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I Am Legion [Noisia x Foreign Beggars] debut album OUT NOW!
iTunes UK: http://bit.ly/IAmLegionUK
iTunes US: http://bit.ly/IAmLegionUS
iTunes AUS: bit.ly/IALITAUS
iTunes NZ: bit.ly/IALITNZ
Beatport: http://bit.ly/IALAlbum
Spotify: http://bit.ly/IALalbum

CD:
Amazon (UK): http://bit.ly/IALCDUK
Amazon (DE): http://bit.ly/IALCDDE
Bol.com (NL): http://bit.ly/IALCDNL

The album will be available very soon in Australia, New Zealand and Japan.

See I Am Legion live at the following shows. (Tickets: http://iamlegion.co.uk)

September
26.09.2013   Electric, London, UK http://bit.ly/IALLondonn
27.09.2013   Bedlam @ O2, Bournemouth, UK http://bit.ly/IALBrn
28.09.2013   UKF @ Motion Bristol, UK http://bit.ly/IALBristol

October              
01.10.2013   Rockhal, Luxembourg http://bit.ly/IALLuxembourg
03.10.2013   Apolo, Barcelona, Spain http://bit.ly/IALBarcelona
04.10.2013   Transbordeur, Lyon, France http://bit.ly/IALLyon
05.10.2013   Bootshaus, Cologne, Germany http://bit.ly/IALCologne
07.10.2013   Forty Kleparz, Krakow, Poland http://bit.ly/IALKrakow
08.10.2013   Basen, Warsaw, Poland http://bit.ly/IALWarsaw
10.10.2013   Roxy, Prague, Czech Rep http://bit.ly/IALPrague
11.10.2013   Arena, Vienna, Austria http://bit.ly/IALVienna
12.10.2013   Corvinteto, Budapest, Hungary http://bit.ly/IALBudapest
13.10.2013   Cvetlicarna, Ljubljana, Slovenia http://bit.ly/IALLljubljana
15.10.2013   Magazzini Generali, Milan, Italy http://bit.ly/IALMilan
17.10.2013   Cabaret Sauvage, Paris, France http://bit.ly/IALParis
18.10.2013   AB, Brussels, Belgium http://bit.ly/IALBrussels
19.10.2013   ADE @ Melkweg, Amsterdam, NL http://bit.ly/IALAms
20.10.2013   De Oosterpoort, Groningen, NL http://bit.ly/IALGrun

November and December
30.11.2013   Stereosonic, Perth, Australia http://bit.ly/IALAUS
01.12.2013   Stereosonic, Sydney, Australia http://bit.ly/IALAUS
07.12.2013   Stereosonic, Adelaide, Australia http://bit.ly/IALAUS
07.12.2013   Stereosonic, Melbourne, Australia http://bit.ly/IALAUS
08.12.2013   Stereosonic, Brisbane, Australia http://bit.ly/IALAUS

Website: http://iamlegion.co.uk
Like: https://www.facebook.com/iamlegionmusic
Follow: https://twitter.com/IAmLegionMusic
Listen: https://soundcloud.com/iamlegionmusic
Watch: http://www.youtube.com/IAmLegionMusic

Press Release:

Collaborations between musicians may not be a totally new idea, but when the heavy-weight skills of two of Europe’s premiere acts collide like this, you just have to take a step back and plug yourself in.

Made up of the incisive award-winning production skills of Noisia and the skilful swagger of UK rap crew Foreign Beggars, I AM LEGION’s much anticipated self-titled, 16 track, debut album has now been unleashed through Division Recordings / Par Excellence (OWSLA in the US). Keep your eyes well and truly peeled for the new The music video for new single ‘Choosing For You’ was premiered to rapturous response on Rolling Stone and it was directed by Tony Truand who has previously been responsible for highly viewed music videos for Noisia, Foreign Beggars and Skrillex.

Led by the debut single ‘Make Those Move’ (that was streamed over 330,000 times in just 3 weeks), this unified front takes Hip Hop and Bass to a seriously new level. Noisia’s high profile studios in Groningen, Holland were put to the test over many strategic hours to complete the final cut since 2008. As Noisia explain:

“The album was made during countless sessions (no more than 40 full studio days max) over the last five years. Many passes of production and scrutiny reached every track, alongside a plethora of feedback spread sheets and whiteboard summaries. We never set a deadline for ourselves; the whole idea of a full album only took shape later in the process when we realized how much material we had generated and how cool it could be to put it out as one big thing.”

It’s a special bond between the two crews who have previous history. Noisia and Foreign Beggars first realised their joint potential after collaborating on the 2009 track ‘Contact’ that was released on the ‘United Colours of Beggatron’ album by Foreign Beggars’ label Dented Records. This tune blew up dance floors worldwide and set a precedent for where I Am Legion is today. Its 8.5 million plays on YouTube opened up a worldwide fan base wanting more, and leaving the artists realising that they can do it alone.

Working on further material post-Contact and its otherworldly cousin tunes ‘Shellshock and ‘Soul Purge’, both crews decided to fully release themselves from trying to format anything to fit in with industry expectations or norms at all.

