Guest set for CMD's Modular Systems show at CKUT 90.3 FM Montréal. Aired on 13 March 2022.

Tracklist

Vigliensoni – Breccia
Nihiloxica – Gunjula (Metrist Remix)
Toma Kami – Solo Use
Leonce – Tripwires
Michael Aurelius – Close Your Eyes
Lithe – It's Rhythm
Pavel Milyakov, Bendik Giske – Untitled 2
Loraine James – Change 
Fracture, Sam Binga – Xtatic
A2A, Air Max '97, Aya – Yike!
Surgeons Girl – Grass Labyrinth
Loft – Oh Well, We're All Fucked Now
Leonce – Flight Risk (feat. Neana)
Nihiloxica – Bwola (BFTT's Swamped Edit)
Two Shell – Big Style
Cuban Chamber Of Commerce – Ping 900
Toma Kami – XN
Lithe – Second Pavilion
Blawan – No Rabbit No Life
borderlandstate_the best kisser in l.a – cas_9
Blawan – Close the Cycle
Blawan – Under Belly
Qik – Mississippi River
vigliensoni – Unreleased
borderlandstate_the best kisser in l.a – LANdance
Dominowe – Umzabalazo (We Broken)
borderlandstate_the best kisser in l.a – arena4
Powell – A Band
Blawan – Blika
Joy Orbison – layer 6

Guest set for Modular Systems@CKUT

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Vigliensoni, aka Gabriel Vigliensoni, is a Montréal-based musician and producer. His work is informed by formal musical training and extensive studies in sound recording, music production, new musical interfaces, and music information retrieval. In his work, Vigliensoni explores the different stages of current music production workflows, always transforming the process of making a record into a playing field for experimentation and learning.

Vigliensoni has been involved in a variety of projects all through his lengthy musical career, performing, producing, and composing. He was a founding member of the post-punk band Lucybell and the electro-acoustic band Mismos, among many other collaborations. In all these projects, Vigliensoni constantly embedded his trademark sound of edgy synth melodies, interlocked rhythms, and sonic experimentation.

The solo career of Vigliensoni began with the release Nata, where he experimented with techno and breakbeat. In his second release, Le Règne Animal, he explored vocal-driven songs that eschew the standard pop format, relying on extended structures, slower beats, and live drum programming. In Jaguar, Vigliensoni overlapped Krautrock and Electronica references to bring liveness and immediacy to the workflow of digital music production. In recent releases, such as Imágenes Paganas and Michael Saved us All, he made extreme reworks of songs he loves, bending their structure, rhythm, and spectral features by using procedural techniques.

In his latest album, Tempest, Vigliensoni uses a discrete number of analogue modular and MIDI-based digital synths, drum machines, and sequencers, to investigate alternative methods of composition and production. The tracks of this extended play release are improvisations composed with a limited sound palette, broadened in the editing and mixing stage. With an emphasis on the process, Vigliensoni is always looking for ways to transmit his discoveries and explorations, to share his experience as our own experience.

Booking enquiries: booking@amagicalsubstance.com

Guest set for Modular Systems@CKUT

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