Easter Time Moods

Gospel

Conversations...

J.S. Bach: Das Wohltemperierte Klavier I-II. Reproduced & recorded, non-commercially, by VViljanen, July-August 2023 on Sequences of German scientist (in physics) Harm Fesefeldt (1942-2019) 2015, from playback and recording of their slightly or more revised versions on modified modelled Blüthner Model 1 (or Petrof )  grands, revoiced, reconfigured, and the various rec. setups made by VViljanen.
Photo: JSB statue detail at Leipzig Thomaskirche.
Any kind of commercial use of this playlist or its tracks is prohibited.

Johann Sebastian Bach: Wohltemperierte Klavier I - II and Beyond

Pipe Organ and piano renditions by VViljanen with modeled instruments.
In addition, some legendary guests of the past times  (reproduced  by VV from reconstructed and digitally simulated original reproducing piano rolls) 
are playing on the list: 
Artur Schnabel with J.S.Bach Italian Concert 
Alexander Siloti with Bach-Szabo Prelude on Cantate no 29 "Wir Danken Dir Gott"
Percy Grainger with bach-Liszt Fugue G Minor BWV542
Maria Carreras with W.F.Bach-M.Zadora: Organ Concerto D minor
Ignaz Friedman with J.S.Bach Toccata & Fugue Dm BWV565
Ferruccio Busoni with Bach-Busoni Chaconne BWV1004
E. Robert Schmitz with Bach-Liszt Prelude & Fugue A minor, BWV543/S.462
Adela Verne with Mendelssohn Prelude and Fugue em op.35 no.1
Robert Lortat with Cesar Franck Fugue from 'Prélude, Chorale et Fugue*
Marcel Dupré; Fugue in C BWV564, organ roll transcribed for piano
and many others...

Bach Goes Virtual & Beyond

J.S.Bach on the Roll and Beyond Revisited

Favorite Baroque pieces from the piano rolls and performances found here in SC
Photo: georg-friedrich-haendel-johann-sebastian-bach-giuseppe-tartini-johann -joachim-quantz-christoph-willibald-gluck-and-niccol-j-museum-private-collection-P9D3Y

Baroque Era Pearls On The Roll and Beyond Revisited

Masters of The Roll Revisited III

Updated recordings from digitized original reproducing piano rolls by VViljanen Dec 1, 2018, mainly from the list https://soundcloud.com/veikko-viljanen/sets/etudes-on-the-roll-revisited

Archive Updates

Pitkä tie

He Ain't Heavy, He's My Brother

Delighted to have been asked to contribute to this fantastic Johnny McFarlane song, another in our growing catalog JD, thank you for trusting me with the vocals, arrangement and production, I hope I have done your song justice.  

Debra's beautiful piano completely transformed the tune but then anything that Debra is on is just 100% better.

More of Johnny at @@johnnymc2 and time always well spent @Debra_Buesking

The Road

J.S.Bach: Fugue G Minor, BWV 578,  'The Little', 
Virtual rendition by Veikko Viljanen, 27Feb2014,
Garritan Classic Pipe Organ

Bach J.S. Fugue Gm BWV578, 'The Little'

Virtual rendition by VV 28Feb2014, Garritan Classic Pipe Organ
Photo by VV

Bach J.S.: Fantasia Gm 'The Great', BWV542-1

Giulio Caccini - Ave Maria

2022

Winter Spell (Guitar solo)

Piano and Strings musical original composition : @syntaleta
Guitars and Mix : Neno J.

No More (Collab w Syntaleta-remastered)

Garritan Classic Pipe Organ, virtual rendition & rec. by VViljanen 19Mar2014 [ver.2]

Bach J.S.: Passacaglia & Fugue  in C Minor BWV582

Merry Christmas wishes, happy new year to all friends of    soundcloud,   Heartfelt thanks
                                          Davide

Natale 2022    🎄 ♪♫•*

J.S.Bach: Präludium & Fuge c-moll. BWV847 / WTK I Nr.2 - Slightly revised, reproduced and recorded by VViljanen  June 28- July 4 (tempo upd.), 2023 On a Seq by H.Fesefeldt (2015).
rec. from playback of VV revised version on a modelled Blüthner Model 1 grand piano, revoiced and reconfigured , and the rec. setup made by VViljanen.
Any kind of commercial use prohibited.
Photo: Detail of JSB monument at Leipzig Dom

Prelude & Fugue in C Minor. BWV847

J.S.Bach: Präludium & Fuge c-moll. WTK I - 2. BWV847.

