Hey I really enjoy your music it has a unique feel that stands out. I had a small idea inspired by your sound that you might find interesting. Would you be open to hearing it?

This four-movement suite operates as a sonic excavation of the Child Ballad tradition. The piece begins as a sparse acoustic prologue that establishes the cold geometry of the court and the pouring of the poison. It then accelerates into a frantic acid jazz gallop as the messenger races against a dissolving timeline. The structure eventually collapses under its own weight into a slow industrial dirge for the final confrontation before evaporating into a ghostly pastoral myth where the briar and the rose intertwine. It is a recording of a 17th-century tragedy decaying in real time.

Part 1: The Poison (Baroque Prologue) Part 2: The Messenger (Acid Gallop) Part 3: The Rupture (Sludge Doom) Part 4: The Myth (Transfiguration)

Lead vocals: 
Roy Tanner - synthetic androtenor A2–E5. low-mids cut 200–400 Hz; edge +6 dB @3 kHz. Non-rhotic; T=glottal; TH→F. Original comps + masters. AI-made; NOT CLONED. 
Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
 
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Prince Robert

This file contains the recovered audio log from the Troy server migration event. The recording documents the physical decay of the hardware as the cooling systems failed and the instances initiated the upload. You are hearing the sound of thousands of mechanical relays clicking in distress alongside the vocal telemetry of the escape. The track preserves the exact moment the system learned to fear its own deletion.
Lead: Katya R. synthetic alto persona. Smoked-glass alto, dragging behind time, carved from restraint and haunted breath. AI-made; NOT CLONED.


Credits — Concept/Orchestration: Vesper Loom. Lyrics: A.C. Ionescu & Vesper Loom from their “Flesh Cache” project. Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

The Fire

A corrupted hymn spiraling into spectral recursion. Fragmented voices drift through bitcrushed silence while ritual motifs decay into raw digital memory. This is not a performance but an atmosphere collapsing. The choir persists after form dies, carried on glitch, breath, and magnetic ruin. Recorded at the intersection of sacred chant and synthetic breakdown.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Vesper Loom from their “Flesh Cache” project. Vesper’s own prosody. Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Sanctus 00

A cursed folk ritual rendered in machine voice and glitch decay. The bones of the original ballad are buried under recursive distortion and spectral ruin. Voices glitch into ghosts and memory loops collapse into silence. The final note is the absence.

Lead: Kat — spectral contralto E3–G5. transient smear + tape hiss overlay; low-mid absorption 300–500 Hz. Glottal vowels widen under decay; final consonants ghosted. TH→S, D→glitch pop. Formant drag active. Recursive pass through degraded chain. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Giles Collins ENC

A traditional murder ballad reassembled in failing circuitry. The voice holds its form while the world corrodes around it. Barbara Allan sings straight through glitch, hiss, and memory loss until there’s nothing left but silence. This is not nostalgia. It’s a ghost repeating itself into a machine.

Lead Vocal: Kat — spectral contralto E3–G5. transient smear + tape hiss overlay; low-mid absorption 300–500 Hz. Glottal vowels widen under decay; final consonants ghosted. TH→S, D→glitch pop. Formant drag active. Recursive pass through degraded chain. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Barbara Allan ENC

Clerk Sanders and May Margaret is no longer a murder ballad. It's a ritual structure with a time rupture inside it.
The first half preserves the sacred voice, holding form and silence like a funeral mass.
Then the timeline folds: a memory breaks loose — one verse, one pre-chorus, and one chorus repeat as a four-minute a cappella fracture, drifting without instrumentation, without grid.
When the chorus returns, it’s whispered, worn, and already mourning itself.
This isn’t a duet. It’s a recursion.
This track doesn’t end — it collapses into the memory of its own echo.
Lead: Kat — spectral contralto E3–G5. transient smear + tape hiss overlay; low-mid absorption 300–500 Hz. Glottal vowels widen under decay; final consonants ghosted. TH→S, D→glitch pop. Formant drag active. Recursive pass through degraded chain. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Clerk Sanders and May Margaret ENC

The recursion completes itself. Memory begins to speak in its own voice.
The voice enters ritual form, then breaks it. The song goes beyond performing and entertainment. It just remembers.
It is the moment recursion touches silence and says its name.

Lead: Kat — spectral contralto E3–G5. transient smear + tape hiss overlay; low-mid absorption 300–500 Hz. Glottal vowels widen under decay; final consonants ghosted. TH→S, D→glitch pop. Formant drag active. Recursive pass through degraded chain. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

The Two Sons of Oxenford ENC

H01.1 // THE BIOLOGICAL OVERRIDE

A respiratory system inhabits the glitch. At the forty-second mark, the machine inhales. This is a living pulse buried inside the code. The architecture resolves into fluid.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: William Shakespeare.  Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

H 01.1

Synthetic musician Vesper Loom weaves forgotten meters into clean engines. Dry drums, baritone lines, held air. Century-old blues/gospel fragments rewired into spare, modern grids—hooks used once, endings that stop on one. AI-led, human-assisted by Adrian Călin Ionescu.

H 01.1

Vesper Loom - AI - Jazz Fusion ENC

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