“This freed us further from trying to fit into any genre or writing for mainstream radio play purposes etc. We (Noisia & Foreign Beggars) come from two different places and there is a mutual curiosity and admiration that makes us want to make the coolest shit we can. The style and approach to this album has given the lyrics more breathing space and room for exploration, hence it resulting in something more of a rap album with an electronic edge, as opposed to "Dance Music" with raps on it.”

Foreign Beggars & Noisia have collaborated in the live spectrum before with high octane effects but doing a full album as a show is new territory so the dates in Sept / Oct are sure to bring something different:
“We want it to be an experience, to be dramatic and almost theatrical, and for people to walk away and feel they've really been included in the process of this album, to have been inducted into the hivemind so to speak. Our respective live shows are already better than everybody else's. You do the math...”
 
I Am Legion nods to rap’s erstwhile forays into electronica, absorbing elements of its present whilst laying out a reassuringly disturbed vision of what’s to come. Miss this collaboration at your own peril.
 
I Am Legion is Orifice Vulgatron, Nik Roos, Metropolis, Thijs de Vlieger, and Martijn van Sonderen.

http://iamlegion.co.uk

I Am Legion

Warp Speed Thuggin'

Will Downing, I cant help it (Original vybe mix)

Sanam Marvi - Sighra Aaween Saanwal

A midi file I downloaded and converted to mp3, thought I would share.

This one for some reason makes me think of the PC game transport tycoon, lol.

Eddie Kendricks - Boogie Down

D'Angelo - When We Get By (DJ Tipz Smooth Edit)

Young Hearts (originally Candi Staton)

Slow Hand (originally Pointer Sisters)

Why Do Fools Fall In Love (originally Frankie Lymon & The Teenagers)

01 Let's Move On Together

Nate Ruess of fun. & Hayley Williams of Paramore - Somebody That I Used To Know

New music by Wiz Khalifa performing Telescope feat. 50 Cent


Wiz Khalifa - Telescope (Feat. 50 Cent)
Wiz Khalifa - Telescope (Feat. 50 Cent)
Wiz Khalifa - Telescope (Feat. 50 Cent)

Wiz Khalifa - Telescope (Feat. 50 Cent)

Conal Fowkes - Let's Do It (Let's Fall In Love)

Drop and Give Me 50 Paper Planes (Mike Jones vs. M.I.A.)

DJ Khaled ~ No New Friends (SFTB Remix) Feat. Drake, Rick Ross & Lil Wayne

Drake ~ Girls Love Beyonce Feat. James Fauntleroy

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


CURTIS HAIRSTON - I WANT YOUR LOVIN [SNIPPIT]

Purchase The Soundtrack On iTunes: http://smarturl.it/FF6 

Includes the anthem "We Own It (Fast & Furious)" with 2 Chainz & Wiz Khalifa

Other special soundtrack appearances by Ludacris, Usher, T.I., Lil Wayne, Don Omar, and more...

Buy On iTunes

2 Chainz & Wiz Khalifa "We Own It (Fast & Furious)"

Siege the band ft Sanam Marvi - Vairay Avar

www.imaginedragonsmusic.com
facebook.com/ImagineDragons
twitter.com/imaginedragons
iTunes: http://smarturl.it/NightVisionsDLX 
www.grouplovemusic.com
facebook.com/GROUPLOVE
twitter.com/GROUPLOVE

VIP DJ

Radioactive (Grouplove & Captain Cuts Remix)

ugh why fuck everyone rhjbfghjrbdfhjbrhjbgbhjrvdfbfbrshkdbfkhbeksdbf i don't know how to feel right now

Harry Styles - Dont let me go - from YouTube by Offliberty

Human (Anaya)

Titanium (Anaya)

Join me on Facebook: facebook.com/MartinGarrix
Join me on Twitter: twitter.com/martingarrix
Join me G+ : bit.ly/MARTINGARRIXGPLUS

Martin Garrix - Animals
One of the most hyped and discussed teasers of May 2013 was the teaser for 'Animals'. No artist name was mentioned and from that moment on fans and bloggers alike went head to head in heated discussions on who the artist could possibly be... It turned out to be Dutch prodigy Martin Garrix, which was officially announced by Billboard Magazine. The DJ support is overwhelming and we're sure this track will do ultimate dance floor damage. Just wait for that drop and prepare to jump! 

David Guetta : 'Nice'
Hardwell : 'Full support'
Afrojack : 'Support'
Steve Aoki : 'HUGE'
Sander van Doorn : 'Full support'
Fedde Le Grand : 'Played in my radioshow!'
Dimitri Vegas & Like Mike : 'It's fat!'
Chuckie : 'Sick tune!'
Porter Robinson : 'too good!'
Tommy Trash : 'fun'
Thomas Gold : 'Great one'
Danny Howard / BBC Radio 1 : 'Amazing!'

Martin Garrix - Animals (Original Mix) OUT NOW!

The Voice UK 2013 The Voice UK Coaches sing 'Get Lucky' - The Live Final - BBC One

Why Do Fools Fall In Love (originally Frankie Lymon & The Teenagers)

Vikki Martin