Some records I've had the pleasure of mixing.
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Matthew Styles Mixdown Showreel

Dinky delves further into her Chilean roots while softly embedding the rhythm of the night with next single ‘Blind’ from the album ‘Dimension D’.  Inspired by old Jazz of the 30s and 40s, Dinky weaves a beguiling story with the acoustic swing imbued with her own electronic touch. Stepping up for the first remix are part-time collaborators Hreno and The Mole who deliver the MHMD Remix stripping almost entirely the original’s voice and melody, instead leading with a carnivalesque drum groove and frayed, oscillating synths. Scandinavian disco lord Prins Thomas keeps the melody in tact but encases it in a framework of spaceout spooky disco for his ‘Diskomiks’ and fantastic moody Dub.

Alejandra Del Pilar Iglesias Rivera was named Dinky by her sister at birth. Born and raised in Santiago, Chile, as a child she studied Ballet and the Suzuki method of piano before relocating to New York to become a contemporary dancer.

Her drive to make music brought her to Berlin a decade ago where she quickly became a dominant force in dance music, making her mark through releases on Carpark, Cocoon, Ostgut, and the critically acclaimed ´Anemik´ album in 2009 on Mathew Jonson´s Wagon Repair. Her fifth studio album, ‘Dimension D’ on Visionquest sees her evolve into singer-songwriter and performer and take on a new musical direction.

Chris Hreno and The Mole are both revered Canadian producers residing in Berlin who have joined forces in the past on remixes for various labels including Turbo Recordings, Haunt, and Souvenir. The Mole has had prolific solo output including his exceptional debut album on Wagon Repair ‘As High As The Sky’. Hreno has made a recent comeback to production with EPs on Sound Architecture and Meander.

Prins Thomas is widely regarded as a pioneer of the space-disco sounds emanating from his native Norway. Joining forces with Hans-Peter Lindstrøm in 2003, the pair both have a background in bands - Prins being an accomplished bass player - and they run and release music on own labels Feedelity, Full Pupp and Internasjonal.


TRACK LISTING

A1. Blind
A2. Blind (Hreno and The Mole's MHMD Remix)
B1. Blind (Prins Thomas Diskomiks)
B2. Blind (Prins Thomas Dub)

Check it out on Beatport; http://www.beatport.com/release/blind/1121116

And Juno ; http://www.juno.co.uk/products/dinky-blind/499126-01/

A1. Blind

Vinyl: http://bit.ly/HOTC044_Juno
Digital Release: http://bit.ly/HOTC044_Beatport

Making their first appearance on the label, Venezuelan deep house masters Sergio Munoz and Israel Sunshine aka Fur Coat are the next to release on the mighty Hot Creations. Title track ‘There’s No Time’ sees the darker side of the talented duo for an epic experience on the dance floor with deep growling basslines complemented with powerful electronic keys and dramatic builds. On the B-side Hot Creations favourite wAFF delivers a stellar and storming ‘Warehouse Remix’ picking up the pace with added vocals and percussion, packed with all the sonic energy we have come to expect from the young producer. Last up the Fur Coat duo deliver another golden original. ‘Together’ takes it deeper once again with a rumbling bassline and hypnotic synths and keys flowing through the layers to stimulate the senses.

Fur Coat previously remixed Russ Yallop’s ‘The Crossroads’ followed by their debut EP ‘Space Ballad’, featuring an unforgettable edit by TEED. However it would be their release ‘You and I’ featuring vocals from Cari Golden that would put the name Fur Coat on the map. At the end of 2012 they released their huge debut album ‘Mind Over Matter’ on Crosstown Rebels, with further ventures on labels such as Bpitch, Rebellion, Southern Fried Records, Noir, Get Physical and My Favorite Robot.

wAFF has rapidly gone strength to strength in the past few years after being taken under the wing of Jamie Jones, Lee Foss and Richy Ahmed. First coming to everyone’s attention with the huge ‘Jo Johnson’ EP, wAFF has gone on to acquire a heavy touring schedule and his more recent ‘Puke It Up’ EP released on the label only cemented his career in the industry further. Alongside his home label wAFF has also been releasing and remixing for labels such as Cocoon Recordings, Resonance Recordings and Rinse.

http://www.furcoatmusic.com
https://www.facebook.com/FurCoatMusic
https://soundcloud.com/furcoatmusic
https://twitter.com/furcoatmusic
http://www.youtube.com/FurCoatOfficial

HOTC044 Fur Coat - There's No Time

No description, no artwork.. just hand stamped wax with four fresh tunes!

