Chill

Hi everyone! As 2024 has started I decided to record a spontaneous ambient mix to drift into the calmness of january. Had some real fun recording this one and who knows I'll drop some more in the future. 

Hope y'all enjoy :)

Drifting into 2024 - Ambient mix

It all comes down to erotic solos of distorted guitars

The act of fictional world crafting is reserved for only a few, and https://soundcloud.com/astralindustries?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing seems to hone the craft without the need for any words. The London-based record label became a nucleus for deep electronic music across the globe, fusing introspective sonic explorations of the most pivotal musicians with the visual storytelling of Theo Ellsworth on limited-edition vinyl. The next chapter in this sacred discography is written by the Italian producer https://soundcloud.com/pianetisintetici?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing. He invites you on the journey of ‘Space Opera’.

Space Opera will be out on May 31st, 2024. Order a copy via Bandcamp. 

Find the full read here: https://www.minimalcollective.digital/editorial/premiere-pianeti-sintetici---part-one

Premiere: Pianeti Sintetici - Part One [AI-37]

info and track list : http://www.residentadvisor.net/podcast-episode.aspx?id=469
Dasha Rush is a Russian born artist who sees the genre as a starting place not a destination. She is a respected and well-travelled DJ and live performer, but her work is equally focussed away from the dance floor, and sometimes away from music itself. Her recent album for Raster-Noton, Sleepstep, could be a metaphor for her work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in-between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. The majority of the music she's released since starting out in 2005 has come through her own Fullpanda label and, as she told us in 2013, she's resistant to playing the publicity game in the way many in the scene do. That's meant she's remained off the radar for some techno fans, but it's also given her the freedom to explore projects and sounds as she pleases. With all this mind, it was little surprise that our invitation to record a podcast was met with, "Yes, but it won't be a club mix." What we got instead was an absorbing 65 minutes of dense ambient soundscapes that shows Rush at her most reflective. The mix comes ahead of the North American premiere of Antarctic Takt, Rush's A/V show with Stanislav Glazov, at this week's Mutek festival in Montreal. 

It all comes down to erotic solos of distorted guitars

Vicmazz