intense

Vattakanal is a magical village situated in the cloud forest of the Palani Hills next to Kodaikanal in Tamil Nadu, Southern India. It is known for its unmatched scenic beauty, bizarre natural phenomena and magic mushrooms which grow in abundance in and around 'Vatta'. After a much needed pilgrimage to Vattakanal, This track is my tribute to the heavenly place, hoping that more people get inspired and blessed to visit Vattakanal after hearing this track.

Flute - Kartikeya Vashist

Vattakanal da Kamaal

HQ Audio of Mori Nindiya performed Live at Blue Frog Mumbai 

www.facebook.com/raagleela



Raagleela is a Delhi based Indian Classical Fusion band.Raga” the essence of Indian classical music and “leela” the playfulness says it all. Raagleela aims to take Indian classical to the mass with world fusion. Different tracks of Raagleela depict different emotions and has its own sound. We have experimented Indian classical music with JAZZ, psychedelic rock, Dubstep funk etc. We are binding ourselves into Indian classical music but at the same time we have no boundaries as a complete sound. We draw our influence from bands and artists like Karsh Kale, Anoushka Shankar, Prem Joshua etc

For any more Information or bookings contact : 
Sagar Chawla
(9999935888)

Mori Nindiya Live @ Blue Frog Mumbai

i worked on these chants of my bhardwaja dynasty's sages who chanted these verses from rigveda . . i hope theres still a respect to it . .
do let me know if u like it . . 

Meaning of the following--
Then was not non-existent nor existent: there was no realm of air, no sky beyond it.
What covered in, and where? and what gave shelter? Was water there, unfathomed depth of water?
Death was not then, nor was there aught immortal: no sign was there, the day's and night's divider.
That One Thing, breathless, breathed by its own nature: apart from it was nothing whatsoever.
Darkness there was: at first concealed in darkness this All was indiscriminated chaos.
All that existed then was void and form less: by the great power of Warmth was born that Unit.
Thereafter rose Desire in the beginning, Desire, the primal seed and germ of Spirit.
Sages who searched with their heart's thought discovered the existent's kinship in the non-existent.
Transversely was their severing line extended: what was above it then, and what below it?
There were begetters, there were mighty forces, free action here and energy up yonder
Who verily knows and who can here declare it, whence it was born and whence comes this creation?
The Gods are later than this world's production. Who knows then whence it first came into being?
He, the first origin of this creation, whether he formed it all or did not form it,
Whose eye controls this world in highest heaven, he verily knows it, or perhaps he knows not.

The Chants of Creation

A Hi-Tech collaboration with Saw Jaw. Chand Nawab remix! Courtesy : Indus News and the legendary Pathan.

Karachi To Jalalabad

Stand alone or,
with a million
No such feeling that
you can, point at.

Something that we can
never feel this way
Hiding under the meanings or away
So close your eyes 
& make a choice
Its somewhere there


That hit me
like a stone to my head
Here I am

Here I am
with no where to rest my feet
Its such a lie
that cannot erode

Can you 
see those people,
walking to where they belong.
Yet you stand behind,
wandering where you belong.
Do you know you're a life?
Do you know where you belong


I feel alone

this feeling sets in
of an absence within
turning into sheets of nothing
There's so much gaining in 
Am I really lost?

Lost

2nd single from Colossal Figures' Debut Album - "Clockwork Dilation"

Produced,Mixed and Mastered by Rijul Victor at Powerhouse Studios,New Delhi.

