Only 5% of all producers identify as female. Here is a playlist from the indie scene. Please support, follow or share the playlist!

Female Producers Vol. 3

Dreampop

Untitled playlist

muni (w/lure division)

Deftones – 976 EVIL

Decalius - Loneliness

Track made by Yakui the maid, I'm not the original author

Yakui the Maid - Futility

BUY/STREAM HERE
Merch: https://humanmeatgrinder666.bandcamp.com/
Bandcamp: https://humanmeatgrinder666.bandcamp.com/album/the-end-of-the-world-as-we-know-it-ft-gorefetish
Spotify: https://open.spotify.com/intl-es/artist/0yBzgetZpSZ5m4hwImoXEp
Apple Music: https://music.apple.com/us/artist/human-meat-grinder/1674001551
Soundcloud: https://soundcloud.com/vera_s3ppuku/human-meat-grinder-the-end-of
Youtube: https://youtu.be/a3pMHG8fC2Q

Single: The End of the World as we know it ft. GoreFetish
Released: 04/03/2025
Genre: Technical Slamming Brutal Deathcore
Location: Argentina/USA

Tracklist:

1. The End of the World as we know it ft. GoreFetish


Line-up: 
Vera Arianna Stork: Instrumental
GoreFetish: Vocals

Facebook: https://www.facebook.com/share/15zacruQAR/
Instagram: https://www.instagram.com/vera_s3ppuku
X: https://x.com/vera_s3ppuku
TikTok: https://www.tiktok.com/@vera_seppuku


Credits:

Produced, Mixed and Mastered by Vera Arianna Stork
Artwork by Vera Stork
Video by Vera Arianna Stork

#TECHNICALSLAMMINGBRUTALDEATHCORE

LYRICS:

Immense creature
Unfathomable wrath
Arise within darkness
Monolithic
Annihilation
Rescind mankind

Death throws of humanity
Writing endlessly
Extinguished light of god
Befallen where the beast has trod 

Arrive upon blackened skies
Expiate in sacrifice

The Sun will grow dark
The blood of the martyrs
Falls upon the bones
Astronomic disorder
Apocryphal menace
Turning one against another
Hate born within
Until all are torn asunder 

Awakened empowered
Humanity cowers
Abhorrent destructor
Parasitic killer
Relentless horror
Consumes man and child

Global insanguination
Biblical retaliation

Human Meat Grinder - The End of the World as we know it (ft. GoreFetish) (SINGLE)

Human Meat Grinder - Invisible existence

Yakui The Maid - In Affliction

Into the Abyss (2025) – Calling out fake friends
At some point in life, we all come across fake friends, who pretend to care and drag you into the abyss. The lyrics channel the raw frustration of being used, betrayed and misled. "Into The Abyss" is a cathartic scream for justice, a metalcore song that pulls no punches, when it comes to calling out toxic people.

Nadine de Macedo: composition, arrangement, lyrics, screams, synthesizer, programming, production
Thomas Utzel: composition, synthesizer
Daniel Hiatt: vocals, guitars, lead guitar

Where to find us:
https://soundcloud.com/nadinedemacedo
https://soundcloud.com/dshiatt

Into the Abyss

Into the Abyss (feat. Daniel Hiatt)

MURDER ONE

Beneath the Shell (2025) - If life were a bug...
Inspired by Kafka's surreal novels, this song is questioning our very existence. What if life has no purpose at all and everything boils down into a cacophony of accidents? Some bugs undergo metamorphosis, others will stay the same. Heavy metalcore riffs meet synthesizers and weltschmerz.

Daniel Hiatt: composition, arrangement, vocals, guitars, bass, screams, programming, production
Nadine de Macedo: lyrics, synthesizer, production

Where to find us:
https://soundcloud.com/dshiatt
https://soundcloud.com/nadinedemacedo

Beneath the Shell

With Drift into Nothing, Nightsorrow traces a fragile journey through absence and dissolution. Three songs unfold like fragments of a diary: questions whispered into the void, reflections breaking like glass, and farewells that never find closure. Ethereal yet raw, the EP drifts on the edge between dream-pop haze and shoegaze intensity, suspended where emotion fades into silence.

Con Drift into Nothing, Nightsorrow dibuja un frágil recorrido por la ausencia y la disolución. Tres canciones que se abren como fragmentos de un diario: preguntas susurradas al vacío, reflejos que se quiebran como cristal y despedidas sin cierre posible. Etéreo y a la vez descarnado, el EP deriva entre la bruma del dream-pop y la intensidad shoegaze, suspendido donde la emoción se desvanece en silencio

Why?

Crystal Fade

iTunes pre-order: http://smarturl.it/cagetropical
Bandcamp pre-order: https://frankierose.bandcamp.com/album/cage-tropical

After spending years as a major presence in Brooklyn’s thriving music scene, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s 4th album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made"

 "I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."

Cage Tropical

Buy LP/CD

Frankie Rose - Trouble

Rumskib

Where Are The Flowers?

Nightsorrow is the sonic vessel of Argentine artist Vera Arianna Stork, weaving dream pop, shoegaze, and ethereal wave into a seamless universe of sound. Her whispered vocals drift like light through reverb-drenched walls of guitar, carrying both intimacy and immensity. From luminous stillness to dense, emotional surges, Nightsorrow unfolds as an evolving journey rather than isolated chapters — a continuous dreamscape where fragility and power coexist. With each release, Stork expands this ethereal world, inviting listeners to dissolve into its melancholic glow and celestial haze.

Why?

NIGHTSORROW