low bpm

Tracklisting available via the LYL Radio site :^)

https://lyl.live/episode/peace-pilgrimage-2

Peace Pilgrimage w/Good Morning Tapes 300721

The Prague-based producer Slowmotiondancer is delivering a collage of krautrock, synth-wave, ambient and more from of his own car cassette collection. Between the songs, you can hear the navigation that will take you from Prague to his hometown.

Car Cassette w/ Slowmotiondancer

Back with the first Bandcloud guest mix in a year! What's prompted this return? Who knows. 

https://soundcloud.com/lxv is David Sutton, a Philadelphia-based artist who first came to my attention when he released Sirens, a collaboration with Kara-Lis Coverdale. He also refashioned a track for Emily Berregaard's "Hallowed" release on enmossed.

He's put out something like eight solo albums and a series of EPs/singles/shorter-form releases since 2014, and contributed to the much-loved Blowing Up The Workshop mix series, as well as the "too new to be classic" Beyond/Below series. 

This mix features strange and beautiful music from Mira Calix, More Eaze, Sasha (but not *that* Sasha), Coil and many more artists, most of whom are completely unfamiliar to me. There's an almost even split between haunting melancholy and Italian dream house, perfect for the gorgeous liminality of this particular season.

The Enchanted Sea- Martin Denny
Untitled II- Nikolaienko
BB's Chant- Charles Bernstein
Scmyk- Mira Calix
Priority- More Eaze ft. Ben Bondy
Resounding Seashell- Jacy
Stormfugle- Moniek Darge
A Key to Heaven for a Heavenly Trance- Sasha
Plow Man- Terrestrial Tones
Find What You Love and Let It Kill You- Sylvain Chauveau ft. Myriam Pruvot & Chantal Acda
Sound Holes- Double Leopards
157- Chris Fratesi
Hidden Cove- Forrest Fang & Carl Weingarten
The Worst Idea I Ever Had- Can't (Jessica Rylan)
Ile ma lat?- Księżyc
Amethyst Deceivers- Coil


"Lxv has most recently released “Anxiety Euphoria” a full length available on Bandcamp and Spotify, exploring dream states in process and place, and excavations of exotica and the industrial from the modern era."

Bandcloud Mix October 2021 LXV

Hi friends, I'm currently enable to make music at the studio for personnal reasons so I made a DJ SET out of my favourite track of Ethnic World Progressive Tech . It's a deep and subtil combination of world vibes and energy. I hope you you like it : 

Once again thank you to the fantastic producers that made theses songs . 

TRACKLIST : 

1)Goldcap - Mirage
2)Aldebaran - Hraach, Armen Miran
3)One Man Orchestra - Tranquility
4)DAVI - The Gate Of Babylon
5)Anton Ishutin, Deniz Reno & Denis Agamirov - Anaklia's Dream
6)Bedouin - Straight To The Heart
7)Massimo Lippoli -  Dougne Te Soye
8)Matan Caspi - Amadeus
9)Karmon - Acido
10)Kerem Gell - Paterica
11)Kerem Gell - Rabbit Island
12) Suzan (Goldcap Remix)
13)DAVi - Illusion
14)Moonwalk - Elessar
15)Brigado Crew & Crisstiano - The Sing

You rock guys, pure vibes. ♫  ♥

Primabot -World / Ethnic Downtempo

LYL Radio: 16.12.21

Moment2022_Day2_9:00-11:00 Dj Tez

Further information: bleep.com/features/bleep-mix-243-loraine-james

A collection of tracks that inspired Loraine James' new Eastman homage album Building Something Beautiful For Me, including works sampled within Loraine's new productions.

Bleep Mix #243 - Loraine James

All vinyl set spanning ambient, dub techno and experimental. Featuring music from Tourist Kid, Pendant, Tonto, DJ Plead, K Wata, Lee Gamble, Actress, Darling Farah, Vester Koza, D Man, STL, GAS, Martinou, Fluxion, Buffered Multiple, Pigon, C3D-E, Levon Vincent, Jimmy Edgar, Moiré, Patricia, Lukid, No Moon, Hank Jackson. Comment for ID's.

Netil Radio

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Netil Radio Residency // October 2022

Not every DJ/producer can create airy ambient as readily as heavy, percussive dancefloor stompers; Chicago's Millia (@milliamusic) ranks among those who can seemingly do it all. With solo releases on @sweat-equity, @naivetrax, and Shuga Records, Millia also produces and DJs as part of the much-loved Purelink as well as DJing under @dasani_boys with his twin brother. It all seems to be driven by a map of connections on the dancefloor and beyond, and grounded in Chicago's deep dance music history while creating something fresh: playing, producing, and releasing alongside longtime heroes and new collaborators alike.

