what a tense, beautiful nightmare.  superb!

Great production, dark and uncomfortable. Profound ups and downs of surprising layers of sound. Inspiring. 🪐

In this excerpt the sounds of the loom, as metaphor of the technological information operated by the handcrafted gesture of the hand, creates new possibilities of language.
The piece want to give an imaginative sound rendition to the warp and weft weaving process, the presence and absence of representation, and the intersection to technology with tradition.

Credits:

Loom is part of the EP “Scanners”, released February 18, 2023 for the label Plus Timbre

Lorenzo Brilli - sampler, production, electronics, drums, percussions

Recorded and composed on June 2022 
Mixed and mastered at Ferm_ Recording studio by Ruggero Fornari

Loom Excerpt

25.06.24 (Live Recording)

Electric guitar, effect pedals, unsynchronized loops, two tube amps. All sounds, mixing and production: VSS. Image: Filmstill from "Blade Runner"(1982), altered detail.

Download

Visitor

...organise des images qui ne rendent rien sur photographie ; les verts d’imprimerie s’y confondent et ratatinent le beau.
***

credits

catalogue : muzakorderEP0014

recording(s) : fhauna

mastering : Cyril Meysson

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fhauna.bandcamp.com/album/strange-s…-to-dance-apart

strange-silence-to-dance-apart

gnozea (& the shell)

Gnozea (& the Shell)

Et c’est tellement mieux quand il n’y a personne pour me surprendre ravi sur ses chemins.

(eugene f. : le ballon)

2_lodges

Hey all - thanks for popping in to listen to my looping improv, 100% live and performed in real time, exactly the way you hear it here. 
Simple setup -> Tele, 20% More, looper, reverb. That's basically it. Zero edits, so what you hear is how it happened, an outtake from an extended, joyful session. 

Enjoy!

Ixert Evac

Exhalations on the road to extinction

Breath, voice, violin bow on electric guitar, electric piano, effect pedals, percussion, non synchronized loops, two tube amps. Field recording: Electromagnetic waves made audible with Soma Ether. Spoken words: "Ariel" (1962), last verses, read by Sylvia Plath. All sounds (except Plath's reading) mixing and production: Velvet Something Superdark.
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"And I 
Am the arrow,

The dew that flies
Suicidal, at one with the drive
Into the red

Eye, the cauldron of morning."
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Ariel

A blend between two different projects, to say not in my name
audio taken from a raw italian documentary about all we already know..
work in progress

غزة  *Pay attention to the volume

This is the first track I made using my newly built Big Dumb Sequencer by @isaac-beers. The first three rows of the sequencer control the pitch of the kick/bass and three NLC FM OP sine oscillators (triads/lead). The fourth row triggers the hi-hat, the fifth the snare, and the sixth modulates the NLC MORE cowbell's delay rate (XAOC Sarajewo). The gate row triggers the cowbell and the reset after 10 steps. I controlled the Weston B2 kick and sidechain envelope with another trigger sequencer and my master clock (PNW).

Like Water

Trickle

half remembered

Handmade (Experimental) (Ambient) Sound (Art)

Velvet Something Superdark is 1/2 of  https://soundcloud.com/snow_omen

Ariel

Velvet Something Superdark

Recent comments

Pierre Bordetti

Tuonela

Grey Shoes

sadà\exposadà

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