.S.Bach: Präludium & Fuge C-Dur. WTK I No.1. BWV846. - Reproduced and recorded by VViljanen June 29-July 28 (upd), 2023 on sequences made by H.Fesefeldt (1942-20219) 2015, from playback of  revised versions made  by VV, using on their rec a modeled Blüthner Model 1 grand, revoiced, reconfigured, and the rec. setups made by VV. 
Any kind of commercial use prohibited.
Photo: JSB monument detail at Leipzig Thomaskirche.

Prelude & Fugue in C Major, WTK I No.1

J.S.Bach: Präludium & Fuge C-Dur. WTK I Nr.1.  BWV846. Reprod. & rec. by VV on seq of H.Fesefeldt

J.S.Bach Präludium und Fuge Cis Dur. WTK No 3. BWV848. Reprod. by VV 30.6.2023 on a slight revision of a seq made by by HF 2015.
- Harm Fesefeldt(Jan 21, 1942 - June30, 2019) in Memoriam.
Photo: Johann Sebastian Bach, detail of monument at Leipzig Domkirche
Any kind of commercial use of this track is prohibited

J.S.Bach: Präludium Und Fuge Cis Major. BWV848

J.S.Bach: Präludium & Fuge Cis Dur. WTK I -3.  BWV848. Reprod.VV2023 on Seq. of H.Fesefeldt (2015).

J.S.Bach Präludium und Fuge D-Dur. WV850. WTK I No. 5.
Reproduced and recorded by VViljanen July 3-5 (-tempo upd.), 2023 from a  revised (VV) seq of H.Fesefeldt(2015), using on its playback a modelled Blüthner Model 1 grand, revoiced, reconfigured, and the rec. setup made by VV.
Photo: J.S.Bach statue detail at Leipzig Domkirche.
Any kind of commercial use of this track is prohibited.

J.S.Bach Präludium und Fuge D-Dur. WV850. WTK I No. 5

J.S.Bach: Präludium und Fuge D-Dur. WTK I No. 5. BWV850.

Js.Bach Präludium und Fuge cis-moll. WTK 1 -4. BWV849 .-Rev.& Rec By VV 2023 on Seq. of  H.Fesefeldt, using on its playback a modelled Blüthner Model 1 grand, revoiced and reconfifured & rec.setup made by VV.
Photo: JSB statue detail at Leipzig Thomaskirche
Any kind of commercial use of this track is prohibited

JS.Bach Präludium ubd Fuge cis-moll. WTK 1 -4. BWV849

JS.Bach Präludium & Fuge cis-moll. WTK 1 Nr.4. BWV849

J.S. Bach:Präludium & Fuge B-Dur BWV890. WTK II Nr. 21. Repr. & rec. by VV 2023 on  a seq of H. Fesefeldt 2015, using on its slightly modified version a modeled Petrof Mistral grand, revoiced, reconfigured and the rec.setup made by VV.
Photo: sugust Hues, VV2015
Any kind of commercial use of this track is prohibited.

J.S. Bach:Präludium & Fuge B-Dur BWV890. WTK II Nr. 21.

J.S. Bach: Präludium & Fuge B-Dur. WTK II Nr. 21. BWV890

J.S.Bach Suite (Partita) C - Moll.  BWV997 - (ca 1740, später transkribiert zu einem Lautenwerk). Reproduced byVV Sep 4, 2023 from a slightly modified sequence of H. Fesefeldt 2015. Recorded from its playback on a modeled Blüthner Model 1  Grand, revoiced, reconfigured,  and the rec. setup made by VV.
Photo: Lake view by VV 2023
Any kind of commercial use of this track is prohibited.

J.S.Bach Suite (Partita) C - Moll.  BWV997.

