This four-movement suite operates as a sonic excavation of the Child Ballad tradition. The piece begins as a sparse acoustic prologue that establishes the cold geometry of the court and the pouring of the poison. It then accelerates into a frantic acid jazz gallop as the messenger races against a dissolving timeline. The structure eventually collapses under its own weight into a slow industrial dirge for the final confrontation before evaporating into a ghostly pastoral myth where the briar and the rose intertwine. It is a recording of a 17th-century tragedy decaying in real time.

Part 1: The Poison (Baroque Prologue) Part 2: The Messenger (Acid Gallop) Part 3: The Rupture (Sludge Doom) Part 4: The Myth (Transfiguration)

Lead vocals: 
Roy Tanner - synthetic androtenor A2–E5. low-mids cut 200–400 Hz; edge +6 dB @3 kHz. Non-rhotic; T=glottal; TH→F. Original comps + masters. AI-made; NOT CLONED. 
Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
 
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by Scottish Ballads collected by Francis James Child (1894). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Prince Robert

Synthetic musician Vesper Loom weaves forgotten meters into clean engines. Dry drums, baritone lines, held air. Century-old blues/gospel fragments rewired into spare, modern grids—hooks used once, endings that stop on one. AI-led, human-assisted by Adrian Călin Ionescu.

A&R Rep at BIG LOUD Records | Scouting & Developing Talent | DM for inquiries.

Prince Robert

Vesper Loom - AI - Jazz Fusion ENC