type : album
artist : carlo ruetz
remixer: none
name : my jungle
label : supdub 
cat.-nr.: 034
release date : 31.03. (only digital)

Carlo Ruetz on Facebook:
www.facebook.com/carlo.ruetz.eu

supdub on Facebook: 
www.facebook.com/supdubofficial

www.supdub.eu

design and artwork by www.davidulrich.de

presstext:

Beatport

We Are Riders - Carlo Ruetz .original [supdub 034]

After Kollaps-Within (Mellon Place Records)

        Levent Ozbay invites listeners on an emotional and immersive journey with his long-awaited Save Me EP, a work shaped with meticulous care and deep intention. This isn’t just a release for the dancefloor, but a storytelling experience that resonates on a personal level. Enriched by two outstanding remixers, the EP captures the pure essence of Levent’s artistic vision.

       At its core lies the title track, “Save Me,” which merges melancholic vocals with a soaring melodic structure. The vocal feels like a desperate call wrapped in subtle hope, creating a bittersweet tension throughout. The arrangement is detailed and dynamic, allowing each element, synths, percussions, and textures, to breathe and contribute to the track’s emotional weight.

         The first remix comes from none other than Betoko, a name known for his distinctive and genre-defying sound. In his take on “Save Me,” Betoko weaves a new story within the original, preserving its fragile emotional core while injecting it with hypnotic momentum. Deep basslines, carefully layered synths, and delicate vocal play turn the remix into more than a reinterpretation, it becomes a narrative of its own. Betoko’s signature touch blends sophistication with groove, making this version equally suited for club moments and solitary reflection.

         The second track, “Nasty,” despite its title, brings a refined aggression. Bold yet sensitive, it’s elevated further by Kinky Sound’s remix. Kinky takes the original’s raw energy and reimagines it with a darker, more driving atmosphere. Tension builds in the breaks while the drops ignite with fierce momentum, making it an undeniable weapon on the dancefloor.

         Save Me EP stands out as one of the most carefully crafted releases in the Harabe catalog. With powerful collaborations and a clear emotional direction, Levent Ozbay delivers a multi-layered, high-caliber production that reflects his years of experience and unwavering dedication to sound.

Support Here: https://www.beatport.com/release/save-me/5164848

Save Me

Buy on Beatport

Levent Ozbay - Nasty

Ray Silva-Unknouw (Original Mix) (MT)-2025

Spotify: goo.gl/SDMIPm
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

https://soundcloud.com/torstenkanzler / https://soundcloud.com/satzbrand

PREMIERE: Torsten Kanzler - EVE

Artist: https://soundcloud.com/tom-b-dusteddecks
Remixer: @vanessa_sukowski
Release: Everything About You
Label: VmF Records - Vögeln mit Freunden
Catalogue No: VMF002
Release: 2016-11-03

Everything About You Ep By Tom B. - "Vögeln mit Freunden" Based In Northern Germany Open The Second Chapter Of The Adventure VmF Music. Tom B. From Leipzig Is The Second Bird Who Present His Lovely Sound To  Continue Our Journey Of Music. Tschiep

/ Homepage: www.vmf-music.com
/ Facebook: www.facebook.com/voegelnmitfreunden
/ Instagram: www.instagram.com/vmfmusic
/ Youtube: www.youtube.com/@vmf-music

Tom B. - Bring The Rythm Back (Vanessa Sukowski Remix)

Stream & Buy

Can't Stop My Mind

Dapayk Solo "Cant Stop My Mind" (Rohling001)

W!LD KAT - Deep Roarmantic (Bebetta Remix)

Twist and Bend It

It Doesn't Exist

Part Of my new album "All Right Now"
Release: 2nd of November 2020 on SNOE

www.snoemusic.com
www.andreas-henneberg.com

#allrightnow

All Right Now (Album)

Andreas Henneberg - Es War Einmal (Radio Mix)

Vincent Thomas - If I Had Known This Before (Original) (Great Stuff)

When it comes to records Vincent Thomas knows both sides. In most producers’ biographies there is a straight line from spinning records to producing records. In his case it’s different: Vincent had his hands at the production controls as well as on the turntables.