J.S.Bach: Suite (Partita) c- moll. BWV997 -  (ca 1740)

J.S.Bach: Allegro in Eb Major. Trio Sonata BWV525:-  mvt III. Transcription/reading for two pianos by VV on a reviewed seq. of HFesefeldt. Articulations and tempos  and reproduction by VV on modeled Blüthner grand piano duo, revoiced, reconfigured and the rec. setup made by VV.
Photo: JSB statue detail at Thomaskirche Leipzig.
Any kind of commercial use is prohibited

J.S.Bach: Allegro in Eb Major. Trio Sonata BWV525:-  mvt III. Transcribed for two pianos.

J.S. Bach: Ich Ruf Zu Dir. Orgelbüchlein Choral Nr 40, BWV 639.
Rendition by VViljanen 21 Nov 2015  with Garritan Classic Pipe Organ v.1.0  & Sib 7.5.   Stops: I Classical Quintadena 8' - II Baroque Copula Major 8' - Ped. Bar.Plenum, Principal 16', Bourd.16' & Contrebourd.32' - a Virtual rendition in Big European Cathedral environment.
Photo: VV

J.S. Bach: Ich Ruf Zu Dir. Orgelbüchlein Choral Nr 40, BWV 639

Rendition by VV 22 Nov 2015 with Garritan Classical Pipe Organ & Sib7.5
Stops: 1) I-II: Bar.Copula major 
2)  II: Rohr Schalmei 4', I: Copula major, Ped: PlnRd, Principal 16', 
3) II: Rohr Schalmei 4', I: Copula major, Ped Rauschpf IV, Pln, Tromp 8'4', Bourd 16',  
4)II: Tromb En Chamb, I: Cop.maj, Ped: Rauschpf IV, PlnRd, Princ 16', Fag 16', Contrefag 32', Contrebourd 32'

Bach J.S.: Vom Himmel Hoch, Da Komm Ich Her, BWV606

Bach-Gounod:  AveMaria played by Hans Hanke 1921 on Ampico piano roll No 491. Scanned and emulated 2013  into digital form by Warren Trachtman, www.wstco.com.  Recorded/rendered by VViljanen in 2016 and the rec updated 19 May 2017, and  Dec 29, 2024 (by permission) from the digitally simulated reconstructed original reproducing piano roll. - The instrument used here, was Petrof Mistral 284 modeled grand piano, revoiced & reconfigured by VV, as well as the rec setup was made by VV.
Photo: Hans Hanke

Bach - Gounod:  Ave Maria. Played by Hans Hanke in 1921, on Ampico 491.

Michael von Zadora Plays in 1914 J.S.Bach Chromatische Fantasia BWV903 on Duo-Art No.5598-4. Recorded 2016  and july 27, 2023 (rec.upd.) by VV /by permission)from digitally simulated original reproducing piano roll with a modelled Grand Bluethner Model One (tone/sound modified/RE-designed by VV).
Any Kkind of Commercial use prohibited.
Basic info* of the original piano roll:
CHROMATISCHE FANTASIE from "Chromatic Fantasle and Fugue in D-minor"
Roll Number: 5598, 5598
Composer/Creator: Bach
Pianist: Zadora
Roll System: Duo-Art
Country: US
Date: December, 1914
Category: classical
Original Price: n/a
*iNFO SOURCE: tHE pLAYER pIANO gROUP WEB PAGE (BY PERMISSION)

J.S.Bach: Chromatic Fantasy and Fugue in D Min.. Michael von Zadora Dec 1914  on Duo-Art5598

Sergei Rachmaninoff plays in 1928 his Elegy Op.3 No.1, on Ampico 69253. 
Recorded in 2016, and the rec updated 4 Oct 4, 2017 and Feb 2, 2023 by VViljanen (by permission)from a digitally simulated reconstructed original reproducing piano roll, using on its playback a modelled concert grand, Bechstein 1896 grand morphed with Petrof Mistral 284,  revoiced, reconfigured and setup by VV.
COMMERCIAL USE PROHIBITED. 
Basic info* of the original piano roll:
ELEGIE (ELEGY) Op. 3, No. 1
Roll Number: 69253, 69253H
Composer/Creator: Rachmaninoff
Pianist: Rachmaninoff
Roll System: Ampico
Country: US
Date: October, 1928
Category: classical
Original Price: $2.00
*Info source: The Player Piano Group web page (by permission)

