Brad Rau Classical Guitar, Music Teacher. bradraumusic.com
Brad Rau has been performing music for over 20 years all over Boston, Pennsylvania, New Jersey, and Delaware, as a classical guitarist, rock guitarist, and rock drummer. Brad received a scholarship to attend New England Conservatory (NEC) and received a Master’s degree in 2015 with academic honors. At NEC, he studied classical guitar under Eliot Fisk who was the last pupil of Andres Segovia. Brad has performed in countless masterclasses with instructors including; Sharon Isbin, Andrew York and Jason Vieaux, all Grammy award-winning guitarists. Brad was recently a featured performer on Live WRTI Performance Studio. Brad’s personal learning methods have enabled him to surpass his competition memorizing over 8 hours of the most difficult repertoire for the classical guitar. Brad was a semi-finalist in the International Texas Guitar Competition of 2008. In addition to his performing career, Brad has mentored hundreds of students of all ages, styles, and levels. Many of Brad's students have gone on to develop their own music careers and teaching studios. Brad's unique teaching style combines music, physics, philosophy, and humor, making him a well-rounded instructor for a variety of students.
#classicalguitar #classicalguitarist #fingerstyleguitar #classicalguitarmusic #classicalmusic

Douglas Boyce writes chamber music that draws on Medieval and Renaissance traditions and modernist aesthetics, building rich rhythmic structures that shift between order, fragmentation, elegance, and ferocity.  His approach is deeply historical and broadly philosophical.  Many of his works have an direct historical touchstone, such as his  Etude on 'Pymalion qui moult subtilz estoit' (A Book of Etudes, Quire 4, No. 1) which features quotations of and elaborations on music from 15th century Cyprus, or La Deploration for clarinet, violin, and cello, which couples Josquin's lament on the death of Ockeghem with works of his own teacher Robert Suderburg, synthesizing jazz and Renaissance approaches. Other works draw on sources from antiquity, such as the string quartet Alcyone, a partially spoken setting of a tale of Ovid's Metamorphoses, or Tethys, a violin concerto which links the sea-goddess to geological time and tectonic change.
Literature and philosophy are also significant points of articulation: The Winter Journey, a current project commissioned from the ensemble Yarn|wire, is based on a short story by George Perec; the story itself  takes the form of a 19th century fairytale of memory and loss, and so the new composition will involve transformation of the French and German art-song tradition of the 19th and early 20th century. A song cycle focused on settings of American poets (Jorie Graham, BJ Ward, Wallace Stevens) entwines with the poems fragments from philosophers (James, Aristotle, Husserl, Bergson). The piano trio 'Fortuitous Variations' draws upon the language of William James and C.S. Peirce in inspiration, organization, character markings, and movement titles. This approach and the works themselves connect to many aspects of the scholarship in the humanities, including history, anthropology, literary studies, and philosophy. 
His works have been praised many times in the press.  Regarding his Quintet “l’homme armé”, Allan Kozinn wrote “he couches [the medieval melody] in such thoroughly modern scoring that the ear is lured to other things, including the juxtaposition of eerie string writing with playful material for the clarinet and piano, or the lively interplay among all five instruments.” (The New York Times March 12, 2005.) Regarding A Book of Songs (2006), the Stephen Brookes wrote “[they] can only be described as drop-dead beautiful. Easily the most captivating works on the program, these songs of love and death are extraordinarily well written and insightful.” (The Washington Post May 23, 2006)  Regarding La Déploration, Corinna da Fonseca-Wollheim wrote that "...the violinist, cellist... and clarinetist... spread out throughout the crypt. Against vaporous harmonics and ghostly fragments of Renaissance music played by the strings, [a] warm, clear clarinet announced itself as very much alive as it sashayed in and out of blues territory and laughed in the face of their mournful keening." (The New York Times May 17, 2015.)
He has been awarded the League of Composers ISCM Composers Award (2005), the Salvatore Martirano Prize (2006), and the Robert Avalon Prize (2010), and a Fromm Commission (2012). He is a MacDowell Fellow in Winter 2017, and an Avaloch Music Farm Fellow in Fall 2017. His music has been performed by  counter)induction, Aeolus Quartet, Inscape Chamber Orchestra, Redlight Music, Dan Lippel, Robert Baker, Trio Cavatina, Edge Ensemble/Contemporary Music Forum (DC), pianists Ieva Jokubaviciute (Shenandoah University), Alice Belem (State University of Minas Gerais), and Ning Yu; cellists Elise Pittenger (Federal University of Minas Gerais) and Schuyler Slack (Richmond Symphony) and Lori Barnett (George Washington University); and clarinetists David Jones (Washington National Opera), Benjamin Fingland (Dorian Winds).
He is a founding member, curator, and composer-in-residence of counter)induction, a composer/performer collective active in the New York region (www.counterinduction.com).