Early Support by Luciano, Barac, Mihai Pol, Sublee, Nu Zau, Cosmjn, Crihan, Costin Rp, Vincentiulian, Vlf, Los Bastoneros, Vern, Tania Vulcano, Fabrizio Maurizi and more.

Enjoy our second Bohrium White!

12", 180g, Vinyl Only. Limited 300 copies.
Distributed by Vinyl Future.

Bohrium White 002

Untitled EP

BUY NOW

[BHRW002] B2. Unknown Artist - Untitled 04

the sniper

Bit Büro - Sechin snippet

B2. Lumieux - I Leave (Original Mix)

“I see Techno and House as an intrinsic part of day to day culture here in Berlin. So many lives and lifestyles (r)evolve around this music. Mine included. (In Berlin,) Techno and House inspire a level of identification and loyalty which I still find amazing. I also see a difference in how people deal with this music here compared to other cities where music can be very hype driven and there’s a pressure to innovate. In Berlin, Techno and House are more vented on a constant level without being questioned too much. It’s tried and tested — loved for exactly what it is.”

“I decided to call my album Folk because I feel that we all work with a sonic vocabulary that was developed by a relatively small set of pioneers 20 or 30 years ago, that took their cues from disco which was influenced by R&B, Funk, Soul, etc, down to the most primal ritualism of tribal drums. This sort of traditionalism appears to have been passed on from generation to generation with everyone adding their own perspective to it, thus making it more difficult to trace it all back to a source. One can argue that a lot of it is passed through records but I feel the most important ways of experiencing, enjoying and learning about the music happens inside a club. I also call this Folk as the blueprint of this music was laid out on what were originally cheap instruments from a dusty thrift store — in 1985, the TB-303 was the equivalent of a worn out acoustic guitar. Today this is reflected by the immense and accessible power of creation found in a $500 laptop running a crack of Reason or Ableton.”

Nick Höppner - Mirror Image

💰 Get the track:
https://www.deejay.de/Interstellar_Beats_Small_Talk_EP_OGE020_Vinyl__1110833

👉 Follow the artist:
https://soundcloud.com/interstellar-beats
https://www.instagram.com/interstellar.beats

👉 Follow the label
https://soundcloud.com/ogemusicgroup:

You can send your premiere request to our email: rayzeh.premieres@gmail.com

💬 Or, please reach out to us on Instagram or SoundCloud messages!
➤ https://www.instagram.com/rayzeh.music
➤ https://soundcloud.com/rayzeh

Buy on Deejay.de

PREMIERE: Interstellar Beats - Space Loops [OGE020]

For our 69th edition of Mavrica Deep. We present an underground act, DJ & Producer coming from Serbia under the name Marko Miletic. Marko recently released an EP on Not Allowed digital imprint based in Belgrade, Serbia with a remix from CVTKVC. Marko's foundation's love of music were laid at an early age. Born on 3rd June, 1985 in Krusevac (Serbia ) and growing up with the sound of the 80s he was originally inspired by Acid Techno and Electro, Then his musical taste switched over to Deep House and later Micro House.
He has been involved in DJing and music production since the age of 16, performing in some of the most renowned clubs across Serbia and the region.

Hear Our Sound.

We're Here.

Marko Miletic
https://www.instagram.com/markomiletic.dj/
https://soundcloud.com/marko-miletic

Mavrica Presents: Marko Miletic (SRB) [MD069]

⬛️Artist:
• https://www.instagram.com/yateme.music/
• https://soundcloud.com/yateme

Contact: afteerrave@gmail.com

PREMIERE: ImThatIM - Come On .. Stop it (Original Mix)

Misarkj, co-fondateur et résident de notre label, délivre ici son premier EP en solo. Il vous emmène dans son univers et son intimité.

L’écriture de ces tracks retrace ses pensées spirituelles et raconte son cheminement jusqu’à ses convictions personnelles les plus profondes et pures, qu’il a trouvées à travers la musique. Persuadé que la musique et la créativité, de manière générale, sont un potentiel infini et ont le pouvoir de guérir l’âme.

Il inclut un remix de Chernikhoffsky, que Misarkj admire particulièrement. Ce dernier est l’un des artistes qui a façonné l’amour qu'il porte à la minimale.

Disponible sur Bandcamp

Master par Dimmed Sounds
Art work par ebs.projects.studio

-------------------------------------------------------------------------------

Misarkj, co-founder and resident of our label, presents his first solo EP. He takes you into his world and intimacy.

