American Classics on the Roll And Beyond Revisited

Charles Tomlinson Griffes_ Scherzo op.6 No 3, played bu Rudolph Reuter on Aeolian piano roll # 70308, Scanned and transcribed into digital form by Larry Doe, wstco.com. Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.

Griffes: Scherzo op.6 No 3, played 1915 by Rudolph Reuter

Mana-Zucca*: Valse Brillante, Played 1916 by The Composer on Ampico piano roll no 52764. Recorded in 2016 and the rec. updated 26 Apr 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll .
Photo: Mana-Zucca, *born  Gizella Zuccamanof, later changed to Zuccaman, 1885-1981.
ANY KIND OF COMMERCIAL USE PROHIBITED.
The info* of the original piano roll:
VALSE BRILLANTE Op. 20
Roll Number: 52764, 52764F
Composer/Creator: Mana-Zucca
Pianist: Mana-Zucca
Roll System: Ampico
Country: US
Date: n/a
Category: classical
Original Price: $1.50
*source. The Piano Player Group web page

Mana-Zucca: Valse Brillante. Played by the Composer in 1916, on Ampico 52764

Zez Confrey plays in 1926 his Waltz Miracle, on Duo-Art 66941A. Remastered and recorded from the digitized copy of the original roll 2016 by VV. 
Commercial use prohibited.
Basic info of the original roll:
WALTZ MIRAGE
Roll Number: 66941, 66941F
Composer/Creator: Confrey
Pianist: Confrey
Roll System: Ampico
Country: US
Date: December, 1926
Category: classical, dance, popular
Original Price: $1.50
Notes: Assisted

Zez Confrey: Waltz Miracle. Zez Confrey 1926 on Duo-Art 66941A

Josef Hofmann: Kaleidoskope Op.40no 4. Josef Hofmann 1925 on Duo-Art 6845-4.
recorded in 2016 by VViljanen - (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One (tone/sound modified/re-designed by VV).
ANY KIND COMMERCIAL USE FORBIDDEN. 
Basic info of the original piano roll in 1925:
KALEIDOSCOPE, Op. 40, No. 4
Roll Number: 6845, 6845-8
Composer/Creator: Hofmann
Pianist: Hofmann
Roll System: Duo-Art
Country: US
Date: February, 1925
Category: classical
Original Price: $4.00

Hofmann: Kaleidoskope Op. 40 No 4. Josef Hofmann 1925 on Duo-Art 6845

Josef Hofmann plays in 1924 Edna Bentz Woods* Valse Phantastique, on Duo-Art 6812-4. recorded in 2016 and the rec. updated/re-edited 25 Apr 2017  by VViljanen - (by permission)from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE FORBIDDEN. 
Basic info** of the original piano roll in 1924:
VALSE PHANTASTIQUE
Roll Number: 6812, 6812-4
Composer/Creator: Woods
Pianist: Hofmann
Roll System: Duo-Art
Country: US
Date: November, 1924
Category: popular, salon
Original Price: $3.00
*Edna Bentz Woods (born 10th September 1891, died 20th September 1974) was an American pianist and composer. She studied with Ferruccio Busoni and Egon Petri in Berlin from 1912-1914, then with Josef Hofmann at the Curtis Institute of Music Philadelphia.
**source of the info: from The Piano Player Group web page (by permission)

Edna Bentz Woods*: Valse Phantastique. Josef Hofmann in 1924 on Duo-Art 6812

Gitta Gradova plays in1929 Edna Bentz Woods**: Polichinelle, on Duo-Art 73720.
 Recorded for educational and pedagogical purpose in 2016, and the rec.updated Feb 22, 2019*** by VViljanen - (BY PERMISSION)from the digitized copy of the original reproducing piano roll with  Grand Petrof Model 275, the instrument re-configured and setup  by VV,
Any Kind Of COMMERCIAL USE PROHIBITED.
Photo: Gitta Gradova, from book cover by Thomas J Cottle: "When the Music Stopped", by permission) 
Basic info* of the original piano roll in 1929:
POLICHINELLE
Roll Number: 7372, 73720
Composer/Creator: Woods
Pianist: Gradova
Roll System: Duo-Art
Country: US
Date: December, 1929
Category: popular, salon
Original Price: $2.50
*Info source: The Player Piano Group web oage (by permission)
**Edna Bentz Woods (born 10th September 1891, died 20th September 1974) was an American pianist and composer. She studied with Ferruccio Busoni and Egon Petri in Berlin from 1912-1914, then with Josef Hofmann at the Curtis Institute of Music Philadelphia. 
1918 she married William Creary Woods (NY, Cold Spring 1.aug.1881-29.may.1967 Wilmington) piano roll editor for Aeolian Company New York City
***with Grand Petrof model 275, re-configurated and setup by VV Feb 22, 2019