All about beauty and motion, wonder and awe, and... transporting sound.
"Man is a bird without wings and a bird is a man without sorrow."
Louis de Bernières, 'Birds Without Wings'

Composer, Arranger, and Multi-instrumentalist

Founded by gambists @EricAMiller-1 & @PhillipWSerna, the viol is the medium through which we bridge contemporary & historically-informed performance with experimental and innovative programming for violas da gamba - ViolMedium!

Countertenor#baroque_music#classical#singer

The evolution of Angelos Mavros’ music began with organ and harmony lessons at a very young age, back in 1991. His professional career began in 1999, when he started creating music on his home computer.

For more than two decades, Angelos continued releasing electronic music under the aliases @OutSid3r and @DJOpenSource.

In 2020, Angelos broke down the walls between “electronic” and “organic” music, adding live instruments to enhance the cinematic feel of his pieces. This marked the blossoming of his lifelong passion for instrumental music, as he began releasing orchestral compositions under his real name and a new label: Partituræ Immortales.

Guitarist William Ghezzi has performed extensively with orchestras, chamber ensembles, choruses, dance companies, in theater and opera, and for films, radio and television. He has appeared with the Montpelier Chamber Orchestra, the Harry Partch Ensemble, the Philadelphia Guitar Ensemble, and in many other solo and chamber music settings. Mr. Ghezzi can be heard on Spotify, iTunes, Amazon, and YouTube Music his videos can be seen on YouTube, Vimeo, and Instagram. His latest recording, Telemann: Fantasias for Viola da Gamba, is available on all major streaming services.

​Currently Ghezzi is working on a project to transcribe, record and perform a selection of Fantasias by Georg Philipp Telemann originally composed for viola da gamba.  Only recently rediscovered, these pieces are a new addition to the guitar repertoire

He has commissioned numerous solo and chamber music compositions for himself, the Newman/Ghezzi Guitar Duo, the Baxter/Ghezzi Flute & Guitar Duo and the Philadelphia Guitar Ensemble including works by Robert Maggio, Laurie MacGregor, Kile Smith, Robert Capanna, and Jan Krzywicki. Currently Ghezzi is working with composer Paul A. Epstein to transcribe a selection of his piano compositions for guitar. 

Ghezzi's arrangement of "Morceau de Concours" for flute and guitar by Gabriel Fauré was selected as a finalist in the Newly Published Music Competition of the National Flute Association and is published by Trillenium Music Company. His other publications include "Wachet auf, ruft uns die Stimme" for voice, flute and guitar by J.S. Bach, "Guitarbooks I and II: Early Repertoire for Classical Guitar", "Four Chanson: for High Voice and Guitar" by Gabriel Fauré and "Suite no.6" by J.S. Bach originally for cello.
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​Ghezzi holds a music degree from Temple University, College of Music where he studied with Peter Segal and Anna Kotsaranko. He has studied privately with Phillip de Fremery, Eliot Fisk and Vladimir Mikulka. He has been on the music faculties of Temple University, Chestnut Hill College, and Settlement Music School in Philadelphia. Mr. Ghezzi lives in West Lebanon, New Hampshire. Currently, he is giving private guitar instruction at all levels from his home.

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