"BunZer0, veteran of the dubstep scene and longtime overseas ambassador, has been a tireless promoter of all things quality and bass-driven for some time now; the Belgian native has graced stages across the globe, released tunes via the likes of Duploc, FatKidOnfire, Reggae Roast and No Suit Records to only name a few, was the man to first book many of the UKs dubstep pioneers for their first gigs in Belgium, held down a moderator's role on dubstepforum, and hosts one of the  SUB.FM 's most popular slots in the form of the FOB show".

LADY ANN


Born Barbara Smith the second child of Verona Dacres, Born ina Jubilee and lived in Western Kingston.
Lady Ann started her career around 1978 doing her first recording for Don Mais (Roots Tradition Label) [(Plan u family) with Toyan] and (shine eye boy).
In 1980 Leon Symoie invited her to record a couple of songs for the (Trill seekers Label) which cumulative in the album (Vanity) and the release of 7” (Satap).
Lady Ann teamed up in 1981 with Black Beard to record Husband and Wife on the (Mr. Tipsy Label)
From 1981-82 Lady Ann enjoyed her biggest success with the Joe Gibbs Produced (Informer) this song stormed up the local charts and swing her career into high gear. This led to her touring Canada, United States, and Cayman. With the success came the release of the album (Informer).The pinnacle of her career came when she was named the first female DJ of the year (1983).
After enjoying these success she continued to record for the cream of the cream of Jamaica's Producers Notable Jah Thomas, Taxi, Volcano, Striker Lee Jah Life and shocking Vibes.
In this millennium Lady Ann is still a force to reckon with as a female DJ and can still hold her own with any of the present Female DJs Lady Ann is still sought out for shows and her killa dub plate of her biggest song (informer)


Half of the mighty 2 Tone Sound System.. 
Half of that sludgefunked up Dubpile.. 
And all Whyno!  

SUBS UP PLEASE

With over fifteen years of experience behind the wheels of steel Whyno always keeps you guessing from what angle and with what flavor he is going to attack with next. Original junglist that began his DJ career pushing a serious blend of ragga jungle, drum and bass, dancehall, hip hop riddims and has only moved on to expand his arsenal with almost any genre of rave and underground music around. As part of the infamous Big Sound Crew in early 2000's based out of NH/Mass Whyno began his journey as a DJ off with a bang travelling all across New England with numerous trips to NYC along side Big Sound Crew's co-founder Dj Nuggs (Scotch1) making positive waves in the North East rave community along side third member TSD that joined the crew later. Shortly after, returning to Southern California to set up shop and expand his vision Whyno began to organize high grade bass functions as well as DJ all around Southern California making plenty of trips around the States pushing his unique blend of sounds. A huge force behind weeklies, monthlies and one offs such as Unknown Soldiers, Broke Junglist, Bounce, Basstastic, SD Bass Sessions and many more while also commanding Kings Connect Recordings and bringing tons of free and released music to the masses. Whyno also representing 2 Tone Sound System along side ERU of the Gone Jahmen Crew flexing soundclash jungle and dancehall music with custom voicings and exclusive mash ups as well as being one half of Dubpile along side Haggard focusing on the more grimey, slowed and throwed sounds. Whyno is also resident and host of the mighty West Coast Pressure radio show on DNBtv.com and fronted Happy Hour Radio as well threw DNBtv. If you are looking for more then a DJ and searching for a true bass epiphany, look no further.  


CONTACT INFO
<a href="mailto:djwhyno@gmail.com" rel="nofollow" target="_blank">djwhyno@gmail.com</a>

This location is where you can stream music from Juakali as well as snatch free music from time to time.  Bless. Bookings juakali01@gmail.com 

Sound System 
We promote Peace Love and Happyness , inna conscious style

We come from the south of France (From the Alpes Mountain >> "Chartreuse")
Sound Link :
http://soundcloud.com/calimsteppa
http://soundcloud.com/jahlix
http://soundcloud.com/treuzz-bass-green-lion
http://soundcloud.com/payz

Open for new collaboration feel free to contact us..