Edna Bentz Woods: Polichinelle. Gitta Gradova 1929 on Duo-Art 73720

E. Robert Schmitz plays in 1925 Whithorne*:  New York Days And Nights Suite. Duo-Art 6846. - - Recorded in 2016 (rec updated Mar 10, 2017 by VViljanen (by permission)from digitally simulated original reproducing piano roll. 
ANY KIND OF COMMERCIAL USE PROHIBITED. 
Photo: Emerson Whithorne (1884-1958), portrait by Arnold Genthe (1923)
Basic info** of the original piano roll in 1925:
"NEW YORK DAYS AND NIGHTS" SUITE, Op. 40: No. 3, Pell Street (Chinatown); No. 2, Chimes Of St. Patrick's; No. 4, Times Square (Carnival)
Roll Number: 6846, 6846-3
Composer/Creator: Whithorne
Pianist: Schmitz
Roll System: Duo-Art
Country: US
Date: February, 1925
Category: classical
Original Price: $2.75
Notes: Some sources list Times Square as No. 5
*Emerson Whithorne (birth surname Whittern) (September 6, 1884 in Cleveland, Ohio - March 25, 1958)[1] was a notable American composer and researcher into the history of music. He had a reputation as an authority on the music of China. Whithorne lived for a period in London, staying until 1915. The Times reported that Whithorne was prosecuted for playing the pianoforte at unsocial hours. In November 1913 he won the case brought by the landlord of his South Kensington flat. Whithorne was married to Ethel Leginska.
- As a curiosity of this piece, a well-known Finnish folk tune can be heard as one of the themes of this piece (at 3.30) - possibly heard by the composer on NY streets from someone immigrated from Finland, very common in the beginning of the 1900's. (note by VV)
**source of the roll basic info: The Player Player Group web page

E. Whithorne*: New York Days And Nights Suite. E.Robert Schmitz 1925 Duo-Art 6846

Cyril Scott & Percy Grainger play in 1922 Scott: Symphonic Danse ((Old English Dance))No.1, Duo-Art 6514.
Re-recorded 10 Mar 2017 by VViljanen (by permission)from the digitially simulated reconstructed original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED.
Photo: Cyril Scott (1879-1970)
The information on the original piano roll:
SYMPHONIC DANCE (Old English Dance), No. 1 (arrangement for Two Pianos by Grainger) 
Roll Number: 6514, 6514-4
Composer/Creator: Scott
Pianist: Scott, Grainger
Roll System: Duo-Art
Country: US
Date: March, 1922
Category: popular, salon
Original Price: $3.00 (Price after 1922)

Cyril Scott: Symphonic Danse No 1, Cyril Scott & Percy Grainger 1922, on Duo-Art 6514

Grainger: Children's March 'Over the Hills And Far Away'. Percy Grainger & Lotta Hough 1920 on Duo-Art 6368.
Recorded in 2016, and the rec. updated Nov 24, 2017and Feb 22, 2023 by VViljanen (by permission)from playback of digitally simulated reconstructed original reproducing piano roll, using a modelled Grand Blüthner modified by VVV
Photo: Percy Grainger (1882-1961)
ANY KIND OF COMMERCIAL USE PROHIBITED.
Basic info* of the original piano roll:
CHILDREN'S MARCH: Over the Hills And Far Away (arrangement for Two Pianos)
Roll Number: 6368, 6368-5
Composer/Creator: Grainger
Pianist: Grainger, Hough
Roll System: Duo-Art
Country: US
Date: December, 1920
Category: popular, salon
Original Price: $3.25 (Price after 1922)
*Info source: The Piano Player Group web page (by permission)

