Humanism EP 
PREORDER / BUY HERE - https://exitco.uk/095bandcamp
STREAM / PRESAVE HERE - https://exitco.uk/095stream

Tracklist

Currency Audio - Glass [Exit]
Kian & Ludvig - Sensual Waves [Noisy Meditation]
88Katanas - Real Thugs Recycle [Smith]
Sci-Clone - Everywhere I Go (2018 Remix) [Metalheadz]
Cujo - The Light [Shadow]
Dr. Jay & DJ Rush Puppy - Respect [Firm Handed]
4Hero - Star Chasers (Photek Remix) [Talkin Loud]
Maddela - Kinda Slick [Noisy Meditation]
Joe Seven - Juiced [Exit]
Jazz Cartel - Contact [Nu Perspective]
Danny Breaks - Easy [Droppin' Science]
dBridge - Too Late (Stray Remix) [Exit]
Seiji - Buggin Out [Reinforced]
Voyager - Voyager [Lucky Spin]
Mark System - The Voices [Exit]
INVT - POP, MOTION [Self]
Tayla - Dimensions [Nexus]
Heartdrive - Format Affection [Exit]
Arovane - aussen vor amx [DIN]

BROADCAST009: Currency Audio

Commission from Pemex (Petróleos Mexicanos)for Chamber Orchestra, a work  predicated on 'Compositional Bounding Theory',  a theory about the locality of movement. The main principle of Bounding Theory is the Subjacency condition, which forbids movement across more than one bounding node (i.e. tablature).

for Chamber Orchestra; Coloratura Soprano (Obstruent Phonology); Soubrette (Siblancy: Fricative speech sounds with high frequency);  Spinto Soprano (Strict Cyclicity); IGT Wild Cherry Spinning Wheel Slot; IGT 2x3x4x5x Red Hot 7s™ Spinning Reel Slot; IGT Hot Roll® Ca$h Ca$h Ca$h™ Video Slots; IGT Megabucks® Crystal Sevens® Slot; WMS Dashing Dolphins Slot; Wicks Century 5 Pipe Organ; Paiste 24' Venus Gong; Waldorf Blofeld Synthesizer; Hellfire Modulator, an analog, tube-based distortion rack-module; Formanta Polivoks Synthesizer; ESP jeune fille X Gips -Cross Ray- Moi dix Mois MANA Signature Model Electric Guitar.

"The Bare Lathes Intertwined with Creeper and Wire-Moss" Bil Smith Composer

Serendipitous II is the second in a series of works that focuses on randomness, predictability, and feedback. While the double bassist is performing, the electronics are recording small sections of audio that are then granularly reordered and played back at different speeds and directions, all of which are randomly chosen at time of playback. The result is then an environment where the bassist can improvise against a version of their past self, pushing the work forward in new directions with each performance.

Serendipitous II - Double Bass, Live Electronics

Performed by the Splice Ensemble 
Keith Kirchoff, piano; Adam Vidiksis, percussion

Local Equilibrium Dynamics is a work for two musicians, working both within and around a single piano. These sounds are processed in real-time both algorithmically by the computer, and by a small chamber ensemble of electronic musicians. The duo performs a number of interactions throughout the piece, including collaboration, disruption, and dispersion of the sound each produces. The live processing complicates this relationship even further as the sound is transmitted to the audience. As these two musicians perform within such an intimate space, they variably help and hinder each other as the work progresses. This creates increased moments of tension in both the musical output and the performance dynamic between these two musicians. The title refers to a principle in thermodynamics, whereby the thermal state of a system can be determined if the variations within it happen slowly enough in space and time. This concept serves as a metaphor for the system formed by the interplay between the two performers and the live processing. 


Local Equilibrium Dynamics

A sample of Vientophone, a wind-powered musical instrument designed for the Oberlin Conservatory of Music.

Vientophone

what i am not (fixed version)

Spinning Tales (Original Soundtrack)

7/14/17

Foundling

New track in "archi" by 氷結幻想(Davidsan)
released in C94

Waltz No.1 In A Minor

Simple summer beat using drum sounds I made with Ableton's Operator synth

Movin' On

Episode 117 of ADJ•ective New Music's podcast, Lexical Tones. Robert McClure interviews composer and sound designer Caroline Louise Miller. http://www.carolinelouisemiller.com/

Visit www.adjectivenewmusic.com for more information about ADJ•ective New Music, the ADJ•ective Composers' Collective, and Lexical Tones.

117 - Caroline Louise Miller

Composer, conductor, percussionist, improviser, and technologist. I love sound, science, and the intersection of humankind with the machines we build. Come listen at www.vidiksis.com.

Local Equilibrium Dynamics

vidiksis

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