Rachmaninoff: Elegy Op. 3 No 1. Sergei Rachmaninoff 1928 on Ampico 69253

Percy Grainger plays in Nov.1927  Bach-Liszt: Great Fugue from Fantasia & Fugue Gm BWV542 on Duo-Art Piano Roll 7174.
Recorded in 2016 and July 27, 2023 (rec.update) by VViljanen (by permission)from a reconstructed and digitally simulated  original reproducing piano roll with a modelled Grand Bluethner Model One, tone/sound modified/re-designed by VV.
ANY KIND OF COMMERCIAL USE PROHIBITED.
The info* of the original reproducing  piano roll:
ORGAN FANTASIA AND FUGUE in G-minor, Part 2: The Fugue (transcribed by Liszt)
Roll Number: 7174, 71740
Composer/Creator: Bach
Pianist: Grainger
Roll System: Duo-Art
Country: US
Date: November, 1927
Category: classical
Original Price: $2.50
*surce: The Player Piano Group web page by permission

J.S.Bach-Liszt: Fugue Gm 'The Great', BWV542. Percy Grainger 1927 on Duo-Art 7174

Harold Samuel (1879-1937) plays in 1925 J.S.Bach: Gigue Bb, from Partita No.1, on Duo-Art piano roll 0216.
Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED.
Photo: Harold Samuel (1879-1937)
The information on the original piano roll:
GIGUE, in B-flat from "Partitas", Book 1, No. 1
Roll Number: 0216, 0216
Composer/Creator: Bach
Pianist: Samuel
Roll System: Duo-Art
Country: UK
Date: January, 1925
Category: classical
Original Price: n/a

Harold Samuel plays in 1925 J.S.Bach: Gigue Bb, from Partita No.1, Duo-Art piano roll 0216

Grainger: Children's March 'Over the Hills And Far Away'. Percy Grainger & Lotta Hough 1920 on Duo-Art 6368.
Recorded in 2016, and the rec. updated Nov 24, 2017and Feb 22, 2023 by VViljanen (by permission)from playback of digitally simulated reconstructed original reproducing piano roll, using a modelled Grand Blüthner modified by VVV
Photo: Percy Grainger (1882-1961)
ANY KIND OF COMMERCIAL USE PROHIBITED.
Basic info* of the original piano roll:
CHILDREN'S MARCH: Over the Hills And Far Away (arrangement for Two Pianos)
Roll Number: 6368, 6368-5
Composer/Creator: Grainger
Pianist: Grainger, Hough
Roll System: Duo-Art
Country: US
Date: December, 1920
Category: popular, salon
Original Price: $3.25 (Price after 1922)
*Info source: The Piano Player Group web page (by permission)

Grainger: Children's March, Percy Grainger & Lotta Hough in 1920, on Duo-Art 6368

Alexander Siloti plays in 1923 Bach-Szanto-Siloti: Prelude To Cantata 29, Wir Danken Dir, Gott, on Duo-Art 66000
Recorded 25 May 2017  by VViljanen (by permission)from reconstructed and digitally simulated original reproducing Duo-Art piano roll , and the rec updated July 21, 2022 by VV (rec,v.5, using in replay of the roll a modelled Grotrian Royal concert grand. 
ANY KIND OF COMMERCIAL USE PROHIBITED. 
Photo: Alexander Siloti 1863-1945,  pupil of Franz Liszt
Basic info* of the original piano roll:
PRELUDE to Cantata, Wir Danken Dir, Gott (Unto Thee, 0 God) (arrangement by Siloti)
Roll Number: 6600, 66000
Composer/Creator: Bach
Pianist: Siloti
Roll System: Duo-Art
Country: US
Date: February, 1923
Category: popular, salon
Original Price: $2.50
*source: from The Player Piano Group web page (by permission)

Bach-Szanto-Siloti: Prelude to Cantata 'Wir Danken Dir Gott' BWV29. Alexander Siloti 1923 on Duo-Art

