Ex- Factor Lauryn Hill short cover

Just a snippet from an old original song which I'm in the process of reworking 

Jump Down- Original Song (short demo section)

A 'slow jam' thing I guess. Slow paced acoustic guitar with some electric solo stuff over the top

Slowjam

Credit to JustAcoustic on youtube for the backing track.

Here - Alessia Cara (Cover) - Sophie Pearce

Jewish Dance (Prod By Khachaturov)

Home Studio

Again

A sound piece accompanying my photography project "Mother"

http://www.verahadzhiyska.com/mother

Майка (Mother)explores my Bulgarian cultural identity and how elements of it have changed due to my migration to England and interaction with the British cultural environment. Майка consists a series of self-portraits which represent my mother, accompanied by a sound piece.
The self-portraits aim to create a domestic atmosphere, a sense of home and belonging, referencing details of my Bulgarian cultural background. I chose to dress as my mother for she is my strongest connection to home. The title Майка references Bulgarian revolutionary literature, where the mother is used as a symbol of the homeland. 
The sound piece is a juxtaposition of recordings created in Bulgaria, working in collaboration with my mother. The sounds are diverse but all are connected to my family and everyday life in Bulgaria. The Bulgarian language iscrucial to the soundtrack as it is an important part of mycultural identity. 
Although the work is autobiographical, it aims to resonate with the wider issues of migration, memory and place.

Vera Hadzhiyska,  "Mother" project sound piece

A new tape has come our way, this time directly from the Eastern future. In our attempts to decode the time that has no yet come, we managed to get our hands on a lost & found KASET that serves as an archival object, a tape that gives visionary insights into a utopian future. 

If we can only imagine the outward characteristics of the future, we can alternatively have a better understanding of it through the means of sound. By engaging in a distinctive kind of sonic futurology, Easternfuturism by Bogdan Orbita provides us with a new understanding of both the time of 'has been' and the 'yet to come'.

1. Acezantez — Bajka (excerpt) (Yugoslavia, 1977)
2. Iván Patachich — Metamorphosi Marimbára És Magnetofonra (Hungary, 1980)
3. Mikhail Chekalin — Ostinato-Asthenia = Остинато-Астения (USSR, 1991)
4. DJ Kondás, DJ Beckett — Törpe (Hungary, 1998)
5. NSRD — Kurmja aptuvenie ceļi (Latvia, 1988)
6. Владимир Рацкевич — Пусто (USSR, 1991)
7. Юрий Касьяник — Untitled (USSR, 1990)
8. László Hortobágyi — Gáyan Uttejak Orchestra — Culture Of Bass (Hungary, 1987)
9. Владимир Рацкевич — Манифест (USSR, 1990)
10. Legen — Veseli se... (Croatia, 1996)
11. Petr Skoumal — Jeden Můj Známej (Czechoslovakia, 1990)
12. László Hortobágyi — Balinese Gat (Hungary, 1989)

www.kajetjournal.com

Vera Hadzhiyska, "Mother" project sound piece

Vera Hadzhiyska

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