Lyrics - 
Its easy to forget the ones who stay down,
its hard to be the one around!
Another way to kill all your time,
containing all your life,
in your hands,
Complicate yourself,
in your hands!
Going weary with despised thoughts for
sanctity,
I look down upon my,
Identity
Trapped inside this
body of mine
walking aimless
with empty hands
No edge, No knife;
exactly, 
How you could be!
Cuz someone put a fine,
on all things we reap
We suffer!
 we suffer in soul
Trapped inside this
body of mine
walking aimless
with empty hands
Try not to hold yourself
from something you're not
Oh theres a reason,
a reason to hold onto your faults

Korotkov Core

Technical Hitch - Mama India (The Revolution)

Yaman Aalap ft kartikeya vashist

Listen on Spotify

Born And Raised (Criolo Edit)

Bonus track from the Plug & Pray EP
ITP @ Facebook: http://www.facebook.com/ITP.trance
Psytrance Download http://bit.ly/PsyDownload
For Booking ITP: electropublic@gmail.com

ITP @ MYSPACE: http://www.myspace.com/iiitttppp
ITP @ YOUTUBE: http://www.youtube.com/user/ITPmusic
ITP @ REVERBNATION http://www.reverbnation.com/itp



ITP - The Silk Road (Bday edit)

'We’re happy to hear another deeper groove from Beni G and Plus One, this one is favored for the club. Expect to hear this at SXSW and WMC, as it’s set for a release on the LA collective imprint OWSLA." 
- Gotta Dance Dirty

www.gottadancedirty.com/2014/02/21/pr…eats-beatbox/

Web: jackbeats.co.uk
Facebook: facebook.com/jackbeatsmusic
Twitter: twitter.com/jackbeats
Youtube: youtube.com/user/jackbeatsmusic


Download on iTunes

Beatbox

This song is dedicated to everyone who enjoys their morning. It has been tailor made to enhance your morning experience. The duration of the track is 4:20 ;)

Flute - Kartikeya Vashist

Good Morning

The third #INTERNETGHETTO mix by @DZA sounds like soundtrack to comic book about internet thugs living in ghetto. You can hear few exclusives here like DZA - CATBUG, coming out on our compilation. And Macross Plus forthcoming @activia-benz x @how2make‎

artwork by Pixelord x DZA
1. DZA - Macross Plus ( XCLUSIVE from upcoming Activia Benz x How2make EP )
2. Эдуард Артемьев, Клод Дебюсси - Канопа
3. Eliphant - Only Getting Younger 
4. DZA - Catbug ( XCLUSIVE from upcoming #INTERNETGHETTO #RUSSIA )
5. TNGHT - Higher Ground [Lets Be Friends Re-Amp]
6. Eprom - regis chillbin ( machinedrum remix )
7. Flosstradamus - underground anthem
8. DZA - Finger Snaps ( 2014 EDIT ) ( how2make records )
9. Crazy Astronaut - Daydrmz ( how2make records )
10. Former Employees - untitled ( DZA remix )( how2make records )
11. Montgomery Clunk - Twink

#INTERNETGHETTO MIX - DZA

@liarinth 

EARMILK Exclusive (Liar "Cybertime" Walkthrough“

http://www.earmilk.com/2014/05/13/liar-walks-us-through-his-dark-cyberpunk-influenced-cybertime-ep/

Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation […] Lines of light ranged in the nonspace of the mind, clusters and constellations of data.” Liar attempts to translate this definition from the very author who first coined the term, William Gibson, to a 4D vantage point. As such, he imagines not only every single point in infinite 3D space theoretically collapsed to a single point upon digitally trivializing distance, but, furthermore, the collapse of every discrete instance of said 3D space into a single, non-linear event, upon digitally trivializing time. Hence, “Cybertime”. 

Functionally, this equates to music that, seemingly, effortlessly splices DNA from digital conceptualists as Fatima Al Qadiri or Oneohtrix Point Never, from retrofuturists such as Bok Bok or Surkin, from 90’s hardcore stalwarts such a Special Request or Zomby, and from sound design heavyweights such as Amon Tobin or Noisia; all towards achieving a unified, stable construct of antique, classical, retro, contemporary and futurist sonic vocabulary.

Opener “Erumpo Ortus” is, potentially, the most cinematic of the six. With the opening sample beckoning one to “dance like there’s no tomorrow”, it’s ostensibly driven by hundred-handed tribal drumming and monolithic choral manipulations. At its basis a simple oldskool electro beat, overall it’s a rousing overture, most committed to the release’s origin- and time-defiant aesthetic.  