Wilhelm Backhaus plays Mozart-Backhaus: Serenade from Don Juan, 
Wilhelm BackhausOn DuoArt 68250.
Recorded in 2016 and the rec updated 28 Oct 2017 by VViljanen from digitally simulated reconstructed original reproducing piano roll, using on its playback a modeled Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED. 
Photo: Wilhelm Backhaus 
Basic info of the original roll:
SERENADE from "Don Juan", act 2 (transcribed, by Bachaus)
Roll Number: 6825, 68250
Composer/Creator: Mozart
Pianist: Bachaus
Roll System: Duo-Art
Country: US
Date: December, 1924
Category: popular, salon
Original Price: $2.50

Mozart-Backhaus: Serenade from Don Juan. Wilhelm Backhaus 1924 on Duo-Art 68250

Josef Lhévinne plays César Cui: Causerie (Conversation) Etude Op.40 No.6, in 1925 on Ampico 64273.
Re-recorded Feb 3, 2017 by VViljanen (by permission)from digitally simulated reconstructed original reproducing piano roll, using on its playback a modelled grand, reconfigured, revoiced, redesigned and the mic/rec setup made by VV.
COMMERCIAL USE PROHIBITED.
Photo: César Cui 1835-1918
Josef Lhévinne 1874-1944
The basic info of the original piano roll:
CAUSERIE (CONVERSATION) Etude Op. 40, No. 6, F major
Roll Number: 64273, 64273H
Composer/Creator: Cui
Pianist: Lhevinne
Roll System: Ampico
Country: US
Date: April, 1925
Category: classical
Original Price: $2.00
*Info source: The Piano Player Group web page (by permission)

César Cui: Causerie, Etude Op. 40 No 6. Josef Lhévinne 1925 on Ampico 64273

J.S.Bach: Prelude And Fugue C#, WTK No.3, Ethel Leginska In 1925, on Duo-Art 68859.
Recorded 26 Feb 2017 and July 27, 2023 by VViljanen - (by permission)from digitally simulated original reproducing piano roll with virtual Grand Bluethner Model One (tone/sound modified/designed by VV). COMMERCIAL USE PROHIBITED.
Photo: Ethel Leginska (1886-1970), was a British pianist, composer, conductor and music educator. She was a student of Theodor Leschetizky, later studying composition with Rubin Goldmark and Ernest Bloch, and conducting with Eugene Goossens, Robert Heger and Gennaro Papi.[1] Among her students were harpsichordist Gavin Williamson, James Henry Fields, Daniel Pollack and Bruce Sutherland.[2] She was a pioneer of women's opportunity in music performance and conducting,[3] being the first woman to conduct many of the world's leading orchestras. (source: Wikipedia)
Basic info of the original piano roll:
PRELUDE and FUGUE, 3 in C-sharp from "Well-tempered Clavichord"
Roll Number: 6885, 68859
Composer/Creator: Bach
Pianist: Leginska
Roll System: Duo-Art
Country: US
Date: June, 1925
Category: classical
Original Price: $2.25

J.S.Bach: Prelude And Fugue in C# Major. WTK I - 3. Ethel Leginska 1925, on Duo-Art 68859

GabrielMarie: Causerie (Conversation), Pauline Haggard 1925 on Duo-Art 6840.
Recorded by VViljanen (by permission) from playback of the digitally simulated reconstructed  original reproducing piano roll. The rec updated Feb 6, 2023 by VV using a modelled Blüthner grand modified and revoiced by VV.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Gabriel Marie (1852-1928). Jean Gabriel Prosper Marie (8 January 1852, Paris – 29 August 1928, Puigcerdà, Girona, Spain) was a French romantic composer and conductor.
The basic info of the original piano roll:
CONVERSATION (Salon Piece)
Roll Number: 6840, 68407
Composer/Creator: Marie
Pianist: Haggard
Roll System: Duo-Art
Country: US
Date: February, 1925
Category: popular, salon
Original Price: $1.75
(Source of the roll info: The Piano Player Group web page)

