Beautifully crafted and the delivery is spectacular. Bravo on the percussion they are precisely how I would have played them

Wonderful spirit and energy to this lovely work.

What a marvelous composition, it really makes my day. Bravo!

perfecto/ maestro/truly classic/fantastic

I like your change of time and of landscape

Really like the syncopated rythm of the strings in this part (4:22)👌

May the planet of love bestow a relaxing meditative state for you to rise.

Lots of synths - bass arp, pianos, reverb and acoustic guitars, orchestral basses, cello, and French horn set to hip hop and Latin beats at 75 bpm.

I played French horn as a child from age 10-18 in a public school concert band and later marching band. So I added a brief French horn passage with cello in a short classical treatment to herald the arrival of Venus and a nod to the Renaissance painting of the Goddess of Love.


COVER: Milky Way background by Hristo Fidanov at pexels.com. Image of “Birth of Venus” by Sandro Botticelli via Wikipedia.

Venus Rising

Marlene   Ariel en Bicicleta

keep the hope...

YouTube: https://youtu.be/s2dlanDXZ2k?si=C3CVoDw_uYa8Jo9p
Spotify: https://open.spotify.com/intl-ja/track/67U78cUca3joqJNrugWOoi?si=e4eaf345f955400f
AppleMusic: https://music.apple.com/jp/album/%E8%A6%8B%E3%81%88%E3%81%96%E3%82%8B%E8%80%85/1722954022?i=1722954027
===================
見えざる者 / invisible hand
===================

まるで夜が明けてゆくかのように
熱狂は冷めて
誰一人いなくなるのだろう
廃墟を残して

苛立ちは　不甲斐なさゆえ
悲しみは　溝の深さゆえ
無限ループに組み込まれたなら
万策尽きてしまう

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

それなりの試行錯誤
せまられる思考停止
どこかで　聴いたことのある　誘い文句

誰だって憤るさ
誰だって泣き崩れるさ
大切に育てた日々を
目の前で爆破されれば

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

まるで夜が明けてゆくかのように
熱狂は冷めて
誰一人いなくなるのだろう
廃墟を残して

苛立ちは　不甲斐なさゆえ
悲しみは　溝の深さゆえ
無限ループに組み込まれたなら
万策尽きてしまう

見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ
見えざる者の手が　欲望に穢された今は
密かに　風の記憶を　待つ

AppleMusic

見えざる者 / invisible hand

Hey, what can I say? Sometimes it gets rough. But it's still good.

------------------------------------------------------------------

on a summer blanket
in the moonlight
with the beach stones stirring
after midnight

i am ready
and i dare

god you know you’re tired
may you rest now
many ways to try it
lay the load down

i am ready (good to go)
i am there (going)

hey hey hey who
checkout avenue

on tomorrow’s bastion
once immortal
now you sense the ending
as a portal

i am ready
honeybear
i’m not waiting 
i am there

i am ready (here’s my ride)
and i dare (good night)
we’re not waiting (good to go)
we are there

------------------------------------------------------------------

Thanks to Jacques DiCroce, Janine Levinson, Cheesemont Paisely-Paisely, Wheelwright, and David Weiss for early listening, consultation and support.

image from Linus Nylund via Unsplash

Checkout Avenue

Just me and Greg on this one , bit of a slow one , hope you like it ! The next one to be released is by Gaz Brownie and myself , A Good Man Down , out on the 18th , closely followed by me and Greg again on the 25th . No time for a 'proper' job , too busy doing music , well we're only here once !

No album

The Right Time ( feat Greg Willis )

version2:
https://soundcloud.com/fuwatt/supercell-is-approaching-version2

Supercell Is Approaching (version1)

ALL OVER THE WORLD
lyrics and singing by: SENNID
riddim mix and production by: IRIEWEB SOUNDS

SENNID & IRIEWEB SOUNDS - ALL OVER THE WORLD

Thank you for liten to Stina . appriciate it <3
more creations :)
Muic/vocal/voice/instrumentals/mix/master/compose/production and producer :Stina Crow 2024

Lyrics
Nobody is no longer very nice
Nobody is no longer ya friend
Nobody is no longer  give you advice
Nobody is no longer so nice

Ahh so yet another lie
Ahh so yet another lie
Ahh so yet another lie
Ahh so yet antoher lie...

"ah ahpeople hate their guts
 ah ah people hate
 people hate their guts ah ah 
 ah ah people hate their guts

 nobody very nice
 nobody is not very kind
 nobody will ever give u advice
 nobody is not fucking nice

Ahh so yet another lie
Ahh so yet another lie
Ahh so yet another lie
Ahh so yet antoher lie...

Nobody is no longer very nice
Nobody is no longer ya friend
Nobody is no longer  give you advice
Nobody is no longer so nice

Im Nobody

Will music change if I change? Even if I change the music, I won't change. I don't have enough songs to make music that is high-quality and has a rich aroma. Even so, when I release my recent songs and listen to them again later, I think they're great. When I think about my music in the middle of the night, I feel happy.

I should recycle me (293)

The journey is important and to have loved is cause for celebration.

Hallelujah cover

SYMPHONY No. 1 - Sierra Morena - Mov. II “Guajira y Petenera”
Música y Orquestación: Rafael Serrano

Symphony dedicated to the Sierra Morena; Mountain chain in the south of Spain with an impressive history and also legendary as a participant in countless legends. It is also the land of origin of the author of this Symphony.

This Movement II of the “Sierra Morena” Symphony is based, along with my contribution, on two very popular Flamenco Palos of great artistic beauty: "Guajira" and "Petenera". Their basic melodies are colossally precious, brought new life by joining a Symphony Orchestra.
For the development of this work, the fact that the two Palos alternate a 6/8 beat with a 3/4 beat has been a predominant factor when choosing such a set. The melodic possibilities of both are so notorious that Leonard Bernstein already used the basic rhythm of the Petenera in West Side Story, specifically in the song “América” where anyone with light notions of music can observe the secuence of 6/8 and 3/4 bars with total clarity.

Sinfonía dedicada a la Sierra Morena; cadena montañosa del sur de España de imponente historia y también legendaria al ser partícipe de innumerables leyendas. También es la tierra de origen del autor de esta Sinfonía.

Este Movimiento II de la Sinfonía “Sierra Morena” está basado, junto con mi aportación, en dos Palos Flamencos muy populares y de gran belleza artística: La Guajira y la Petenera. Sus melodías básicas son colosalmente preciosas, las cuales cobran nueva vida al unirse a una Orquesta Sinfónica. 
Para el desarrollo de esta obra, ha sido un factor predominante a la hora de elegir tal conjunto el hecho de que los dos Palos alternan un compás de 6/8 con uno de 3/4. Las posibilidades melódicas de ambos son tan notorias que ya Leonard Bernstein utilizó el ritmo básico de la Petenera en West Side Story, concretamente en la canción “América” donde cualquier persona con ligeras nociones de música puede observar con total claridad ambos compases de 6/8 y 3/4.

Sinfonía No. 1 - Sierra Morena - Mov II - "Guajira y Petenera"

Rafael Serrano - Composer

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