Just epic! I'm loving this vibe! Roll on!

one of my favorite grooves on the planet earth... ezzzzzz

like seriously on the real... this... all this... so much... no ones ready... im glad my ears are open!

intense

Vattakanal is a magical village situated in the cloud forest of the Palani Hills next to Kodaikanal in Tamil Nadu, Southern India. It is known for its unmatched scenic beauty, bizarre natural phenomena and magic mushrooms which grow in abundance in and around 'Vatta'. After a much needed pilgrimage to Vattakanal, This track is my tribute to the heavenly place, hoping that more people get inspired and blessed to visit Vattakanal after hearing this track.

Flute - Kartikeya Vashist

Vattakanal da Kamaal

A Hi-Tech collaboration with Saw Jaw. Chand Nawab remix! Courtesy : Indus News and the legendary Pathan.

Karachi To Jalalabad

Yaman Aalap ft kartikeya vashist

@liarinth 

EARMILK Exclusive (Liar "Cybertime" Walkthrough“

http://www.earmilk.com/2014/05/13/liar-walks-us-through-his-dark-cyberpunk-influenced-cybertime-ep/

Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation […] Lines of light ranged in the nonspace of the mind, clusters and constellations of data.” Liar attempts to translate this definition from the very author who first coined the term, William Gibson, to a 4D vantage point. As such, he imagines not only every single point in infinite 3D space theoretically collapsed to a single point upon digitally trivializing distance, but, furthermore, the collapse of every discrete instance of said 3D space into a single, non-linear event, upon digitally trivializing time. Hence, “Cybertime”. 

Functionally, this equates to music that, seemingly, effortlessly splices DNA from digital conceptualists as Fatima Al Qadiri or Oneohtrix Point Never, from retrofuturists such as Bok Bok or Surkin, from 90’s hardcore stalwarts such a Special Request or Zomby, and from sound design heavyweights such as Amon Tobin or Noisia; all towards achieving a unified, stable construct of antique, classical, retro, contemporary and futurist sonic vocabulary.

Opener “Erumpo Ortus” is, potentially, the most cinematic of the six. With the opening sample beckoning one to “dance like there’s no tomorrow”, it’s ostensibly driven by hundred-handed tribal drumming and monolithic choral manipulations. At its basis a simple oldskool electro beat, overall it’s a rousing overture, most committed to the release’s origin- and time-defiant aesthetic.  

The title track is Liar’s most grime-leaning track since “Alpha” (although, again, barely so). The sluggish-bass-driven, instrumental grime backbone is expanded upon with junglist references, a healthy serving of rave, and a Night Slugs-indebted sound palette. As it progresses, it becomes half adult vaporware, half “Jock Jams” revivalism, and all love letter to Golden Age sci-fi.    

“Hekatonkheir” is a genre-obsolete piece of bass histrionics. Beginning with a titanic bellow that segues into cinematic orchestration, it timely explodes into dozens of distinct sounds thrashing about, nevertheless, as one single congruous beast. This volley of sound design goes through several distinct sections with operatic flair and pomp, sometimes seeming like a cut from Don Davis’ work for the The Matrix trilogy, sometimes seeming like a saccadic dream sequence, sometimes seeming like a rhythmically-subverted neurofunk banger, and frequently punctuated by ethereal vocals chanting about Iapetus, the third moon of Saturn.
On the flip, “MutaGen” divulges some of the EP’s meta-social agenda, envisioning contemporary life as the exploits of a mutant generation, passively engaged in a violent psychic insurrection against the dehumanizing vagaries of hyper-reality. It also divulges Liar’s roots in jungle and his veneration for forefather Venetian Snares, in the form of acid hyper-grime that spastically grooves beneath a surrealist score, before exploding into an amen-driven finale.   

Continuing “MutaGen”’s rhetoric, “Phalanx” is a blend of New Age samples, sounds of battle, retrofuturist trance and slow-mo footwork. Urgent, intense and unrelenting, its only brief respite is around the 2 minute mark, where it pauses for a breathtaking, uncannily-uplifting trance breakdown, before resuming the sonic siege.

“Reforestry” is a lengthy closer that pulls no punches in earning the oft-abused-these-days adjective “epic”. Alternating between martial rhythms, splintering half-time slogs and loungy downtempo swagger, it pulls from myriad palettes, yet achieves a unified effect – that of conveying a sylvan swansong. Around the sonic detritus of a forest seemingly imploding on itself, distorted drones, distant pads, diffuse choirs and, lastly, a demure piano epilogue create a swirling, gothic portrayal of unstill life, laden with the soft, sparse touch of Romanian vocals that go (if Liar is to be trusted) “It was raining infernally, and we were making love.”

This is the datamoshed Genesis and Revelations of Liar’s Infinite Machine Bible, circa MMXIV. This is the gospel of how the infinite machine operates in the great singularity cloud of cybertime. Believe.  

Liar - Cybertime

Release date: May12th
Format: 12" / Digital

Tracklist:

A1- Erumpo Ortus
A2- Cybertime
A3 - Hekatonkheir
B1 - Mutagen
B2 - Phalanx
B3 - Reforestry

Purchase 12"

IM023 - Liar - Cybertime ( 12"/Digital) Out Now!!