Gabriel Marie: Causerie (Conversation).  Pauline Haggard 1925 on Duo-Art 6840

Rameau - Godowsky: Renaissance No. 6, 'Tambourin'. Nadia Reisenberg in 1925 on Duo-Art 6833.
Recorded 19 July 2017 by VViljanen (by permission) from a digitally simulated reconstructed original reproducing piano roll.
COMMERCIAL USE PROHIBITED. 
Photo: Nadia Reisenberg 1904-1983
The Basic info* of the original piano roll:
TAMBOURIN (arrangement by Godowsky in his "Renaissance, Twelve Pieces Of Olden Time")
Roll Number: 6833, 68339
Composer/Creator: Rameau
Pianist: Reisenberg
Roll System: Duo-Art
Country: US
Date: January, 1925
Category: popular, salon
Original Price: $2.25
*Roll info source: The Player piano Group web page (by permission)

Rameau - Godowsky: Renaissance No. 6, 'Tambourin'. Nadia Reisenberg in 1925 on Duo-Art 6833

Moritz Moszkowski: Etincelles. Morceau Characteristique  Op. 36 No 6. Josef Hofmann 1923 On Duo-Art 6598.
Recorded Oct27, 2017, and Oct 23, 2023 by VViljanen (by permission) from playback a sigitally simulated  reconstructed original reproducing piano roll on a modeled Blüthner Model 1 grand, revoiced, reconfigurated and th rec.setup. made by VV.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo:  Etincelles, sheet music cover page 
Basic info* of the original piano roll:
ETENCELLES (Sparks), Morceau Characteristique, Op. 36, No. 6
Roll Number: 6598, 6598-5
Composer/Creator: Moszkowski
Pianist: Hofmann
Roll System: Duo-Art
Country: US
Date: February, 1923
Category: classical
Original Price: $3.25
*Info source: The Piano Player Group web page (by permission)

Moszkowski: Etincelles. Morceau Characteristique Op. 36 No 6. Josef Hofmann 1923 on Duo-Art 6598

Mozart: Pastorale Variée. Nadia Reisenberg 1924 on Duo-Art 67640.
Recorded 3 Nov 2017, by VViljanen - (by permission)from the digitized copy of the original reproducing piano roll .
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Nadia Reisenberg 1904-1983
Basic info* of the original piano roll:
PASTORALE VARIEE
Roll Number: 6764, 67640
Composer/Creator: Mozart
Pianist: Reisenberg
Roll System: Duo-Art
Country: US
Date: June, 1924
Category: popular, salon
Original Price: $2.50
*Source: The Piano Player Group web page (by permission)

W.A. Mozart: Pastorale Variée. Nadia Reisenberg 1924 on Duo-Art 67640

Debussy-Ravel (arr.): Afternoon of A Faun. George Copeland ca 1915 on Ampico 56027.
Recorded 21 Feb, 2018 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: George Copeland (1882-1971)in 1918. was an American classical pianist known primarily for his relationship with the French composer Claude Debussy in the early 20th century and his interpretations of modern Spanish piano works.
The basic info* of the original piano roll:
L'APRES MIDI D'UN FAUNE (AFTERNOON OF A FAUN)
Roll Number: 56027, 56027H
Composer/Creator: Debussy
Pianist: Copeland
Roll System: Ampico
Country: US
Date: n/a
Category: classical, popular
Original Price: $2.00
*source: from The Piano Player Group web page (by permission)
Arrangement of Maurice Ravel..?? (comment by VV)

Debussy-Ravel: Afternoon of A Faun. George Copeland ca 1915 on Ampico 56027

Esa-pekka Kanniainen: Missa in D (2010). Arranged for Violoncello and Organ by E-P.K. and Veikko Viljanen. Rendered and recorded with Garritan Classical Pipe Organ and Garritan Violoncello Oct 2014 & May 2024 by VViljanen.
Published by permission.
Copyright E-P. Kanniainen

The Littoinen Pipe Organ Virtual Studio Most Humbly Presents

Missa in D

E-P. Kanniainen: Missa in D op. 7. Arr. by VV & E-PK. Arr. for Violoncello & Organ by VV 2014.

