomes a process of real-time mutation.
I do not seek to reproduce genres, but to intervene in them from within, pushing them toward their perceptual limits.

NUNCA JAMÁS  I

Saigem - Bufo's growl

Sello underground orientado a la cultura Rave y la musica Soundsystem

A1 | Tek n Roll - Buenos Aires

Vecinos Fiesta