The writing of these tracks traces his spiritual thoughts and tells the story of his journey to his deepest and purest personal convictions, which he discovered through music. Believing that music and creativity, in general, represent infinite potential and have the power to heal the soul.

He also includes a remix by Chernikhoffsky, whom Misarkj particularly admires. Chernikhoffsky is one of the artists who has shaped the love he has for minimalism.

Available on Bandcamp

Mastered by Dimmed Sounds
Art work by ebs.projects.studio

[DG04] Misarkj - Vivere EP (Inc. Chernikhoffsky remix)

Buy here

Misarkj - Sombre dualité (Chernikhoffsky remix)

We are very happy to welcome Ana Antonova to the RAWAX Family!
Ana told us that the release was inspired by an unforgettable summer along the Croatian-Adriatic Coast. We are very proud to present you this outstanding record with 3 originals plus the remix of "Mare Calmo" by the pioneer of the Croatian broken beat scene, called Sven Nails.

Highly recommeded!

Shop teaser: https://dbh-music.com/shop/release_view/16028

Artist: Ana Antonova
Title: Marce Calmo EP
Label. RAWAX
Format: 12", Digital
Cat: RAWAX034
Genre: House/ Breaks
Rel. date: 07.04.2025
Tracklisting:
A1. Ana Antonova - Mare Calmo
A2. Ana Antonova - Passeggiata
B1. Ana Antonova - Mare Calmo (Sven Nalis RMX)
B2. Ana Antonova - Spiaggia Infinita

Worldwide exclusive distributed by www.dbh-music.com

RAWAX034 - ANA ANTONOVA - MARE CALMO EP (INCL. SVEN NAILS RMX)

Radio Slave readies a double A-side to mark the 100th release on Rekids this February.

Having recently celebrated ten years, the consistency of music on Matt Edwards’ Rekids is indisputable with releases from Nina Kraviz, Mr. G, David Morales, Peggy Gou and DJ Deep to name a few. Aside
from his A&R abilities Edwards’ extensive understanding of electronic music is evident in his various pseudonyms. Amongst these Radio Slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release.

“I had to make these tracks. It’s what we do and it’s the perfect release for Rekids 100” – Matt Edwards

Containing all the hallmarks of a Radio Slave production, ‘Another Club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. On the flip, ‘Feel The Same’ is a
funky slice of Detroit inspired house.

B. Radio Slave - Feel The Same

Out now on vinyl and digital - https://lnk.to/RSCD01

Matt Edwards drops his eagerly anticipated debut Radio Slave album ‘Feel The Same’ via his Rekids imprint in September.

Easily his most recognisable nom de plume, Radio Slave was initially Matt’s pseudonym for remixes, with early reinterpretations of Kylie Minogue and New Order leading into frequent work for both major and independent labels. He’s now indisputably one of House and Techno’s most in-demand remixers, whilst original Radio Slave productions have gone on to appear via reputable imprints like Running Back, R&S, Ostgut Ton, Nonplus and Work Them Records.
Instrumental in supporting the music and careers of artists such as Nina Kraviz, Spencer Parker, Gerd Janson, and many others via his label Rekids - Edwards is held in high regard for his A&R abilities and has also established numerous other renowned labels such as Pyramids Of Mars, Cabin Fever, and The Double R. Now, more than 10 years since Rekids' inception and with over 100 releases under its belt, the influential figure announces the release of his debut Radio Slave album; a masterpiece of sophisticated electronic music that evokes the early spirit of dance music yet continues to forge his reputation as a cutting edge and innovative producer.

The album is a culmination of years as a DJ, producer and remixer; with influences spanning a range of genres such as breaks and jungle, acid, Balearic, ambient, dub, Chicago and also vocal samples exemplary of the Radio Slave sound. Opening with the beatless ‘2nd Home’, with its murky tones and field recordings, the album navigates between syncopated beats and ethereal voices as found in
‘Forana’, as well as screeching synths and moody basslines like in ‘Trans’.

More high tempo cuts like ‘Geisterstadt’ see Edwards shift towards electro, whereas heady break beats lay the foundation for ‘With You’. Alongside the album’s title track ‘Feel The Same’, ‘No Words / Just
This’ is one of the most dance floor focused cuts with its driving energy and metallic synths, while ‘Axis’ and ‘Draw’ see the producer venture towards a more minimal aesthetic.

Under his various guises Matt Edwards has continued to demonstrate how musically diverse he is as a producer without any compromise in quality. His REKID moniker features more of his downtempo work with a album release on Soul Jazz, not to mention timeless releases like ‘Next Stop Chicago’ and ‘Lost Star’ which still remain iconic today. The ‘RedHead’ LP saw the producer demonstrate his ability to collage sounds under The Machine, whilst alongside close friend Joel Martin the Quiet Village project is cinematic and heavily sample based, exploring evocative and understated soundscapes.