The Producer
"Shingaling" evolved from an underground club track to an international chart hit in the course of only a few weeks. For Vincent Thomas, who produced the track jointly with Jean Claude Ades, this is the final breakthrough: “Shingaling” was #1 in the German Club Charts, #1 in the Belgian dance charts, the Italian Dance & sales charts, and (even for four weeks) at the top of Beatport.com. The Original Mix of "Shingaing" was the best selling Electro House Track on Beatport.com in 2008 and nominated for the Beatport Music Awards as "Best Electro House Track in 2008" (#2). In the German Dance charts "Shingaling" reached #3 and #6 in the Dutch Nieuwe Top 40 singles charts. The song has been published in seven countries by different labels: Great Stuff, Ministry of Sound, Vendetta, Frenetic, Blanco y Negro, Ego, NEWS.


Various singles and remixes have been licensed for the following compilations: "Love Parade 2008 - Highway to Love Compilation", "Viva Rotary Club Summer 2008", "Pacha Ibiza 2008/2009", "Clubbers Guide to Ibiza 08", "Ministry of Sound Bites Summer Club 2008" and many, many more.

Even though chart performance is not his benchmark for success and he doesn’t adjusts his production work to that, Vincent rejoices it as a form of appreciation. Being in the Beatport Top 100 with "Heureka" and "If I Had Known This Before" in 2010 was a welcome confirmation.

In SWINGS, a sub-label of Great Stuff Records, Vincent had found a record company with the same philosophy as he represents himself: to create good, successful club tracks. 

After numerous remixes for acts like Jerome Isma-Ae, Jean Claude Ades, Tom Novy, Paul Harris on labels like Ministry of Sound, Cr2, Armada, Swings, Harem, Ultra and Kontor, Vincent Thomas was able to definitively establish himself in the music scene.

Letting real musicians, a 15-member Cuban band, re-record an old Latin Jazz hit instead of just using a sample of the original song, was an unusual approach, Vincent admits. “Sometimes it's better to leave the well-trodden tracks.”

One of the decisive factor was not least the support of acts such as Groove Armada, Eric Morillo, Pete Tong, Fedde Le Grand & Funkerman, Tiger Stripes, Djuma Soundsystem, Deetron, DJ Chus & David Penn, Agoria and Tim Deluxe, who played "Shingaling" again and again. "That remains, even in times of the Internet, the foundation for success," Vincent Thomas is convinced.

The DJ
“DJing has to be performance”, reckons Vincent Thomas and adds: “For me, DJing isn’t just putting on one record after the other.” Due to technical evolution the role of the DJ has changed more and more to being an entertainer and performer.

His mixing style reflects his approach towards music and production: “Diversified, but consistent with a concept.”

Combining different styles of electronic music from all over the world in order to conceive a coherent, danceable sound – that’s how Vincent describes his method of operation. House and Techno magazine “Partysan” declared his style “Electro House at it’s best!”.

That’s why Vincent doesn’t stuff his case with music from only one style but with a rich variety of records from Club House via Electro to rather tech-housy, progressive sounds. That implies not to follow an already falling trend yet to trace current sounds and having tomorrow’s sounds already in his DJ case.

Vincent is constantly playing impressive shows around the globe as well as big venues like the Loveparade. For the Loveparade in the city of Dortmund (2008) and Essen (2007), Vincent was DJing at “Rocker und Freunde”, an after-show party presented by the renowned radio station 1LIVE and played with acts such as Fedde le Grand, Paul van Dyk. Bad Boy Bill, Moonbootica, Lexy & K-Paul.
The interest in Vincent's unique DJ-shows and uplifting productions keeps on growing. Be prepared for a few surprises!
