Quantum Voyage

In the latest installment from Moto Music, label head Dan Piu presents his latest project Time Synthesis to the world, and the music contained within represents yet another compelling step forward for one of dance music’s most revered and celebrated voices…

The work of Dan Piu aka Georgios Boutopoulos, whether it be under his numerous aliases or via the helming of Moto Music and No Acting Vibes, has become synonymous with deeply emotive, beautifully produced analog dance music. His records have appeared at some of the key turning points for dance music, and have consistently embraced a multitude of musical styles and tones that have allowed his bountiful sound to continually evolve. Whether its warm deep house, captivating techno, through to exciting bleep and electro, there is little that hasn’t been covered in his musical universe - and it is not only this diversity of sound but how he has been able to thread these styles together so cohesively that makes his discography such a celebrated one.

Never one to shy away from introducing new aliases as a means of introducing new dynamics and motifs to expanded musical universes, ‘Remember the Future’ is the debut outing from Time Synthesis, a collaborative project together with the legendary Berlin DJ Estimulo, widely known for his countless, now highly iconic DJ mixes (EstimuloShow) as well as his numerous sets in and beyond Berlin. Their debut EP as a piece of music, it is as quintessential as it is fresh.

‘Strobes’ gets things going, and the manner in which this track builds, grows, and flourishes is a sight to behold. A glassy, emotive chord line sets the tone atop an ever-evolving rhythm section that leans heavily into techno sensibilities with flurries of hats and snares. ‘Pools’ arrives soon after, and this number keeps the pace aflowin’. Set deep within the swirling, filtered drums and sweeping arpeggio keys, the track blossoms with far-reaching chords coming to the fore. Powerful and precise in its energy, and subtle in its inventiveness, this is a slice of techno to absorb and swim within.

On the flip, the record firmly enters into deep house territories, with two versions of the track ‘Wayne’ - with Dan’s Raw Mix up first. The drums carry on with a carefree saunter, which provides the perfect basis for the key and bass lines to align with the momentum. A wondrous piano chord progression adds a particular sun-kissed flavour, and then comes an array of classy melodic touches that add depth and personality. Finally, Estimulo introduces the ‘Ambient Pass’ version of the track. Taking things down a little bit, the drums remain crisp but the melodic elements are reworked, with high-end pads and simmering metallic tones creating a sense of intrigue, before expanding around the midway mark into something very glorious indeed.

PREMIERE: Time Synthesis (Dan Piu & Estimulo) - Pools [MOTO021]

READ > https://inverted-audio.com/premiere-fka-boursin-listless-intertext-frank-tonys-housebeat-dub

Bristol-based producer fka @boursin joins the fold at NYC-based imprint @scissorandthread with a forthcoming 12" single named 'Listless Intertext', accompanied with an exquisite dub flex from label bosses Frank & Tony.

The original is a 12-minute drift through hazy deep house textures, half-caught conversations, dreamy synths and shuffling percussion. Instead of clear vocals, we get indecipherable fragments that lend the track a woozy, dream-state quality - like trying to decipher a distant conversation while slipping out of consciousness. It’s deep and loose, a slow-burner that feels just as suited to headphones as it does a smoky backroom.

Frank & Tony’s Housebeat Dub flips that energy on its head. The duo keep the mood intact but drive it forward with a fat, rolling groove tailor-made for those blurry hours on the dancefloor. Where boursin pulls you inward, Frank & Tony push it outward - a hypnotic, floor-ready workout that still carries the ghostly essence of the original. Together, they make Listless Intertext a release that blurs the line between introspection and propulsion, subtle listening and functional club heat.

fka boursin - Listless Intertext (Frank & Tony's Housebeat Dub) [Scissor & Thread]

> @pango-bauer
> @pintai

Pintai returns with its third release, coming courtesy of Switzerland based artist, Pango, in the shape of the ‘Helio’ EP.

Pango’s new release delves into deep, layered emotions—evoking mystery, wonder, and awe. Each track is a careful exploration of contrast: raw textures meet refined sound design, while contrasting sonic elements interlock to create immersive, textured soundscapes. Intricate, organic percussion anchors the compositions with a sense of momentum, driving the music forward with rhythm as detailed as it is dynamic.
The result is a collection that feels both exploratory and intentional—offering moments of tension, release and immersion.

Opening the release is title-track ‘Helio’, a dropped tempo journey drifting through hazy textural tones, an organic rhythm section, fluttering resonant synth tones and cossetting low-end swells all subtly nuanced throughout. ‘Christilist’ follows and picks up the tempo while stripping things down rhythmically to raw, reduced drums while an amalgamation of dubbed out stab sequences and weight subs dynamically wind through the hypnotic groove.

‘Faehtar’ opens the B-side next with bumpy bass hits and crisp, saturated percussion running alongside unfurling, cinematic strings and airy chords. ‘Wardal’ then concludes the release, diving deep via choppy bass notes, jazzy keys, intricately bubbling synth melodies and a bouncy drum groove.

PREMIERE: Pango - Faehtar [PIN003]

Odopt is wired.
wired into the circuit, wired into the night.

4 transmissions from beyond the static. Remix from Roman Flügel

Released 10 October

Odopt - Wired (CBR002) snippets

St. Andrew - Poem III (Relieve) [AFTB002]

A trio of hypnotic, shapeshifting grooves from Thomass Jackson that blur the lines between party and paranormal. Unpredictable yet always danceable.

Transcend into orbit with Uritorco Times. (Probably) an ode to Argentina’s most mystical peak, UFO synthesisers flash and bleep around a wonky bassline. The result is equal parts mystic ritual and late night mischief.

Sly yet crunchy Push Comes To Shove rides a killer bassline over off kilter percussion. Sleazy mechanical funk that teeters, entranced between tension and release.

Sonic Witchcraft ensues in Junk Be Gone as the shadowy yet playful bassline twists like smoke around the acid melody summoning rhythm from strangeness.

Junk Be Gone gets the Felix Dickinson treatment for the EP’s remix delivering an extra long rework that stays respectfully true to the original in all the right ways. Live acid bass envelops the original bassline whilst ever intensifying synth solos build to an epic crescendo.

Releases November 21, 2025

Credits: Thomass Jackson for the music, Felix Dickinson on remix duties, James Savage for the masters, Edward Tuckwell on artwork and to Jessica Lau on graphic design.

25 white label dub plates of Junk Be Gone and Junk Be Gone (Felix Dickinson Remix), available to pre-order now! Act fast!

https://visceratransmissions.bandcamp.com/album/push-comes-to-shove

@thomassjackson
@felix-dickinson

Pre-Order

Thomass Jackson - Push Comes To Shove [VTD003]

https://sgxsjwxct.bandcamp.com/track/sgxsjwxct-1611

SGXSJWXCT - 1611

Francesco Tamburrano - Ironica (Mike Bentley Rmx) [Superordinate Dub Waves]

Lapucci - Inefficent (Original Mix)

Madrid

Premieres, Booking, Labels: 
arikutufu@gmail.com
@welterrecords
@inunctmusic

PREMIERE: Time Synthesis (Dan Piu & Estimulo) - Pools [MOTO021]

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