Grainger: Children's March, Percy Grainger & Lotta Hough in 1920, on Duo-Art 6368

Percy Grainger plays in 1920 Nathaniel Dett*: Juba Dance (In The Bottoms Suite),DuoArt piano roll 6339.
Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED.
Photo: *Robert Nathaniel Dett (1882-1943)
The information on the original piano roll:
JUBA DANCE from "In the Bottoms" Suite, No. 6
Roll Number: 6339, 6339-4
Composer/Creator: Dett
Pianist: Grainger
Roll System: Duo-Art
Country: US
Date: October, 1920
Category: popular, salon
Original Price: $3.00 (Price after 1922)

Percy Grainger plays in 1920 Nathaniel Dett: Juba Dance (In The Bottoms Suite),Duo-Art 6339

Clarence Adler plays Cyril Scott: Danse Negre, on Ampico piano roll  53723.
Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED.
photo: Cyril Scott 1879-1970
The information on the original piano roll:
DANSE NEGRE Op. 58, No. 5
Roll Number: 53723, 53723F
Composer/Creator: Scott
Pianist: Adler
Roll System: Ampico
Country: US
Date: n/a
Category: classical
Original Price: $1.50

Cyril Scott: Danse Negre. Clarence Adler in 1920's on Ampico 53723

Carolyn Beebe (1874-1950)* Plays In 1918 Cyril Scott Lento op.35 no.1, on Duo-Art Piano Roll 6053.
Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED.
Photo: Cyril Scott 2879-2970.
The information on the original piano roll:
LENTO, Op. 35, No. 1 from Two "Pierrot" Pieces
Roll Number: 6053, 60538
Composer/Creator: Scott
Pianist: Beebe
Roll System: Duo-Art
Country: US
Date: July, 1918
Category: classical
Original Price: $2.00 (Price after 1922)
*Carolyn Harding Beebe (she later spelled her first name as Caroline) was born in Westfield, New Jersey, the daughter of Silas Edwin and Helen Tift Beebe, sometime around 1874. She showed musical interest at an early age and began formal instruction when she was 12 with her aunt, Charlotte Beebe. Carolyn continued her musical studies in Berlin where she studied with Joseph Mosenthal, Paul Tidden, and Moritz Moszkowski. She made her debut at the Singakademie, Berlin, in 1903.
Beebe concertized extensively in Europe, and especially in the United States and Canada, where she played as a soloist in more than 300 cities. She spent the summer of 1912 studying with Harold Bauer in Vevey and Paris. At that time her manager was Loudon Charlton. Beebe taught piano at the Institute of Musical Art (the precursor of the Juilliard School of Music) from its founding in 1905 until 1919.
Though she appears to have had a reasonable career as a solo pianist (including a recital at White House for President Woodrow Wilson), Beebe preferred to play chamber music. For a while she performed with Edouard Dethier, and then with Georges Longy, first oboist of the Boston Symphony Orchestra. In 1913, Longy decided not to continue, so Beebe joined forced with Gustave Langenus, clarinetist of the Barrère Ensemble and of the New York Symphony Orchestra. It was out of this collaboration that the New York Chamber Music Society was conceived in 1914. Its purpose was to bring attention to chamber music by placing an emphasis the programming of unusual and infrequently-heard works. The New York Chamber Music Society debuted on December 17, 1916, at Aeolian Hall in New York City. They continued to have a series of several concerts per year at Aeolian Hall.
In 1924 the Society introduced a new series, "Sunday Salons at the Plaza," which featured music in an area of the Plaza Hotel. The Society appears to have ceased its activities in the late 1930s.
Caroline Beebe was married Dr. Henry H. Whitehouse, a prominent dermatologist. The Beebe family maintained a home in Mystic, Connecticut, where Beebe often spent her summers.
Caroline Beebe Whitehouse died on September 23, 1950, aged 76.