The title track is Liar’s most grime-leaning track since “Alpha” (although, again, barely so). The sluggish-bass-driven, instrumental grime backbone is expanded upon with junglist references, a healthy serving of rave, and a Night Slugs-indebted sound palette. As it progresses, it becomes half adult vaporware, half “Jock Jams” revivalism, and all love letter to Golden Age sci-fi.    

“Hekatonkheir” is a genre-obsolete piece of bass histrionics. Beginning with a titanic bellow that segues into cinematic orchestration, it timely explodes into dozens of distinct sounds thrashing about, nevertheless, as one single congruous beast. This volley of sound design goes through several distinct sections with operatic flair and pomp, sometimes seeming like a cut from Don Davis’ work for the The Matrix trilogy, sometimes seeming like a saccadic dream sequence, sometimes seeming like a rhythmically-subverted neurofunk banger, and frequently punctuated by ethereal vocals chanting about Iapetus, the third moon of Saturn.
On the flip, “MutaGen” divulges some of the EP’s meta-social agenda, envisioning contemporary life as the exploits of a mutant generation, passively engaged in a violent psychic insurrection against the dehumanizing vagaries of hyper-reality. It also divulges Liar’s roots in jungle and his veneration for forefather Venetian Snares, in the form of acid hyper-grime that spastically grooves beneath a surrealist score, before exploding into an amen-driven finale.   

Continuing “MutaGen”’s rhetoric, “Phalanx” is a blend of New Age samples, sounds of battle, retrofuturist trance and slow-mo footwork. Urgent, intense and unrelenting, its only brief respite is around the 2 minute mark, where it pauses for a breathtaking, uncannily-uplifting trance breakdown, before resuming the sonic siege.

“Reforestry” is a lengthy closer that pulls no punches in earning the oft-abused-these-days adjective “epic”. Alternating between martial rhythms, splintering half-time slogs and loungy downtempo swagger, it pulls from myriad palettes, yet achieves a unified effect – that of conveying a sylvan swansong. Around the sonic detritus of a forest seemingly imploding on itself, distorted drones, distant pads, diffuse choirs and, lastly, a demure piano epilogue create a swirling, gothic portrayal of unstill life, laden with the soft, sparse touch of Romanian vocals that go (if Liar is to be trusted) “It was raining infernally, and we were making love.”

This is the datamoshed Genesis and Revelations of Liar’s Infinite Machine Bible, circa MMXIV. This is the gospel of how the infinite machine operates in the great singularity cloud of cybertime. Believe.  

Liar - Cybertime

Release date: May12th
Format: 12" / Digital

Tracklist:

A1- Erumpo Ortus
A2- Cybertime
A3 - Hekatonkheir
B1 - Mutagen
B2 - Phalanx
B3 - Reforestry

Purchase 12"

IM023 - Liar - Cybertime ( 12"/Digital) Out Now!!

Talamasca - Time Simulation

Buy on Bandcamp

Gen-Ohm -  Something Special (Released on Apuruami rec.)

Hona Costello - High | FREE DOWNLOAD

To find the download link, Join me on facebook : www.facebook.com/worakls1

Worakls - Live act 2013

Colossal Damage--- Chette ---

Download: https://www.dropbox.com/s/6oa14kqlqcjh13y/Saudade_Master.wav?dl=0

"Saudade is the recollection of feelings, experiences, places or events that once brought excitement, pleasure, well-being, which now triggers the senses and makes one live again. It can be described as an emptiness, like someone (e.g., one's children, parents, sibling, grandparents, friends, pets) or something (e.g., places, things one used to do in childhood, or other activities performed in the past) that should be there in a particular moment is missing, and the individual feels this absence. It brings sad and happy feelings all together, sadness for missing and happiness for having experienced the feeling."

FB: https://www.facebook.com/Qelaion

intense

Vikram Aditya