Name: VERLAG VERLAG @Refuge Worldwide with Alexander Iezzi by Verlag
Duration: 1 h 12 s
Description: 🏷️ Alexander Iezzi takeover show live from Refuge Worldwide in Berlin. 2nd of April 2024 9-10 pm.

This is a TidalCycles jam I recorded for TOPLAP Düsseldorf's 1st compilation »_EXECUTE Vol​.​1 - A Compilation Of Contemporary Algorithmic Music«. The whole thing and some more information can be found here: 
https://toplapduesseldorf.bandcamp.com

This is the code I used:
```
setcps (157/60/2)

let panner spd = pan (fast spd $ range (-1) 1 $ saw)
    in d1
        $ whenmod 30 28 (slow 2)
        $ whenmod 20 16 ((fast "[0.5|1]") . slice 4 ("[0|3]!6")) 
        $ whenmod 24 21 (linger 0.5)
        $ whenmod 27 24 (scramble 3)
        $ someCyclesBy 0.5 (jux rev)
        $ stack [
              whenmod 10 8 ((# room 0.25) . (# size 0.25)) $ 
              whenmod 22 18 ((|- n 12) . (# panner 3)) $ whenmod 9 6 ((0.5 ~>) . (# up ("[-2|-1|-3]"))) 
            $ s "[null:27*3?]" 
            # cut 0 # shape 0.6 # gain 0.9 # fshift (20) 
            , hurry 0.5 $ randslice 6 $ every 2 (# accelerate "<[-4 4], [-8 8]>") 
            $ s "[~!7 undefined:17*18 ~]" 
            # cut 2 
            , loopAt 3 
            $ s "{~!5 undefined:15 ~!3}%3" 
            # gain 1 # binshift 0.25 # fshift (2500) # shape 0.7 
            , whenmod 7 5 (linger 0.125) $ somecyclesBy 0.2 (hurry 4) $ hurry "[0.25|0.75]" $ loopAt 2 
            $ s "undefined:6" 
            # amp (slow 6 $ range 0 0.9 $ tri) # cut 3 
            , hurry "[0.25|1/3|0.5]" $ loopAt 1 $ s "~!8 undefined:7" 
            # shape 0.7 
            , s "[~!5 undefined:3]/2" # shape 0.5 # waveloss 80 
            # shape 0.6 
            , somecyclesBy 0.5 (|- n (irand 4)) 
            $ s "null*6" # up "<[1, -9] [-10, 4]>" 
            # shape 0.75 
            , s "undefined*9" # fshift (slow 4 $ segment 16 $ range (-1000) 10000 $ perlin) 
            # shape 0.8 
            somecyclesBy 0.5 (jux rev) $ whenmod 21 17 (# panner 6) 
            $ note "-1 2 3 -4 5 6" 
            # s "undefined:5" # gain 1.4  
        ]
```

Staxl ┊Account Suspension Notice┊જ

Said surprise

Mike Nylons live at BORDERLINE 2023 / Atelier Wolimierz, Pobiedna, 30.07.2023

Mike Nylons @ BORDERLINE 2023

11_0/1

FUJI||||||||||TA, MMM, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2403
Ltd. purple vinyl / digital
Release date 18. April 2024

FUJI||||||||||TA returns to Hallow Ground with his second full-length for the Swiss label after it had released his international breakthrough album »iki« in early 2020. Active since 2006, the Japanese composer and sound artist has become prolific since the release of »iki,« releasing a slew of records while also touring the world. His new album »MMM« is Yosuke Fujita’s most complex so far. Changing the set-up of his pipe organ by switching to an electric air pump allowed him to activate new sonic and compositional potentials of the instrument, while he also expanded upon his experiments with his own voice. »MMM« is a masterpiece of conceptual and formal rigour—a testament to how multi-layered and versatile the music of FUJI||||||||||TA can be. 

Previous releases had already showcased Fujita's interest in working with the rhythmic potentials of the organ he built himself in 2009. Replacing its hand-operated air pump with an electric one allowed him to work with it more freely and simultaneously record its sounds. This marked the starting point for the opener »M-1,« for which he recorded the pipes by waving a gun microphone close to it, thus creating shifting rhythmic patterns. The piece engages in a perpetual play of repetition and difference, balancing sonic intensity with compositional dramaturgy. For »M-2,« the artist uses his voice and works with a singing technique he has developed over more than a decade: constantly exhaling and inhaling, he puts a strain on his internal organs in order to create what he calls a »third voice.« The resulting piece is built on a throbbing rhythmic foundation topped by wordless melodies.

