Twonck Boi v2

Inspired by 'dragulasbruder'  on Muffwiggler (https://www.muffwiggler.com/forum/viewtopic.php?f=84&t=236355) I created my first Baby Rungler patch using three channels of Stages (2x LFO, 1x S&H) and a matrix mixer. The square LFO is used to trigger the S&H input, and also various envelopes and Euclidean Circles along the way. Some wiggling with the second Stages LFO to create different rhythmic patterns, and with Memeophon for glitchin'.

Baby Rungler

Who knew Mimeophon could imitate reed instruments?

Duet For Mimeo

Approximation Piece

Uploaded with AudioShare app - http://kymatica.com/audioshare

Sax: feedback patch in Minibrute. 
- VCO2 square -> Filter FM mod (negative)
- VCO1 square -> VCO2 pitch
- VCO1 100% + VCO2 50% to Filter in bandpass mode with Brute factor at 30% -> output to VCO1 sync
- Cycling AD envelope to VCO1 linear FM
- VCO2 output -> exponential modulation of VCO1
- LFO1 random glide -> PWM VCO1 (yields jumps through unstable feedback points)
- LFO2 random glide -> Filter resonance amount

Bassline, if you can call it that: WMD MME in ADAR cyclic mode at audio rate. Attack time modulated by sine from filter, amount of modulation modulated by square LFO from Stages (also to Release time). Shuffle groove by Mimeophon with its own output latching/unlatching 'Hold'.

Voice layer 1 & Strings:  Behringer VC340 Vocoder
Voice layer 2: Korg Wavestate

And I have _no_ idea what I was playing.

But it was fun :-)

Saxy Haze

Noddin'

WARNING: contains high-pitched shrieking noise!

Percussion: feedback loop of Belgrad and A-137-1, modulated by B960 and Marbles, repeats by Mimeophon.
Bass drone: Fusion VCO2, sequenced by René.

Hammer x Drills

Vinnie’s Taiko Enzo

A160-2 + uModII triggers DPO strike input, added some A-199 spring 'verb and the result is fed into Serge Multipliers & ResEQ. The pitched drone involves a feedback loop with Rings (triggered by Burst) and Serge Multipliers. Sort-of-baseline: DPO sine sequenced by B960, fed through A137-1.

Approximation Piece

TheBeautifulBald

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