Carolyn Beebe* plays In 1918 Cyril Scott: Lento op.35 no.1, on Duo-Art Piano Roll 6053

Rudolph Reuter plays in 1919 Cyril Scott Lotus Land Op.47  No.1  Eb, Duo-Art Piano Roll 6096.
Re-recorded in 2016 by VViljanen (by permission from Terry Smythe, Winnipeg)from digitally simulated original reproducing piano roll with a modelled Grand Bluethner Model One, tone/sound modified/reconfigured by VV.
COMMERCIAL USE PROHIBITED. 
Photo: Cyril Scott 1879-1970.
LOTUS LAND, Op. 47, no l
Roll Number: 6096, 60968
Composer/Creator: Scott
Pianist: Reuter
Roll System: Duo-Art
Country: US
Date: January, 1919
Category: classical
Original Price: $2.00 (Price after 1922)

Cyril Scott: Lotus Land Op.47  No.1  Eb. Rudolph Reuter plays1919  on Duo-Art 6096

Henry Souvaine plays in 1921 his 'Mood Of A Mandarine', on Ampico piano roll 59092.
Re-recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED. 
Photo: Henry Souvaine 1895-1956
Basic info of the original piano roll:
THE MOOD OF A MANDARIN F sharp minor
Roll Number: 59092, 59092E
Composer/Creator: Souvaine
Pianist: Souvaine
Roll System: Ampico
Country: US
Date: February, 1921
Category: classical
Original Price: $1.25

Henry Souvaine: Mood Of A Mandarine', Henry Souvaine 1921 on Ampico 59092

Zez Confrey plays in 1926 his 'Dizzy Fingers', On Ampico piano roll  65581.
Re-recorded in 2016 by VViljanen (by permission)from the digitally simulated reconstructed original reproducing piano roll, and updated the rec jan 29, 2023, using on its playback and recording a modelled combined/'morphed' Blüthner Grand & Petrof Mistral 284 Grand, modified, revoiced and re-designed by VV.
ANY KIND OF COMMERCIAL USE PROHIBITED. 
Photo: Zez Confrey 1895-1971
Basic info* of the original piano roll:
DIZZY FINGERS novelty 1-step
Roll Number: 65581, 65581F
Composer/Creator: Confrey
Pianist: Confrey
Roll System: Ampico
Country: US
Date: January, 1926
Category: classical, popular
Original Price: $1.5
*Info source: The Piano Player Group web page (by permission)

Confrey: Dizzy Fingers. Zez Confrey  1926, on Ampico 65581

Charles Wakefield Cadman plays his 'To A Comedian', on Duo-Art roll 70098.
Recorded in 2016 and 28 Mar 2018 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified, re-voiced and re-designed by VV.
COMMERCIAL USE PROHIBITED. 
Photo:Charles Wakefield Cadman 1881-1946
Basic info of the original piano roll:
TO A COMEDIAN ("To the One Charlie" Chaplin) from "Hollywood Suite", Op. 80
Roll Number: 7009, 70098
Composer/Creator: Cadman
Pianist: Cadman
Roll System: Duo-Art
Country: US
Date: June, 1926
Category: classical
Original Price: $2.00

Cadman: 'To A Comedian'. Charles Wakefield Cadman 1926 on Duo-Art 70098

Archie Mumma Plays In 1922 Mumma Bird Music 1-2, (1: Purple Martins; Screech Owl; Cardinal, 2: Sparrow; Peabody Bird; Wood PeeWee), on Duo-Art piano rolls 6555 & 6557.
Recorded in 2016, and the rec updated 21 Dec 2017, by VViljanen (by permission)from the digitized copy of the original reproducing piano roll.
COMMERCIAL USE PROHIBITED. 
Photo: Label of the original piano roll 'Bird Music' (part 1)
Basic info* of the original rolls:
"BIRD MUSIC" (Interpreted For the Piano) roll 2: Song Sparrow; Peabody Bird; Wood Pee Wee
Roll Number: 6557, 65579
Composer/Creator: Mumma
Pianist: Mumma
Roll System: Duo-Art
Country: US
Date: October, 1922
Category: popular, salon
Original Price: $2.25 (Price after 1922)
*Info source: The Piano Player Group web page (by permission)

