Snow Cave i can make this song blow up for you Violet Mae go look at my cover picture on here my contact is there

Une chanson électro-pop qui gravite autour des influences trip-hop pour son approche rythmique texturée jumelé à une musicalité hautement atmosphérique. L'interprétation vocale féminine au ton théâtral insuffle une bonne portion d'intensité à ce morceau à la structure magnifiquement évolutive. 〰️ An electro-pop song that gravitates around trip-hop influences for its textured rhythmic approach coupled with a highly atmospheric musicality. The theatrical female vocal performance adds a good portion of intensity to this beautifully evolving track.

Featured on Plastic Mag: https://plasticmag.co.uk/2023/02/02/mira-sthira-shares-snow-cave/

A music representation of a feeling of torment. 
--
Photo by Rodrigo Curi on Unsplash

Torment

Torment – Ambient & Cinematic Music

Du Brae
Richard Morris
Mira Sthira

Deep in the snow cave- Long North Winter
This means survival- Instinct of animal
 
Courage High, confidence meek
For a hunter with cold hands and warm feet

Wake from sleeplessness
Collect fire-sticks
Lifting heavy stones
In the ice alone

Oh my Mira 
she listened to the wild wind
He wanted a huntress
Not one in wait of him

She awakens with the sunrise
To sharpen bow and arrow
Floppy hands and floppy eyes
Snowy mittens caked with Ice

Courage High, confidence meek
For a hunter with cold hands and warm feet X 2

Oh my Mira-  Oh my Mira

she look toward the woods again 
into the cold rising mornin’.  
Whimpering warm inside her, 
the animal guides her

Deep in the snow cave
Long North Winter

Snow Cave

A music representation of intuition.
--
Photo by Sigmund on Unsplash

Intuition

Intuition – Ambient & Cinematic Music

My take, on my all time favorite movie BLOOD SIMPLE's film score,  by the GREAT, Carter Burwell...this is his first film score and he has gone on to score all 18 of the Coen Brothers films so far..

BLOOD SIMPLE...Carter Burwell's film score...my style

XCD027 Celtic

KILLIAN POINT  Ian Parker

Ghost Theater for Two Female Singers, Large Chamber Ensemble and Optional Film. Duration: 11'. Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/robert-paterson-works/

PROGRAM NOTES

Ghost Theater was commissioned by David Alan Miller and the Albany Symphony for the Dogs of Desire, the symphony’s groundbreaking, eighteen-member, chamber ensemble. The only requirement, other than length and instrumentation, was that I work with a collaborator, so I chose award-winning, Vermont-based filmmaker Jay Craven.

The work is about what the title describes: a theater haunted by apparitions, and in particular, disembodied shadows and ghosts of soldiers killed in combat. However, as the work was created, it took on additional inspirations: the thought of being haunted by one’s past, especially via a musical lens, and also the memories of war stories told by my father when I was growing up, who was born and raised in Rensselaer, right outside Albany, and who was stationed in Korea during the Korean War. Throughout the work, I interweave abstract references to pieces and composers that have not only inspired (or haunted) me, but also my mentor and longtime friend, Christopher Rouse. In particular, I quoted the drum part for Led Zeppelin’s When The Levee Breaks, the same drum lick that also appears in Rouse’s Bonham for eight percussionists. The entire piece is presented as a series of connected, pseudo-programmatic vignettes, each one flowing into the next, without break. The vocal texts are derived from three sources: an epitaph found on many European gravestones, and brief quotes from poems by Wilfred Owen and Pablo Naruda.

Although this work may be performed as a stand-alone concert work, it may also be presented with Craven’s film. In the world of filmmaking, films are usually created first, with music added later or even at the very end, but Jay and I went back and forth quite a bit, treating the process in a more collaborative manner. Once we had an idea, Jay created a rough outline and then shot footage in collaboration with video artist Catherine Siller. After studying a rough cut, I composed the music. The film was then edited around a digital mock-up of the music. The result is a surreal, dreamlike work that interweaves music and film, creating an aural and visual tapestry.

Ghost Theater is dedicated with gratitude to Christopher Rouse, David Alan Miller and the Albany Symphony.

Ghost Theater

Music by Michael Wonyoung Choi
Score Recorded Live at Synchron Stage, Vienna, Austria
Recording Session organized by Hollywood Music Workshop 2018

"Celles et Ceux des Cimes et Cieux" is a form of a trailer for a fantasy animation. 
An astray, young boy from the village of Giant Tree meets two unlikely companions who will help him to go back home. They go through many dangers and wonders together. Would they able to find a way to the Village of Giant Tree? Perhaps, there will be another great, and heroic tale to come.

With an approval by Gwenn Germain, the animator of the "Celles et Ceux des Cimes et Cieux," the rescoring the animation project was one of the exciting projects that I have done so far.

Also, the Hollywood Music Workshop provided the amazing opportunity to record this project. The work was recorded in the Synchron Stage, one of the world-class studios for the scoring, along with a team of Hollywood experts and Vienna Musicians, the entire session was a success.

Finally, my deep gratitude to Mr. Germain for his permission, and the entire faculty of Hollywood Music Workshop and the Synchron Stage who supported and led the recording session successfully.

Music with the Video
https://www.youtube.com/watch?v=xkeIasMc1zg&feature=youtu.be
https://vimeo.com/288448160

Original Video of the Celles et Ceux des Cimes et Cieux by Gwenn Germain
youtube.com/watch?v=rD3oxP2pToI

Celles et Ceux des Cimes et Cieux (Rescore)

Sombre [S4]

1969

Why I'm back home again

Why I'm Back Home Again

An electronic instrumental I made about 6 months ago.

Hope ( Electronic Instrumental )

Fluctuations

Much rather worship candle light than play with fireballs
Much rather have a cup of tea, than drink 10 PBRs
Much rather have a conversation with someone I respect, 
than have a million socialites show up at my doorstep
Much rather take my time, than marathon all day
Much rather serve the world than worry about my pay
I’d much rather touch your heart, than tantalize your skin
I’d rather love one man than have many men to pin

Cause medicine x10 is poison…
A thrall behind cell walls
I want to appreciate the little things in life
And I don’t need no fireballs to light up the night

Snow Cave

Mira Sthira

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