Figli di Madre Ignota, band from Milano, Italy. A wild bunch who plays an aggressive mix of mediterranean urban music, evil polkas, mutant klezmer, breathless tarantellas. Surfy electric guitars and a generous horn section, a Balkan brass section playing with a twangy rock combo. 

2014 – Bellydancer (GodzillaMarket)
Milano and Italy, Mediterraneo and Eastern Europe, different cultures and big cities. It is where we live. The “bellydancer” is an ideal epitome of these inspirations: Middle Eastern influences, Mediterranean traditions, urbanized life, the electrified skyline of the city lights: the “bellydancer” is an expression of a tradition and at the same time an attraction of the ethnic restaurant round your block, a concept (a suggestion) that can be placed wherever at will, disconnected from the context but still having its own identity and a strong connotation: a neon sign on an exchangeable background.
In this perspective, BELLYDANCER is a genuine snapshot of our shows, in which we favor the “indiscriminate danceable aggression”: if you like solid rock guitars, marble tough rhythm section, whether you like to dance or just sit on the couch, BELLYDANCER talks about lust, lust for sex, lust for food, lust for finding yourself lost in Istanbul, lust for being hungry, an urgent declaration of our Love for The Party.	
 
TOURS
Italia, Switzerland, Germany, Austria, Hungary, Turkey, Greece, Portugal, Belgium, Netherlands, Croatia, Serbia, Bosnia: the band is well known for the breathtaking live shows, the spontaneous (and sometimes never ending) aftershows in the audience or with the local DJ with acoustic instruments, for the unstoppable self-irony and sparkly Italian temper. 
Band’s highlights include Sziget Festival World Stage (H, 2009, 2012, 2013), Lowlands (NL, 2010), Das Fest (D, 2010), Horizonte Festival (D, 2009), Fusion Festival (D, 2009), Mundial Festival (NL 2009), Eskisehir Festival (T, 2009), Hidrellez Festival (T, 2013), Caterraduno (2011), Ariano Folk Festival (I, 2007, 2013), Rock’n Coke Istanbul (T, 2013).

RELEASES
2010 – Combat Disco Casbah (Saphary Deluxe/Universal)
Features the artistic direction of Tod A. (Firewater, Cop Shoot Cop), mix by Tamir Muskat (Balkan Beat Box), and cameos of Uri Kinrot (Boom Pam) and Tod A. and Tamir Muskat themselves. 
2007 – Fez Club (Saphary Deluxe / Eastblok)
2004 – Tamboo Tamboo
2001 – Kanakapila

COMPILATIONS: Balkanica! v2 (2010), Balkan Fever (2008), Balkan Beats vol.3 (2008).

Audiolaby is a musical sanctuary born from a deep desire to bring peace, presence, and emotional restoration to a noisy world. Founded in 2014 as a digital audio platform, Audiolaby has grown into a soulful music brand dedicated to crafting calming, immersive soundscapes for sleep, relaxation, meditation, deep focus, and emotional balance.

Welcome to the corner of cinematic music enthusiasts! 

HDSounDI is an independent digital music label that collaborates with independent artists and labels from all over the world.

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Kaleidoscope was recorded live at The Bridge Recording stage in Los Angeles with members of the Cinema Scoring orchestra, conducted by Susie Benchasil-Seiter. 17 pieces of emotionally volatile music, complimented and balanced by the soothing voice of Sunday Lane. Sunday Lane adds a dreamy, capricious component that compliments the songs that have vocals. The pieces were mixed by multiple Grammy-Award winning engineer, Nicholas Baxter.

Kameleon hails from the land of Pangea. Being very versatile he has been fortunate enough to play with many great artist and djs around the globe including Solead, Shotu, Artifakt, Scorb, Random, D sens, Naked Tourist, Mubali, Kri, BSM, Pena, Prime Time, Ajja, Dragon, Primordial Ooze plus lots more. He is a very devoted dj in the purest sense; spending ample time concocting and preparing each mix for each time and location. Kameleon’s highly intricate and high energy sets have helped earn him a place among the top psy slingers in the southeast. He is also the co-founder of the acclaimed label Pure Perception Records releasing highly intelligent and mysterious psychedelic sounds to the world, and Pangea Productions helping throw some of the most memorable nights around these parts.

He also has 2 radio shows on DI.fm. both are now featured on the 2nd Friday of each month. 1st the progressive show ‘Sound Ascension’; airs at 2pm US eastern, our next show ‘Initiation into our Tribe’ on the psy/goa channel airs at 4pm US eastern, back to back. Both shows feature some amazing guest from all over the world and especially from our label Pure Perception Records.  I am very fortunate for everything thats ever happened to me. I give thanks to the Almighty God for his help. Peace - Kameleon aka Matt Bryson 

Contact: email: 
Matt@designsbymattbryson.com
Kameleon864@hotmail.com 

www.Designsbymattbryson.com 

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

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