Artists: https://soundcloud.com/inigovontier , https://soundcloud.com/beatfoot , https://soundcloud.com/zombiesinmiami , https://soundcloud.com/joseephdz , https://soundcloud.com/oblakomaranta , https://soundcloud.com/persona_rs & https://soundcloud.com/domas-bojarciukas , https://soundcloud.com/petr_stancl , https://soundcloud.com/orchidsmantissa
Album: Too Much To Match
Label: Playground Records
Cover art: Paulino Estela
Mastering: Submarea Estudio
Press & Communication: Avoiding The Issue
Catalogue: PGR045
Release date: 28/07/2022

Some things only happen once in a lifetime, sometimes twice....Who knows....

'Too Much to Match' is a unique compilation, perhaps unrepeatable, made up of single songs from different producers from diverse geographical and aesthetic backgrounds. 7 original tracks that make up a musical archipelago, a set of islands united by the same thing that separates them. Gems of an irreducible singularity, powerful and very danceable whose character goes beyond any traditional label or defined territory. Get ready to explore unknown sonic landscapes from all corners of the world: Petr Stancl (Czech Republic), BĘÃTFÓØT (Tel Aviv), Orchid (Russia // Moscow), Iñigo Vontier (Mexico // Guadalajara), Oblako Maranta (A-Tweed + Andrey from Radial Gaze // Italy + Russia), Zombies In Miami, Joseeph (Mexico) and Persona RS & Bojarchük (Chile + Lithuania).

Too much to be true? Yes...Too Much To Match!

Too Much To Match

Bitterness (Original Mix)

Persona RS & Bojarchük - Bitterness (Original Mix)

Tres Demented - BrainFreeze

Alex Medina is next up on the always innovative Hungarian label Secret Fusion with a new release featuring remixes from label heads Secret Factory, and techno don Redshape. 

Canary Islands' Alex Medina heads up Mumbai Records, and his work goes from deep house to deep techno via well-crafted electronica. He always looks outside the usual rules with his music and has also released on the likes of Innervisions, Diynamic and Laurent Garnier's CODE3 QR label. 

Opener 'Trio Infernale' kicks off the EP, with a slinky bassline and shuffling groove led by a freaky lead synth sound over heavy and dubby low ends. Add the trippy vocal loops, and you have a track to build incredible momentum in any set. 

Up next is 'Un Memento', a writhing, fizzing fusion of synthetic lines, skewed synths and gurgling bass that fires your synapses and makes for an energising experience as the drums roll on. It's texturally rich and perfect for intense dance floor experiences. 

First to remix is Redshape, a legendary mask wearer from Germany with a lo-fi and dusty take on deeply atmospheric techno on labels like Delsin and Running Back. His superb version slows things down, strips them back to the wobbly acid bass and allows the minimal drums to roll into an unknown future full of subtle tension that keeps you locked. The revered Hungarian party starters and label heads Secret Factory then add their remix. It's a brighter, loose cut with hopeful melodies and reflective cosmic chords, adding an uplifting style to the original. 

The ‘Trio Infernale’ EP is another brilliantly left-of-centre release of rich club sounds from Secret Fusion.

PREMIERE: Alex Medina - Un Memento (Redshape Tasty Dark Mix)

Berlin producer, composer and sound designer NOCUI returns with his new single ‘Starlight Delight’ from the forthcoming EP of the same name. The single arrives on September 1st via Shapeless Culture. 
 
Italian born musician and producer Leonardo Di Fiore, better known as NOCUI, has garnered a solid reputation for meticulous sound-work, absorbing rhythms, seductive and memorable club music that spans a breadth of influences from 00s house to Mediterranean and Latin references. 
 
On ‘Starlight Delight’, NOCUI takes us to a carefree disco-acid wonderland, where pianos loop, 303 bubbles and saxes swirl through a captivating sonic spacescape. As the vocal invites us to ‘dance tonight.. forget about all your problems’, the track delivers spades of late summer escapism like the joyful abandon of a Pikes pool party, margarita in hand. 
 
A vibey stargazy treat that does exactly what it says on the tin. Essential. 
 

NOCUI says:
 
“This track was a real turning point for me. It was probably one of the hardest tracks to create in my whole production experience. The hardest part was not the technical aspect of it, but reaching quite literally the “vibe” I felt inside. In a certain sense this track helped me clarify to myself the direction I wanted to go as an artist, and the emotions I wanted to convey with my music. As a musician that loves club music it’s always been very hard to find that middle ground, and the method to do this in general was hard to decipher. With this track I believe I have learned the method through trial and error, but now I have a better idea of what my musical language is. This learning process gave birth to a track I’m truly proud of.”

@nocui
@shapeless-culture

NOCUI - Starlight Delight [Shapeless Culture]

Atish - 2007

My MC-707 died, they just don't built them well these days. I have reverted back to using Ableton Push 3 SA.

LOOP 2 DEEP TECHNO

Vertice

Hypnotic Bliss (DJ DS Deep Groovy Long Play)

buy on bandcamp

Jean Deep - Hypnotic Bliss (DJ DS Deep Groovy Long Play)

THANK YOU ! .....for the turbulent and successfully year. 
You can download here my new Air - Run ( Edit ) FOR FREE ! 
SHARE SHARE SHARE.....i´ll like it ;)

Air - Run ( Veitengruber Edit )

Florista EP

Wardance Dub

AEON is nearing its 50th release. Before we touch that big number, we would like to share a fine record by the honcho himself, Alex Niggemann. The inspiration behind this release was found in experimenting with a vocoder. Alex explains: “society might have us all as robots if we didn’t take care to be open minded - both musically and in general. That was the inspiration and it was great fun to make.”. A view that fits the current zeitgeist perfectly.
The futuristic theme is felt from the offset, as the forward-thinking sound of „Like A Robot“ gets underway. Reverberating beats blend into echoing machine-like vocal samples, before chiming keys give way to a stunning lead synth that feels both emotive and danceable in one. The vocoded vocals meeting a plea to replace the human race with robots, cause the track to have a rather dystopian notion. 
The ‘Technology’ vibe is inspired by late 80ies breakbeat tracks. Once the beat is in full range with the sparkling & upclimbing synths, pictures of vintage B-boys & girls videos, making their acrobatic dance moves, are projected in our minds. A slight twist brings the classic Juno 6 lead synth characterizing the main part.  
For the remix, AEON invited Fabrizio Mammarella, who’s known from his release on DFA, Permanent Vaca- tion or Jennifer Cardini’s Correspondent as well as his collaborations with Lauer as Black Spuma. Mam- marella’s version of ‘Technology’ transforms the break beats in a solid 4 to the floor groove, while the more electro sounding bassline of the original is replaced with a classic Italo inspired synth sequencer that un- doubtedly will please the crowd on the dancefloor. 
The last original track of this EP is called ‘Shepherds’ named after those who control. Poignant strings dive in and out, while the constant loopy groove could bring back memories of musically inspired „Moroder“ nights at good old Studio 54. 
The 49th release on AEON is again a complete pack by the Berlin label.

Like A Robot

Technology (Fabrizio Mammarella Remix)

Alex Niggemann - Technology (Fabrizio Mammarella Remix)

Mirco Veitengruber, also known as VEITENGRUBER, is a professional in the dance music industry. His background dates back to the mid-1990s, as DJ and producer of the trance project Genetic Line. After a break, Mirco returned to the music industry in 2009 and his sound has matured, as evidenced by the success of his hit "Gimme Some Muah". He has released music on renowned labels and performed as a DJ and live act all over the world. In 2012, he founded Degree Records and later "hi-music" to demonstrate his passion for house music.