Another track, done. Truly defying the odds. 
So! The Qyooo was a challenging plugin to use! Took me a while to wrap my head around its workflow. It's reeeally tough to use for percussion, but it was a blessed and humbling exercise in sound design. My filter game has strengthened. The oscillators are pretty simple, most of the focus is on the filter modulations.

Texturally, it's a bit simple from the chiptune mindset, so I went much more melodic than I usually go to compensate. Learned a bunch, but I'm not sure if I'm satisfied... Kind of fits together strangely.

I used 39 instances of Qyooo, but 11 are for either doubling or lazy modulation, so it's really more like 28. FX used: Fruity PMEQ2, Fruity Limiter and Fruity Reverb 2 on most, with the addition of Maximus on bass bus. In the box, bay beeeee

I, Q (OSC 123 Entry)

Yaaahoooo! Yah-yahyahyayayayayayayayyyyyyyaahoooo!

i like to make game-music-esq stuff, sometimes.

Digital Artifact is a computer engineer and composer based in Kansas with a devoted interest in modular synthesis, polyrhythms, minimalist drones, and analog tape. Each song is designed to elicit a varying emotional response. Topics written about include apocalypse scenarios, philosophy of the human condition, and divine interconnectedness. Genres range from neo-classical to electronic IDM.

Cyber music with a love for all things synthesized!
commissions here: vert.hexx@gmail.com
https://twitter.com/vert_hex
https://vert-hex.bandcamp.com/