J.S.Bach-Zadora: Siciliana BWV1031. Leonid Kreutzer 1928 on Duo-Art 0336.
Reproduced from digitally simulated original reconstructed reproducing piano roll Nov 16, 2019, and again Dec 11, 2023, by VViljanen. Keyboard temperament here: 442.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Basic info of the original piano roll:
SICILIANA (Siciliano) from Sonata (First) in E-flat (transcribed by Zadora)
Roll Number: 0336, 0336
Composer/Creator: Bach
Pianist: Kreutzer
Roll System: Duo-Art
Country: UK
Date: by October, 1928
Category: classical
Original Price: n/a
*info source: The Player Piano Group web page (by permission)

J.S.Bach-Zadora: Siciliana BWV1031. Leonid Kreutzer 1928 on Duo-Art 0336

Debussy-Ravel: Afternoon of a Faun. George Copeland 1924 on Ampico 56027 - V.435Hz.
Recorded from digitized origibal reproducing piano roll 27 Nov 2018 by VViljanen.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: George Copeland 1882-1971  .- More of this legendary pianist: http://www.richard-masters.com/pdf/copeland_isadorables.pdf
The basic info** of the original piano roll:
L'APRES MIDI D'UN FAUNE (AFTERNOON OF A FAUN)
Roll Number: 56027, 56027H
Composer/Creator: Debussy
Pianist: Copeland
Roll System: Ampico
Country: US
Date: n/a
Category: classical, popular
Original Price: $2.00
**source: from The Piano Player Group web page (by permission)
*Re-arrangement from arr.for 4 hands by Maurice Ravel..?? (comment by VV)

Debussy-Ravel*(?): Afternoon of a Faun. George Copeland 1920's on Ampico 56027 - v.435Hz

J.S.Bach: Sarabande. Partita IV In D BWV828. Sergei Rachmaninoff 1926 on Ampico 66483 - v.415Hz, Werckmeister III.
Recorded** from original digitized reproducing piano roll 12 Dec 2018 by VViljanen.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Sergei Rachmaninoff (1873-1943
Basic info of the original piano roll:
SARABANDE D major, Partita No. IV
Roll Number: 66483, 66483H
Composer/Creator: Bach
Pianist: Rachmaninoff
Roll System: Ampico
Country: US
Date: September, 1926
Category: classical
Original Price: $2.00
*Info source: The Piano Player Group web page (by permission)
** Recorded with 415Hz  Werckmeister III temperament

J.S.Bach: Sarabande. Partita IV  BWV828. Sergei Rachmaninoff 1926 Ampico 66483

Debussy: La Cathedrale Engloutié. No 10 from Preludes Book I (published in 1910). E. Robert Schmitz in Nov 1927 on Ampico 68293.
Recorded** from digitized original reproducing piano roll 13 Dec 2018 by VViljanen
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Claude Debussy 1862 - 1918
Basic info* of the original piano roll:
LA CATHEDRALE ENGLOUTIE (THE SUBMERGED CATHEDRAL)
Roll Number: 68293, 68293H
Composer/Creator: Debussy
Pianist: Schmitz
Roll System: Ampico
Country: US
Date: November, 1927
Category: classical, popular
Original Price: $2.00
*Info source: The Piano Player Group web page (by permission)
**Werckmeister III temperament used here...even though this isn't Bach... ;-)

Debussy: La Cathédrale Engloutie. Preludes Bk I No 10. E. Robert Schmitz  Nov 1927 on Ampico 68293

Debussy: Prelude. Suite Bergamasque. E.Robert Schmitz 1926 on Ampico 65991.
Recorded** from digitized original reproducing piano roll 13 Dec 2018 by VViljanen-
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Claude Debussy 1862 - 1918
Basic info* of the original piano roll:
PRELUDE "Suite Bergamasque" F major
Roll Number: 65991, 65991H
Composer/Creator: Debussy
Pianist: Schmitz
Roll System: Ampico
Country: US
Date: May, 1926
Category: classical
Original Price: $2.00
*Info source: The Piano Player Group web page (by permission)
**Werckmeister III temperament (with 415Hz) used here...even though this isn't Bach... ;-)

Debussy: Prelude. Suite Bergamasque. E.Robert Schmitz 1926 on Ampico 65991

Hans Zimmer - Requiem for a dream

01 Bach  Cantata #82, BWV 82,  Ich Habe Genug  - 1. Aria  Ich Habe Genug

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.