Kattie / Chewlie split EP is OUT now 👾🪩

Featuring a bouncy minimalist funky tune named 'Friend' 🤗💃by Argentinian producer Kattie (@kattiebeats) & the complex heavily-chopped-track 'Flourish in the Ruins' 🌱🏛️ by Switzerland bass-wizard Chewlie (@juicy_chewlie) 

Please also find attached a remix by footwork legend Jana Rush (@jaru-1) from Chicago 🌆 + another one by the infamous occitanian bass-addict duo @stacktracedub & @knurx 🧱

Mastering by @dviance // Knurx&Stacktrace remix mastered by @qqantt
Artwork by Becem Sdiri 🔥
28th april 2025
ISENGARD SPLIT  006  💯 📢`
🌆 🇦🇷🇹🇳 🇧🇪 🇨🇭🇺🇸🇫🇷🏙️ 

SPLIT006

Bandcamp

Chewlie - Flourish In The Ruins (Stacktrace & Knurx STAGE 4 Remix)

NAKANO BLU - BLESSSSED

Leese x B E N N - ▲▲ [YUKU]

Out now - 12 tracks: double vinyl and digital 

In 2013, Different Circles launched with Weightless Volume One, a compilation that helped define a new minimalist aesthetic in electronic music. 

Twelve years later and after a six-year pause, the label returns with its tenth release: Ping Volume One.

Like weightless, ping isn’t a genre. It's an approach to anchoring and propelling sound without relying on the steady pulse of a kick drum.

Instead, a single percussive hit — the ping — holds the centre. Dry and high in the mix, or echoing distantly through space, it becomes a temporal anchor. Around it, the rest of the track can undulate, bend, float or collapse.

The term first appeared on Mumdance’s radio show, where playing “the pingy ones” from the Different Circles back catalogue became a running joke. In the Discord community, it evolved into a shared language, with memes, lore and a mascot known as the Ping Devil.

In 2023, Mumdance aired The “Ping Report” a radio show that gathered everything into a coherent moodboard. It included original tracks made by Discord members for the show and set the foundations. From there, more producers began making ping intentionally, and over time, Ping Volume One took shape.

As the idea came into focus, Logos and Mumdance noticed that much of the Different Circles back catalogue, if not explicitly weightless, could now be understood through the lens of ping. It was a sound they had been drawn to long before they had a language to describe it.

Ping Volume One is a document of shared instinct. A collection of tracks connected by feel rather than formula, shaped by years of dialogue between a community of artists and listeners who were drawn to the same sounds & ideas before they had a name.

Beton Brut - Lime Bike

IS-3.0.A

Zundoko

@vitaaline
@brodinskiofficial
@terminalrec

PREMIERE : Vitaline - Wild Card (Brodinski Remix)

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

B E N N - Hakka Drums II
self release, 2025
𝓑𝓾𝔂 👉🏾 https://bedoublensound.bandcamp.com/album/hakka-drums-ii

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://www.instagram.com/bnnwx7_tw/

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://soundcloud.com/bedoublensound

#newmusic #electronicmusic #Taiwaness #Experimental #hakka #Beiguan

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ B E N N - 一枝香折 [self release]

Comperi & Locre - Shell Spirit [EPX1]

The collaboration between Comperi & Locre began after both artists released on the same label. Though they never met in person, everything happened online, their visions instantly aligned. What started as a simple connection turned into a deep creative flow driven by shared passion, freedom, and dedication to music. Together, they've made a lot of music, and this release captures the essence of that journey. Blending elements of trance, ambient, and trap, the EP moves between emotional depth and raw energy, a reflection of two artists united by sound, not distance. This EP features remixes from Brodinski, Estoc, and Nonzerosum.

Written + Produced - Léonard Madoulaud Baumann & Ivan Shabanov

Brodinski Remix - Louis Rogé

Estoc Remix - Estoc

Nonzerosum Remix - Dustyn Astbury

Mastering Engineer - Ioannis Nafpliotis

Cover Art - Dustyn Astbury, Léonard Madoulaud Baumann, and AJ Wilson

Origin - EU

Available on all streaming platforms

Estoc Remix only available on Soundcloud, Bandcamp, and Nina Protocol

Connect with Artists
https://soundcloud.com/compericomperi
https://soundcloud.com/locr3
https://soundcloud.com/brodinskiofficial
https://soundcloud.com/splintered
https://soundcloud.com/non0sum


Thug Tear (Estoc Global Intifada Remix)

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com

Various - Intimate Club V/A Vol. 2
Intimate Club Records, 2025
𝓑𝓾𝔂 👉🏾 https://intimateclubrecords.bandcamp.com/album/intimate-club-v-a-vol-2

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽a͓̽r͓̽t͓̽i͓̽s͓̽t͓̽̽
https://soundcloud.com/polcartier https://www.instagram.com/polcartierr/

🦛✨ f͓̽o͓̽l͓̽l͓̽o͓̽w͓̽ ͓̽l͓̽a͓̽b͓̽e͓̽l͓̽
https://soundcloud.com/intimateclubrecords https://www.instagram.com/intimateclub_records/

#newmusic #electronicmusic #Bass #Club #Multigenre

P̷R̷E̷M̷I̷E̷R̷E̷ 🦛✨ Pol Cartier - EDM [Intimate Club Records]

Buy on Bandcamp

Gen-Ohm -  Something Special (Released on Apuruami rec.)

Colossal Damage--- Chette ---

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

IM023 - Liar - Cybertime ( 12"/Digital) Out Now!!

Infinite Machine

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Masaki Uchida

~S&R~

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