work for piano, electronics, and 2 transducers
2014
Composed by Adam Basanta
Performed by Vicky Chow
Commissioned by Vicky Chow with the support of the Canada Council for the Arts


this machine breaths to the rhythms of its own heartbeat (2014)

Piano & various keyboards player, Composer, Sound designer.

The latest album "Prelude for The Spring" is released from Audiobulb Records (Sheffield, England) in Feb. 2nd, 2022.
http://www.audiobulb.com

Seigo Aoyama is a musician/composer/sound designer residing in Tokyo. He had been playing the piano since his childhood and started his career in music from 20 years old playing piano & keyboards in pop, rock and jazz groups.
During his career, he studied classical music with a focus on 20th century composers (Debussy, Stravinsky, Messiaen, Cage, Reich and Schaeffer). In 2014 he started incorporating field recording into his contemporary, ambient or experimental music. He has released 4 albums/singles and composed music for the other performers.

Canadian pianist Vicky Chow has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York), "virtuosic" (New Jersey Star Ledger), and “one of the new stars of new music” (Los Angeles Times). Besides being a member of the Bang on a Can All-Stars, she is also a founding member of DUO X88, a piano duo with Dutch pianist Saskia Lankhoorn and GRANDBAND, a six keyboard ensemble with pianists Lisa Moore, Blair McMillen, David Friend, Isabelle O'Connell and Paul Kerekes..Most recently she gave the North American premiere of Steve Reich's work 'Piano Counterpoint' and also the world premiere of a new evening length work by artist/composer Tristan Perich for solo piano and 40 channel 1-bit electronics titled 'Surface Image'. Her next solo projects include commissions from American composers Chris Cerrone, Neil Rolnick, and Canadian composer Adam Basanta and recording releases on the New Amsterdam and nonesuch labels. 

Vicky’s passion for new music has propelled her to work with an A-to-Z of leading composers and musicians such as John Adams, Louis Andriessen, Bryce Dessner (The National) Philip Glass, Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), Steve Reich, Terry Riley, and Lee Ranaldo (Sonic Youth). Her recorded work can be found on the ‘tzadik’, ‘Cantaloupe’,' innova', 'hinterzimmer', and ‘altaVoz’ labels. Her performances can be heard on WQXR, WNYC, CBC and BBC Radio 3. In addition to performing, Ms. Chow also produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers in New York City. She receives continuous support from the Canada Council for the Arts and has received grants from the Fromm Foundation, Vancouver Foundation, and the BC Arts Council.

Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin before continuing studies at Manhattan School of Music with Christopher Oldfather.

Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard Festival. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her NY orchestral debut appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1.

www.vickychow.com

Gargyzaa is a one-man band located in Espoo, Finland.
 I play all the instruments manually (guitars, keyboards, bass, plastic  didgeridoo, Korg monotron duo, fipple flute etc.) and sing all the vocals. Plus I have written these lyrics and peculiar poetry/ bizarre dialogues you hear (in Finnish&English).
Some people have asked me who plays the instruments and I have answered them several times that it´s me who is responsible for all this trippy noise and musical weirdness.
It has been quite tedious and more or less irritating to explain this relatively often, hahaha.
I´m a also a self taught "musician" and "vocalist". I play by ear.
The drum parts are made from short loops with Audacity and then the so called rhythm track is upoaded to my Zoom R-24. After that I will start recording the instruments/vocals on top.
I don´t have or play drums. Well, maybe one day.
So basically I use Zoom R-24 to record and even master these tracks. I bring the finished "product" to SoundCloud through Audacity.
My equipment is very amateurish, cheap and in some cases semi-broken. 
I use those infamous progressive rock structures, but deliver them with a punk rock attitude/gear, hehehe.
The cover art/design is just basically a few collages/paste-ups, psychedelically distorted&enhanced pics and a couple of random photos I took. Nothing special.
This is a non-profit project. Enjoy!
Many thanks to all of my listeners and followers!

exploring and alchemizing, centering love and joy.

Feminatronic

Celebrating the eclecticism of electronic artists who identify as female. A personal journey, ever unfolding and never ending. Yes, there is a lot of music...