Exhibiting many of his signature production abilities whilst also demonstrating his more experimental side, ‘Feel The Same’ is an exceptional body of work that exemplifies Matt Edwards’ production and music writing, reaching a new level of sophistication. From start to finish the album is a testament to his versatility as an artist and a definitive full-length by one of electronic music’s most pivotal figures.

Feel The Same

Radio Slave - No Words

viDa - Confinement Series 001

Dinky makes her evolution from inaugural DJ to singer songwriter and front stage performer with new album ‘Dimension D’ out in June on Visionquest. Single ‘Falling Angel’ is first to drop with remixes from two elite producers, Matthew Styles, who coproduced the album, and Pépé Bradock. Both heighten Dinky’s layered ethereal vocals and mesmerising melodies with their own movement and elements of dark and light.

Her sister named Alejandra Del Pilar Iglesias Rivera Dinky at birth. Born and raised in Santiago, Chile, as a child she studied Ballet and the Suzuki method of piano before relocating to New York to become a contemporary dancer. Her drive to make music brought her to Berlin a decade ago where she quickly became a dominant force in dance music, making her mark through releases on Carpark, Cocoon, Ostgut, and the critically acclaimed ‘Anemik’ album in 2009 on Mathew Jonson´s Wagon Repair. Her fifth studio album, ‘Dimension D’ sees her evolve into singer-songwriter and performer and take on a new musical direction. Long term friends with the Visionquest collective from their hedonistic days residing in Berlin, Dinky’s fresh approach fits within their ethereal and otherworldly style and follows the Footprintz album earlier this year.

Consistently on point DJ and musician Matthew Styles coproduced and mixed ‘Dimension D’ and will perform the album live in a series of dates this summer.

French DJ/Producer and prolific remixer Pépé Bradock has been an enigmatic figure on the scene since the early 90s always essential listening for anyone into deep house with a magic off kilter touch.

A1. Falling Angel (12" Version)

vi•sion quest (noun): a search for personal communication with the spirit world. 

Every mystical journey eventually comes to a fork in the road. The seeker of life’s destiny has two options: remain satisfied with whatever level of consciousness he has already attained, or push forward into ever-new domains of promise and possibility. 2014 sees dance music’s best-known spiritual pilgrims, the Visionquest trio of Ryan Crosson, Lee Curtiss, and Shaun Reeves, bravely embarking upon that wondrous journey. Each member of this celebrated DJing and production team contributes a distinct yet interlocking vision that together forms a seamless, organic whole. Just think of Crosson’s enthusiastic shuffle, Lee’s soulful stare, Shaun’s soft touch. Everything they craft has the same unmistakable flair: slow-burning, shape-shifting, expansive techno and house marked by compositional elegance and unabashed pop hooks.

Although long-time partner and co-conspirator Seth Troxler has stepped aside to pursue other projects, 2013 was the biggest year ever for the four. Inspired by the passing of the Mayan calendar, the group embarked upon Visionquest 13, 13 dates where the boys not only played together the whole night, but curated a true multimedia experience. From London to Buenos Aires, from the American hinterland to the Chilean wilderness, Visionquest 13 was a Freudian trip into the deepest recesses of the Detroit rave unconscious, what Ibiza Voice described as a “collective expedition into the depths of your soul”—but with a sophisticated, modern twist.

Their accomplishments are well-known and too many to list. For starters: a critically acclaimed 2011 Fabric mix; year-defining hit remixes for artists as diverse as Kiki, Wareika, Tracey Thorn, and David Lynch; showcases and dates in the biggest clubs and festivals around the world; and the creation of a now iconic-label that’s played host to dancefloor weaponry from the likes of Benoit & Sergio, Life & Death, Dinky, and Laura Jones—all this while each member maintained significant individual production and DJ careers. But, by definition, no journey dwells in the past. So in 2014 they launched Visionquest Special Editions, a limited-release, vinyl only label. Evoking the experimental sounds of the European techno avant-garde that first inspired the boys back in Detroit, the debut release, remixes of Montreal songwriter Quilla, features a stunning collaboration between Shaun and long-time hero Ricardo Villalobos. With Visionquest Special Editions we see the group at home at a breezy, gentle afterparty, not just igniting the club. As Visionquest winds around the corner into their bright future, they remain open and excited for what lies ahead.

A1. Blind

Visionquest Records

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