»M-3« closes the album as a synthesis of these two pieces, but is far more than the mere sum of its parts. The subtle tonal shifts of the organ take on a more subdued role this time, and Fujita’s scat growling and singing reappears in processed form. »M-3« combines the rhythms and melodies of the previous pieces to let something entirely new emerge out of them, much like the album is based on perpetual changes and recombinatory strategies. In fact, Fujita explains, the acronymic title can be read in many ways: this album is minimalistic, but freely mixes and mingles different materials in magical and even metaphorical ways while also paying its dues to his wife and daughter—M. and M. Just like its title can mean a lot of different things, »MMM« itself is ever-evolving, traversing different moods and opening itself up to a plethora of interpretations at each of its many turns.

FUJI||||||||||TA  -  M-3

it's oh so quiet (singing bowl cover)

Berlin-based events organizers and label Creamcake are pleased to announce their latest release, Ludwig Wandinger’s Eat the Rich (Original Score) album (released March 15th 2024) 

Having participated in 3hd: “Let Them Eat Cake” last year, the producer, performer, and visual artist provided music for the festival’s pièce de résistance—a collaborative dramaturgy of performance, conversation, and food called “Eat the Rich.” The two-day banquet held at HAU Hebbel am Ufer was catered by artist and cook Caique Tizzi and named after the political slogan opposing wealth inequality and popularized during the French Revolution. Featuring a number of interdisciplinary artists—with Arvida Byström, Élie Autin, and Cassie Augusta Jørgensen among them—Wandinger’s soundtrack to these evenings of delightful resistance is an exquisite suite of seven MIDI movements, inspired by the event’s luxurious Baroque themes. 

Eat the Rich (Original Score) tumbles in on the 11-minute atmosphere of opener “Flower Still,” its metrical harpsichord-sounding prelude blooming into delicate pads and choral patches that draw the listener into its world of decadence and escape. That track is followed by the ambiguous narrative thrust of structured three-to-four minute numbers, whether in the cyclic breathlessness of “The Jester’s Ritual” or the orchestral ebb of closer “Engouement” (French for “fad”). There’s another extended listen in the menacing swell of “The Lurking Dance,” while a sense of longing and wanderlust is led by a cascade of string samples on “Fernweh Poitrine.” As melancholic as it is hopeful, Wandinger’s compositions reflect on the “Eat the Rich” narratives of death and decay, beauty and power. 

The artist himself is no stranger to the intersensory and interdisciplinary nature of the feast he scored. Working in both the audio, as well as visual fields under the multimedia digital art moniker of “kirschbluetenimwind,” Wandinger has shown his work across Europe and around the world. He often marries these mediums to cross-format, synaesthetic effect, whether it’s in the cover art for his 2021 cassette release on Orange Milk Records, Rooms, or his animation and sound piece “Modern Church,” presented as part of Vienna’s Keyframe digital art exhibition in 2022. Wandinger has also worked extensively scoring a number of choreographer Kianí del Valle’s dance performances, and is one of 16 artists selected to participate in a two-year residency for experimental music festival Monheim Triennale. With releases on labels like Gin&Platonic, and compilations like the Mutants Mixtape series—as well as co-production credits on PAN and Genot Centre—Wandinger’s work is an equal parts spontaneous and intentional organism of rhythm and sound design by a master of his field. 

CC012 

released March 15, 2024 

Artwork by Claire Barrow 
Design by Ludwig Wandinger 
Mastered by Rashad Becker

Buy on Bandcamp

Fernweh Poitrine

END OF LOVE — Dua Lity X GHOST RAID

🏷️ Alexander Iezzi takeover show live from Refuge Worldwide in Berlin. 2nd of April 2024 9-10 pm.

VERLAG VERLAG @Refuge Worldwide with Alexander Iezzi

LYL Radio - April 2024

From Volume & Void. Released on Superpang,  September 18, 2020
https://superpang.bandcamp.com/album/volume-void

Composed through experimental scheduling algorithms that explore the duality of immediate, direct events with gradual and evolving processes.

System and sounds created during the summer of 2020 in Scheveningen, The Hague.

Design: Joe Gilmore

Volume & Void

Human curation of music in the age of algorithmic based taste.

VERLAG
[fɛɐ̯ˈlaːk]

Verlag is a platform for music curation and multidisciplinary projects with a focus on sound, literature and fashion founded by Simone Antonioni and Johanna Nothroff.
It functions as music label and digital archive for in-house interdisciplinary projects and exhibitions.
Newsletter via verlageu@gmail.com

VERLAG VERLAG @Refuge Worldwide with Alexander Iezzi

Verlag

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