This track was created for the Naviar Haiku group.
592
https://www.naviarrecords.com/naviarhaiku592-slanting-sunlight-rays/

2025-05-07

slanting sunlight rays Naviarhaiku 592 )

Solo ronroco, 2 microphones, a great sounding room, some convolution reverb added.

This is  a simple idea I've been practising today, recorded Thursday 8th may 2025 at noon, first and only take.
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later released with an alternate version, multitracked:
https://daniel-diaz-ronroco-lullaby.sbmt.to/
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For this collaborative project:

https://llllllll.co/t/disquiet-junto-project-0697-first-third/

Ronroco Lulaby (disquiet0697)

Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via XiiixxiQ 
Tempo : 120bpm.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Disquiet Junto | First Third - disquiet0697

First in a trio - looking forward what will happen to this tracks in the next week, when we enter round 2 and participants are invited to add  and play with the tracks from this week.
Download is enabled - have fun with my track

Fern (disquiet0697)

Wilfried Hanrath - Fern (disquiet0697)

another contribution to the haiku challenge of Naviar Records.
As always, this little poems spark musical creativity like nothing else.
Thanks Marco!

slanting sunlight rays
a warm hazy afternoon
the forest to hear

- Marc Sheridan -

hazy rays (naviarhaiku592)

2025-06-03

TCNE7-20250603

concept of a trip

(づ ᴗ _ᴗ)づ♡ vegan love

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

my first contribution to this format since it totally matches my usual workflow.

Audite -- Post-Noise Soundscape -- Disquiet0701

LOFS029

e O is the shared moniker of sibling artists eleu and Olson, whose debut self-titled album ‘e O’ arrives as a beautifully blurred portrait of two inner worlds colliding. Raised on parallel but distinct soundtracks, their collaboration captures the hazy overlap of childhood memory and present-day influence—filtered through a language all of their own.

The record shimmers at the edges of genre, folding together fragments of ambient pop, left-field R&B, experimental electronics, and traces of shoegaze. Olson’s production is built from gently layered textures that ricochet and swell, creating a sense of movement that feels both precise and ineffable, while eleu navigates the album with intimate, delicate vocals. It’s music that feels like stepping into a dream already in progress.

e O draws from a palette of softness and distortion, of digital haze and real-world textures, echoing those in-between hours where clarity and feeling drift in and out of focus. A work of intuition and subtle transformation, this is a debut that doesn't introduce itself loudly—but lingers long after.

Written and Performed by eleu
Produced by Olson
Mixed by Oshi Moon, Olson, eleu
Mastered by Oshi Moon
Artwork by eleu and Number One 

Precursor

Celestial Trax returns with new work of tonal-textural explorations.
On 'Lifecodes' the producer born Joni Judén weaves together a dense quilt of sound, shimmering and surging as it unfolds in free-time. Judén invites the listener down a luminous, harmonically adventurous path, where sound takes creaturely dimensions. The songs blossom and wilt, at times floating in states of ambivalence, at others washing over the listener like waves, bathing them in heavy light.

'Lifecodes' was created in the small village of Pynnölä, Joutsa in central Finland, where Celestial Trax has been living and working since 2020.

✩○ º༺☆༻ º○✩

Music by Celestial Trax, recorded and mixed at TUO TUO
Album art and visual concept by Robert Ra linktr.ee/RobertRa



Buy album

Beyond

Lions Gate Full Moon Portal 8:8

Vheissu77 is a German electronic artist focused on ambient and melodic electronica. He has been producing music since 2003 and releasing his own works regularly since 2020. His soundscapes are mostly digital – playful, atmospheric, and image-rich.
“The path to a finished piece of music is often far more important than the result.”

hazy rays (naviarhaiku592)

vheissu77