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Buy on iTunes

Begging Me To Come Back

EVERYTHING FOREVER the debut album from VICTORIES AT SEA out on Vinyl/Digital now

Order on iTunes
https://itunes.apple.com/gb/album/everything-forever/id1043769171
12” Vinyl album available from 
http://www.victoriesatsea.co.uk

Static Caravan Records
Cat No. VAN291

You followed the fault line in the morning
Careful what you wish for and desire
Keeping up appearances but falling
Down into the trophy you admire
So Hold on

Peace of mind, the mirror, won’t ignore you
Broken but reflecting overture
Weary you keep a distance
Weary you are in love
You won’t be the last one to depart

Will you take some advice?
Will you take some advice and hold on

Floor boards move in time you dance a warning
Messages are long lost to the fire
Bury yourself in good times
Bury yourself in love
You won’t be the last one to depart
Will you take some advice?
Will you take some advice and hold on
Tonight
Hold on
Tonight
And wait for daylight
Daylight
Hold on



BLOOM

Cheap Tuesday

Recorded at Transmitter Park Studios Brooklyn 

Fabric of the Cosmos

'En la ribera de la noche plutónica', nombre tomado del poema 'El Cuervo' de Edgar Allan Poe, es el segundo LP de Lu Glass. Junto al productor Antü Filardi Sabín, construyeron una serie de composiciones en clave pop, a veces incluso bailable, pero manteniendo siempre el tono misterioso y onírico característico de Glass.
La evocación del desamor se mezcla con imágenes crípticas y lúgubres, reflejando los contrastes presentes entre los timbres y ritmos del disco.
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'En la ribera de la noche plutónica' a name taken from the poem 'The Raven' by Edgar Allan Poe, is the second LP by Lu Glass. Together with producer Antü Filardi Sabín, they constructed a series of pop, sometimes even danceable, compositions while always keeping the mysterious and dreamy tone so characteristic of Glass.
The evocation of heartbreak gets mixed with cryptic and lugubrious imagery, reflecting the contrasts present between the timbres and rhythms of the album.
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Recorded at Suspiria in late 2019 & Estudio Estomba between 2021 and 2023.
Artistic production by Antü Filardi Sabin & Lu Glass.
Mixed by Juan Stewart at Estudio El Árbol.
Mastering by Ariel Schlichter en Keine Zukunft, Berlín.
Graphic Design: Marcos Díaz.
Cover art photograph: Bianca Siffredi
Back cover photograph: Lu glass
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Lu Glass: voice and synthesizers Roland JX8P, Yamaha Cs1X, Ensoniq SD-1, Roland Alpha Juno 1, Korg DW8000, Casio CZ1, Roland SH201, & beats with Electribe Korg ESX-1.

Antü Filardi Sabin: sequencers & voices in Cosmografía, La última clase & Mina Loy. Bass on all tracks except 'La última clase'.

Agostina Tagliapietra: Bass on 'La última clase'.

107 faunos ft.:
- Mora Sanchez Viamonte: Voice in Decepción, recorded at Suspiria.
- Javier Sisti Ripoll: Guitar in Decepción & Primavera Fúnebre, recorded by Felipe Quintans at Resto del Mundo.

Magdalena Seeber: MPC samples & voices on Némesis & La última clase.

Silvina Costa: Batería 'Silchons' octapad sampler on all tracks.
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All songs written by Lu Glass

Lyrics of 'Decepción' based on Florencia Rumi's short story “La isla”

Lyrics of 'Cosmografìa' based on the poem “Preparación” by Fabiàn Casas

Ipse Venena Bibas (IVB) means “bebe tú mismo tu veneno” (drink your own poison) and it's part of the y it's part of the prayer for exorcism of the St. Benedict medal.

Primavera fúnebre (Funereal Spring) is the name given to the generation of poets from La Plata of '17 because of their tragic ending.

Lyrics of Mina Loy based on the poem “Lunar baedeker” from Mina Loy and her letters with Arthur Cravan; 'Breve Baedeker Lunar' is the title of her anthology of poems.

Alamere

Written by Lowell Sostomi
Produced by Only Yours and Leon Taheny
Engineered by Leon Taheny
Mixed by Leon Taheny
Mastered by Eric Boulanger
Cover Art by Corey Gibbs

Different

Written by Joy Downer. 
Produced by Rob Kolar.
Artwork by Nick Rush and photograph by Gideon Photography.