Additional information (from Duo-Art Catalogue): 
MUMMA, Archie A. iI ••• was born near Dayton, Ohio, and as a youth studied piano with Louis W. Sprague in that city, going abroad in 1909 and
becoming a pupil of Joaquin Nin, honorary professor of the Schola
Cantorum of Paris. Gradually his interest in composition super- seded his plans for a career as a virtuoso, and he devoted himself
to song writing until the beginning of the Great War. In
1914 his first piano pieces were published, and thence-forward
piano compositions occupied first.place in his creative activities.
Although from childhood bird songs had been his greatest love and inspiration, and he had striven for several years to
make the songs of birds intelligible in musical notation, the
idea of using them in musical compositions did not take posses- sion of him until after the war was over."
BIRD MUSIC, Interpreted For the Piano--Mumma
6555 - Purple Martins; Screech Owl; Cardinal Red Bird-- (9/22)
 6557 - Song Sparrow; Peabody Bird; Wood Pee Wee--(10/22) 
6576 - Warbling Virio; Mourning Dove; Carolina Wren--(11/22)

Mumma: Bird Music 2. Sparrow; Peabody Bird; Wood PeeWee. Archie Mumma 1922  on Duo-Art 6557

Archie Mumma Plays In 1922 Mumma Bird Music 1-2, (1: Purple Martins; Screech Owl; Cardinal, 2: Sparrow; Peabody Bird; Wood PeeWee), on Duo-Art piano rolls 6555 & 6557.
Recorded in 2016 by VViljanen (by permission)from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED. 
Photo: 
Basic info of the original rolls:
"BIRD MUSIC" (Interpreted For the Piano) roll 2: Song Sparrow; Peabody Bird; Wood Pee Wee
Roll Number: 6557, 65579
Composer/Creator: Mumma
Pianist: Mumma
Roll System: Duo-Art
Country: US
Date: October, 1922
Category: popular, salon
Original Price: $2.25 (Price after 1922)

"BIRD MUSIC" (Interpreted For the Piano) roll 1: Purple Martins; Screech Owl; Cardinal Red Bird
Roll Number: 6555, 65559
Composer/Creator: Mumma
Pianist: Mumma
Roll System: Duo-Art
Country: US
Date: September, 1922
Category: popular, salon
Original Price: $2.25 (Price after 1922)

Mumma: Bird Music 1.  Purple Martins; Screech Owl; Cardinal. Archie Mumma 1922  Duo-Art 6555

Carlos Valderrama (1887-1950) plays in 1921 his Inca Rhapsodie, on Duo-Art piano roll 6393.
Recorded in 2016 by VViljanen (by permission)from the digitized  copy of the original reproducing piano roll.
COMMERCIAL USE PROHIBITED. 
Photo; Inca Rhapsody on Edison 'double-sided'
*Basic info of the original piano roll:
INCA RHAPSODIE (Daybreak On the Mountains), Op. 11, No. 3
Roll Number: 6393, 63939
Composer/Creator: Valderrama
Pianist: Valderrama
Roll System: Duo-Art
Country: US
Date: February, 1921 
Category: classical
Original Price: $2.25 (Price after 1922)
*Basic info source: The Piano Player Group web page (by permission)

Valderrama: Inca Rhapsody 'Daybreak On The Mountains'. Carlos Valderrama in 1921 on Duo-Art 6393

Harold Lewis plays P.W.Orem: American Indian Rhapsody on Themes of Lieurance, on Duo-Art 68067.
Re-recorded in 2017 by VViljanen (by permission)from a reconstructed and digitally simulated  original reproducing piano roll with virtual Grand Bluethner Model One, tone/sound modified/designed by VV.
COMMERCIAL USE PROHIBITED. 
Photo; The first page of the score
Info** of the original piano roll:
AMERICAN INDIAN RHAPSODY On Themes By Thurlow Lieurance
Roll Number: 6806, 68067
Composer/Creator: Orem
Pianist: Lewis
Roll System: Duo-Art
Country: US
Date: October, 1924
Category: popular, salon
Original Price: $1.75
*Preston Ware Orem (1865 – May 26, 1938) was an American composer, pianist, and writer on music. He is frequently grouped with other composers as part of the Indianist movement in American music
**source: from The Piano Player Group web page (by permission)

P.W.Orem*: AMERICAN  INDIAN RHAPSODY on Themes of Lieurance. Harold Lewis 1924 on Duo-Art 68067

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

American Classics on the Roll And Beyond Revisited

Veikko Viljanen