Track blogged on Dance Yrself Clean http://www.danceyrselfclean.com/reviews/track-reviews/veronica-falls-broken-toy

i knew i gotta get my hands on this since the very beginning

This was cool and reminded me of all beach rock, You guys should check me out interested in feed bacl

Awesome!! Love your song!! Add https://soundcloud.com/diego-benedito-145662092/sets/indie-alternative-rock-june-1

New single taken from  Waiting For Something To Happen.

Out on 14th October on 7" and digital download on Bella Union and 22nd October on Slumberland in the US.

Veronica Falls will tour the UK in October with support from Bleached:
October
19  - Brudenell Social Club, Leeds
20 - Broadcast, Glasgow
21 - Gorilla, Manchester
23 - The Dome, London

Broken Toy

Nobody There is the new single recorded for our upcoming tour:

OCTOBER
30 - GoodGod Small Club, Sydney 
31 - Northcote Social Club, Melbourne 
NOVEMBER
2 - Camp Symmetry festival, Singapore 
6 - Voice Space, Bangkok
7 - Freeman’s Sporting Club, Tokyo 
8 - Cay, Tokyo 
9 - Est, Tokyo 
10 - Noon, Osaka 
12 - Backstage, Hong Kong

http://veronicafalls.tumblr.com/

Nobody There

Bleeding Heart

The Churchhill Garden - Always There

Ausmuteants - Order Of Operation
112GONE
Release Date: September 30, 2014

AUSMUTEANTS started life in late 2011 in Geelong by Jake Robertson and Billy Gardner. Both had been playing since teenagers in trad garage bands The Frowning Clouds (Jake) and The Living Eyes (Billy). Being good looking rebels who play by their own rules, they cracked the shits, broke loose with just a synth and drums and in early 2012, knocked out the 'Split Personalities' tape. By the time that was out they'd added Melbourne loose-unit Marc Dean on bass, and soon after, ex-Canberran hardcore non-guitarist Shaun Connor on guitar.

Their second album 'Amusements' (note: not self-titled) came from this fledgling time as a full band, with a heavy dose of the duo’s songs. Since the runaway international success of that record and playing every second weekend in Melbourne, they’re rocked-out full-tilt with all four members writing and singing new songs. 23 of these were recorded live with vocal overdubs in the basement of an old Geelong ice cream factory by Mikey Young, then mixed and mastered in his idyllic coastal abode. Again the band and their Australian label Aarght Records strained the friendship with song picks, agreeing on 13 to make up 'Order of Operation'.

This record is better than Amusements any way you cut it: songs, lyrics, delivery and sound. The album opens up with Shaun’s forehead- and thigh-slapping musical and lyrical debut, "Freedom of Information". His girlfriend is suffering the indignity with panache. From there, songs range from balls-to-the-wall punkers ("Felix Tried to Kill Himself"; "Boiling Point"), well-considered workouts ("Family Time"; "Tunnel Vision") and unguarded tenderness ("Wrong"; "Looney Bin").

It's not just the band and label singing the album’s praises; it's the people who couldn't stand their juvenile bullshit before. They’ve ditched the toilet humour, got nasty and written songs about other people’s problems, terrible bands, fighting crime and trading sex for porn. Mikey after a vocal take: “You deserve to be bashed for that” (the song’s on the record; you guess which one).

'Order of Operation' is now their defining moment. If you don't like this record, you pretty much won't ever like Ausmuteants.

Order Of Operation Tracklist
1. Freedom Of Information
2. We're Cops
3. Family Time
4. Stadiums
5. Publicity Stunts
6. Wrong
7. Felix Tried To Kill Himself
8. Tunnel Vision
9. Looney Bin
10. 1982
11. Not Whole
12. Boiling Point
13. Depersonalisation

AUSMUTEANTS ON FACEBOOK
www.facebook.com/ausmuteants

GONER ON FACEBOOK
www.facebook.com/pages/Goner-Records/73295355242
ONLINE STORE
www.goner-records.com
FOLLOW US
www.goner-records.tumblr.com

Ausmuteants "Boiling Point" // 'Order Of Operation' Out Now On Goner Records

THE CHURCHHILL GARDEN feat. KRISSY VANDERWOUDE
:::::   the same sky   :::::

additional voices by: Omega Vague (Craig Douglas USA)



__________

Music and all Instruments:
The Churchhill Garden | Andy Jossi (switzerland)

Lyrics and Vocals:
Krissy Vanderwoude (USA)
__________

Mastered by:
Andreas Balaskas @ Masterlab Studios | Berlin  (D)

Lyrics:

You…
You and I
We look up
To the same sky

When it’s dark
And we need light
We just close our eyes
And we’ll meet where dreams collide

Here we can watch the birds fly by 
Underneath the clear blue skies
Lying here, just you and i

You give me hope
You make me float
Like the clouds 

You make me smile
Can we stay a while
In this dream 
Our hearts can fly

Now we can watch the stars at night
Shimmering across the sky
Shining bright for you and i

the churchhill garden

THE SAME SKY feat. krissy vanderwoude

third single from forthcoming Beaches double album Second Of Spring.
Pre-order Second Of Spring on 2LP, CD or digital via:
www.chaptermusic.com/store/beaches/second-of-spring
www.chaptermusic.bandcamp.com/album/second-of-spring
digital stores: http://radi.al/SecondOfSpring

www.facebook.com/beachesband

Second Of Spring

Beaches - Arrow

Wireheads-Technical Man

From the split Vague Clipping: The Bvs x Toy Tambourine

The BV's - Clipping

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

Broken Toy

Veronica Falls

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