King Cannibal - 
"modern master of the satanic sub frequency" DJ Mag


King Cannibal wasn’t always as beastly as you’d think. Dylan Richards a.k.a. “Ninja’s first (and only?) hard man” has a snaked history, rubbing shoulders with personal heroes and all of it preemptively flagged for greatness by numerous taste-makers publications, based on his trilogy of under-the-counter mix CDs recorded under this former name - ‘ZILLA’
 
Comprised of hundreds of tracks, these hand-sprayed CDs sold out in days and earned high praise on a global scale, so much so that Warp Records took note and invited ‘ZILLA’ along with DJ partner Buddy Peace to compile a retrospective of the label. Released late September 2004 as part of the 'WARP VISION The Videos' DVD, the mix entitled 'Watch And Repeat Play' was a startlingly original tour-de-force, over 70 minutes the two DJs reworking and rewiring the label's back catalogue, twisting the already twisted into sonic maelstrom.
 
Richards began exploring solo production, perfecting an industrial take on dancehall, dubstep & drum n bass with a number of well-received, increasingly darker remixes. The Eureka moment, ‘Aragami Style’, came to be in 2006, and with it a new alias was born. “Whilst 'ZILLA' sleeps at the bottom of the Pacific KING CANNIBAL IS KING OF THE DANCEHALL”.
 
Falling in to the hands of the legendary Amon Tobin, ‘Aragami Style’ took pride of place as the secret weapon King Cannibal’s sets, destroying dancefloors for years whilst Radio 1 DJ Mary Anne Hobbs championed the track giving it heavy rotation and inviting King Cannibal to prepare for her Experimental show an hour-long soundclash with proto-dubstep producer Scorn. Radio 1 weren't the only station listening, hardcore fan and supporter Eddy Temple Morris even created a section of his show 'The Remix Darkside' in King Cannibal's honour.
 
Having now released his debut album ‘Let The Night Roar’ on Ninja Tune, it seems these long lists of endorsements are no fluke. Piecing together shards of a wide array of influences, utterly uncompromising industrial sounds and razor-edged rhythms shifted shape from dancehall & drum n bass to deep techno & dubstep in what Richards calls his school of ‘brutal deluxe’ production, falling somewhere between the sonic shadows of Amon Tobin and aggressive swagger of The Bug, both fellow Ninjas. 
 
2010 bought 2 North American tours alongside appearances at The Royal Albert Hall, The Apple Store London for Ableton, sound design & gaming work for Microsoft and Ubisoft (Splinter Cell Chaos Theory 3D and Crackdown 2) mixing duties for DJ Food, appearances on the Ninja XX compilation and accompanying tour. The year finished with a DJ Magazine 'compilation of the year' award nomination and his first mix cd 'The Way Of The Ninja' collecting a breath taking 256 tracks into 74 minutes.

Following personal request King Cannibal worked along Bjork on the initial stage of her Biolphilia album, followed by recording and releasing a remix of her song Thunderbolt. A debut release for Ad Noiseam entitled 'All The Colours Of The Night' was also released which once again earned huge support from Mary Anne Hobb's who opened every show of her U.S Road Warrior Tour, Boiler Room and Sonar Festival sets with it's remix of 'Dirt'. 
King Cannibal ends 2012 with a remix and one off performance of iconic Polish composer Witold Lutoslawki for Sacrum Profanum Festival.

For booking contact me directly: 
nopparecordings@gmail.com

http://nopparecordings.tumblr.com/

most of my work gets posted on this soundcloud profile:
http://soundcloud.com/verminstreet/sets/vinylblight/
because managing 2 profiles is too much work! :)

and here's a very serious and telling biography on how vinyl blight grew up playing piano in his mother's womb and has performed for such notables as: his mom; his best friend; and the sorely disappointed bartender.

hailing from the far foreign land of nowhere special, creating new techniques and setting trends for genres which will soon be known as 'what-the-fuck-is-this-shit?-step' and 'medio-core,' vinyl blight harnesses his roots in early ragga jungle to bring you a sound you'll be glad you've never heard before. like super hyped-up madness that never fails to let down, vinyl blight has managed to do the unthinkable and create a sound that no one likes, not even in an unpleasant but still kind of avant-garde and counter-culture sort of way.
check him out before the whole world finds out how whack he is so you can say you were hatin' way back before suckas' mommas' even told their children not to buy his album. championing the war on vinyl since 1999, for more information, go here: http://www.verminstreet.com/vinylblight



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