Única 
Bailaora de Techno 
Amante del D&B
Conquistadora de pistas de baile
Adicta al volumen alto 
ravera

Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

Booking: julia@katerblau.de

Bio: Fooliks Karriere begann auf der anderen Seite des DJ Pults. Auf dem Dancefloor. Als Raver. Sowieso ist er viel mehr als nur DJ. Eher der 360°-Techno-Prototyp. Ladenleitung, Artistcare, Stage-Management, Bühnenbau, Foolik hat schon so ziemlich alles gemacht. Doch was sich durchzieht, ist das Auflegen. Erst sieben Jahre Resident im Sisyphos, seit 2019 schießlich im Kater Blau, wo er mit seiner eigenen Reihe Fool and the Gang regelmäßig sein eigenes Programm gestaltet. Wie sich das anhört? Pradikät: Booty-Shake-Garantie. Und wenn ihr ihn mal nicht hinter’m Pult seht, wisst ihr, wo ihr ihn findet. Vor dem DJ. Auf dem Dancefloor.

Artist: MANTi
Title: Numa
Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 038
Release Date: June 13, 2025
Buy Link: https://kioskid.bandcamp.com  

Follow & Support: 
Kiosk I.D. 
SC: @kioskid  
FB: facebook.com/KioskIDMusic 
Bandcamp: kioskid.bandcamp.com/releases  
Beatport: beatport.com/label/kiosk-id/80379  
IG: instagram.com/kiosk.id  

MANTi
SC: https://soundcloud.com/mantiofficial
FB: https://www.facebook.com/mantiofficial?ref=br_rs
Beatport: https://www.beatport.com/artist/manti/562526
Spotify: https://open.spotify.com/intl-de/artist/2o8lhgWt1O53AhZxjnGBei?si=MfXJik9rSeycopX13pIuXQ&utm_medium=share&utm_source=linktree&nd=1&dlsi=524efe85b5984e94
IG: https://www.instagram.com/mantiofc

About:  
MANTi returns to Kiosk ID with ‘Numa’, a four-track EP that infuses her beautifully textured synth work with chord-crazed nostalgia and an eclectic rigour that transforms her hovering melodics into spaced-out dancefloor weapons. 

Opening with the roller of the set, ‘Numa’ weaves a beautiful tapestry of melodic threads—warm saws, dramatic pads, metallic jolts—gradually and anthemically, atop a throbbing carpet of bass and white-noise drums. Enveloped in layers of wondrous pads, Numa tells a vast and dramatic epic within the framework of a crushing dancefloor track. 

‘Shade’ delivers an eclectic disco-infused groover. Oscillating between dark percussive drum structures, shimmering tambourines, funky guitar plucks, and a nasal, spaced-out synth traversing fluidly above an infectious groove, Shade is an eclectic system shock, complete with ravey piano stabs and breakbeat insert. Unexpected, cosmic, and powerfully musical. 

With ‘Halo’, MANTi leans into a playful and exploratory sense of complexity—found-sound percussion, pitch-shifting synths, piano chord chops, and spaced-out vocal effects orbit a steadily hovering tone. Anchored by a relentless bassline, Halo artfully oscillates between wild escalation and a stripped and effective core. 

Closing track ‘Ashes’ unearths cycling figures of ethnically charged percussive grooves. Cascading chimes, cavernous synth impacts, and a morphing, soothing bass lead unfold a slow-burning roller rich in contrast—warm, spaced-out, drum-centric, and heavy in atmosphere. 

With Numa, MANTi delivers an eclectic foursome that fuses richly textured melodies with—you name it—Disco, Chord House, Breakbeat, or her own brand of percussive and tonal experimentation. Numa ends up both intimate and expansive—designed for dancefloors, rooted in sonic storytelling, and at the bleeding edge of dance music.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

Soundcloud Page of Hamburg based DJ/Producer/LiveAct Thomas Atzmann.
for Booking please contact: booking(at)thomas-atzmann.de

Ouïe is the label where tales will be told. 

You hear the artist’s influences; the travellers they passed, the lovers they lost, the jungles, deserts and cities they crossed. And, of course, you hear the work of musicians whose knowledge of music allows them to cross-pollinate computer music with ease. Think jazz. Imagine disco. Dream ambient. Desert grooves. Imagine what you can’t. 

Behind Ouïe are Acid Pauli and Nico Stojan, guys who have created these shifts with their music over multiple utopian soirees attracting some of the most colourful and awake people on the planet. Joining them to tell the tales will be friends old and new. Quantum collage, Oceanvs Orientalis, Nu and of course many more, but this will happen organically and diversely, like the music.

tour dates & tickets:
keraladust.com/tour
-
mgmt: chris@parasolartists.com
booking UK/Europe/South Asia/Middle East. cris.hearn@teamwass.com
booking north & south america/Australia/Aisa: dlandau@tbaagency.com

Verónica Snow is following