Felt like jumping out of the rut by joining OSC on its last two days! It definitely got me moving, though I wasn't able to dig into the sound design with as much nuance as I wanted (especially since the khs fx were legal!) Perhaps it's for the best. Today I bring some practice writing synthy rock and then noodling with it at dnb tempo. There wasn't enough time to really polish it or solo over it, but I'm still happy. If the mix sucks that's my excuse :D

All sounds generated from 20 instances of ONE. Despite the name, it's... a polysynth. The saws sound pretty good and I would reach for this for chords and distorted leads. Though, creating all the sounds with it seems to make it feel a bit fuzzy and murky, especially when leaning heavily on the onboard FX and unison. A byproduct of using turbo hyper saws for every instrument!

Speaking of FX, most instances use both the chorus and delay. kHs' own Essentials, Slice EQ, Snap Heap and Multipass plugins are used in mixing, mostly some broad EQ and compression to make things gel more instead of using them as creative effects. Except on the drums, where I have kHs Disperser beefing up the impacts. It's tremendous.

Merely One [One Synth Challenge 169: kHs ONE]

Cyber music with a love for all things synthesized!
commissions here: vert.hexx@gmail.com
https://twitter.com/vert_hex
https://vert-hex.bandcamp.com/

USE THE MEGA BASS, KURT!!!
o((>ω< ))o
scraps on @scraptek
old albums on @tekuarc