Read the interview:
https://spontaneous.zone/049-millia

"Whenever I’m asked to do a mix, I try my best to do something outside of my comfort zone and include elements that will make every mix a new experience for me. There’s always different ways to do this, including using only vinyl / CDs for track selection, only including artists from a certain region etc., but this time around I chose to do a Jungle inspired mix - a genre I’ve always loved listening to but have never been able to properly mix.

Earlier this year I went to Detroit for Movement Weekend and was fortunate enough to see my favorite DJ / producer Forest Drive West for the first time ever. He did a 3 hour b2b with Patrick Russell and played a lot of Jungle music that really blew me away. Ever since then I’ve been diving even deeper into the genre and now felt like it was time to give it a shot for Spontaneous Affinity. Added a little bit of my own flair with some half-time bass tracks and heavy percussion sprinkled in as well - I hope you enjoy it!"

@milliamusic

Interview + Tracklist

Spontaneous Affinity #049: Millia

Tracklist + Q&A:  https://bit.ly/3G26Ro8

Voracious desire: @mixtresss' frenetic sets are creating a new generation of rave lovers

Mixtress: "The idea behind this mix was to emulate my night out — starting off with bass-y and breaks-y rave music but getting quite intimate and soulful in the end, like we do when we go back to the afters with far less people and much worse conversation. I’ve gone from bassweight-y dubstep to some classic hardcore, contemporary breaks and then into some more meditative drum n bass. Trying to emulate the genre- I think hardcore is more about an energy and of love for everyone and the dancefloor to me, than a certain set of years or bpms or amens. I also like to mix the older more euphoric sounding breaks with more contemporary tracks so I’ve got an Intense tune from ‘93 mixed into some Brazen records. I think some of the older 93 tracks I’ve picked transport you into this dreamlike state, because it was made pre having the luxury and constraints of the internet and accessibility to DAW’s so it’s a bit alien sounding. I wanted to feature music that I listen to at home that’s a bit weird and cross genre - there are a few leftfield IDM backpain-relieving sound design dreamboats, all with a warm jazzy hug.

I ended with quite deep and more soulful dnb cuts. I love them all, if not more now - things like Calibre Sunrise, or Gusts from a very, very important label, North Quarter (big ups Amsterdam), and Vanguard from Alix Perez. Bit of a challenging one to get everything I wanted in this hour but hopefully it’s got just enough nostalgia for my millennials and gen z’ers to smile alike."

More exclusive music

Impact: Mixtress

Arohanui Recordings - August 20th 2023

Seelene's 𝓵𝓸𝓾𝓷𝓰𝓮 𝓵𝓲𝔃𝓪𝓻𝓭 Lodge Afters

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April.

artist video explanation accompaniment:
https://youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT

artist statement:

In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca.

Maybe describing this can help you process some live set ideas.

My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can’t take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I’m happy to discuss.

In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set.

The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats).

The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow.

I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below.

My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc.

For the main drums I didn’t want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments.

For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai  as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness.

I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

The Bunker Podcast 227

The Bunker Podcast 227: Otodojo

WATCH > https://inverted-audio.store/blogs/news/in-store-boaksi

To celebrate the release of 'Under The Pavilion' EP on Lola Haro's Small Steps imprint, @projindigo co-founder @boaksi performed an intimate all vinyl in-store session at Inverted Audio Record Store in Peckham on Friday 8th March 2024. Big thanks to everyone that made it down, beautiful music and people!

Next up, Acid house legend Ramjac Corportation (@ramjac) performs a live reel-to-reel set at Inverted Audio Record Store in Peckham on Saturday 20th April. https://inverted-audio.com/in-store-session-ramjac-corporation/

Inverted Audio Record Store

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Boaksi // Inverted Audio In-Store

This is not a time for dreaming. All vinyl mix from me to you live at Rons Peckham. 

🎧 Record Store https://inverted-audio.store
🎨 Marc Quinn - Labyrinth http://marcquinn.com/artworks/labyrinth
☕️ RONS https://ronspeckham.com

All Night Long At Rons

💊💊💊

This Is Not A Time For Dreaming

INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/soela

To celebrate the release of her second album 'Dark Portrait' on @scissorandthread Berlin-based producer @soelaela steps up to deliver IA MIX 386, interweaving a pensive mix exploring ambient, deep house and melancholic classical music.

IA MIX SERIES

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IA MIX 386 Soela

Born in 86, starter, thank God, love all.

viogitz.github.io

low bpm

Gitz