Name: Sfera Celeste Project - The Solar Return (Promo Mix 2011) by Visitors Records
Duration: 1 h

The Solar Return

For our Sfera Celeste Project we have chosen, unlike with our Audiosculpture techno sets using vinyl, to go for a more futuristic setup. It is not our goal though to keep using the latest technological equipment. However, aiming to mix the many different electronical styles from the past, present and future calls for focusing on not only the big differences in tempo but also on melody. Combining all these into one sound was a huge challenge for us. All of this has resulted in a unique workable live setup.

Our spider in the web is Ableton Live which is installed on a MacBook. This is controlled by TouchAble on an iPad and a UC33 by Evolution. Trying out this setup in the studio has resulted in a piece with the working title: The Solar Return. We thought it would be nice to share this first production with you all. We hope you’ll enjoy it as much as we did while mixing this: a sound similar to our productions on Visitors Records, layer upon layer upon layer. A blend of electro, disco and techno into one. Something you can expect when you experiencing a Sfera Celeste Project liveset.

Eddy Kreischer & René van Geenen.

Tracklist

01 Aux 88 - Intro (Japanese)
02 Ø - Ensimmäinen Valo
03 Pamétex - Wrak Plet
04 Boris Divider - Sentry
05 Ladytron - Destroy Everything You Touch (Sasha RMX)
06 C.O.D. - In the Bottle
07 Gesloten Cirkel - Twisted Balloon
08 John Carpenter &amp; Alan Howarth – The Bank Robbery (Lory D RMX)
09 Laid Back - Cocaine Cool
10 Fabrice Lig - Violet Cases
11 International Music System - Nonline
12 Tiga - Love Don't Dance Here Anymore
13 EOD - Utrecht
14 Ramadanman &amp; Appleblim - Void 23 (Carl Craig RMX)
15 Time Light Curve - Magnetite
16 Sfera Celeste Project - Celestial Stars
17 Shadow Dancer - Parallax

Bookings: visitorsrecords@gmail.com

Sfera Celeste Project - The Solar Return (Promo Mix 2011)

Doc Martin & Sublevel present SUBLEVEL 005 - The DOZA E.P.

http://www.sublevelcalifornia.com


Buy on Beatport

DOZA - PLEASURE [CLIP] - SUBLEVEL

Out now on https://soundcloud.com/conceptualrec

Facebook: https://facebook.com/andersonmmusic
Instagram: https://instagram.com/andersonmmusic

Framework

Framework [Conceptual]

Michel Cleis  Deeper remix - Rekids

https://getphysicalmusic.lnk.to/GPM553

Pezzner’s entry into the esteemed Body Language series lands in early 2020, and before that we’re treated to a series of tracks from it.

American James Curd began DJing in Chicago aged just 15. He went on to make his production mark on the Classic label, had music licensed for Grand Theft Auto 4 and has topped Juno sales charts. Here ‘Getting Into It’ is a fantastic disco licked house groover with feel good chords and hip-swinging claps that will warm through the club. Chick Iverson is a tech talent whose standout ‘Alright’ is a stripped back affair with dry hits and sci-fi effects that take you on a roller coaster ride through whirring atmospherics and synthetic sounds.

Switching up the mood again are Homero Espinosa, Cris Herrera & Tokita with ‘Spanish Joint’, a fresh acid jam with lush, swaying drums that build to a peak then pull back before building again, making for a real dance floor journey. Last of all, Beats in Space and Compost associate Tomasz Guiddo links with frequent collaborators Piro and Arnold Kasar for a soulful house cut with warm synths and spoken word vocals that lend the track an intimate, funky, romantic feel.

As well as these fine offerings, Pezzner’s forthcoming mix features four brand new exclusives of his own, meaning Body Language Vol. 22 will be special indeed.

www.getphysicalmusic.com

When The Night Comes

Tomasz Guiddo & Piro Feat. Arnold Kasar - When The Night Comes (Snippet)

Enjoy my fresh Edit (Polished) 
After your kind support & comments for Masterpiece Lenny...
A remix is coming ... I'm thinking an additional version w/ original voices no?

Merci <3
Murvin

belong to me

www.facebook.com/evabe.dj
www.facebook.com/hafendisko
www.youtube.com/hafendisko
www.twitter.com/hfn_music
www.hfn-music.com/hafendisko

Eva Be has been a defining presence on Berlin’s music scene over the past 20 years. Being an integral part of the Sonar Kollektiv crew since the early days, her style has spanned multiple genres and moods, ranging from trip hop, dub, experimental electronics through to house and elements of techno. Here, after a couple of outings on Poker Flat Recordings, Eva joins hafendisko with three tracks that perfectly encapsulate her eclectic, funky style. 
This Is Be. E. ratchets up the tempo for a more direct reaction - Eva’s exceptional sound design provides a track full of flavour and nuance - while hitting hard enough to keep any dancefloor on its toes. 
The Way is a rolling dubby house track - the driving groove is coupled with trippy delays and drum fills. 
Elbows also experiments with echoes and space - a minimal groove supplies the basis for dubbed out spoken word vocals before a thick bass line kicks in.

This Is Be. E.

The Way

Eva Be - The Way

Next up on the Alola classic series, 16B’s ‘Escape (Driving To Heaven) is re-invigorated with 3 remasters for inclusion in the recently launched Alola Classic series. Originally released in 2001 on Hooj Tunes, Escape garnered support from the electronic music elite and featured as the opening track on Deep Dish’s chart topping ‘Global Underground 021: Moscow’ compilation, whilst also being included on Hernan Cattaneo’s seminal Renaissance mix. As the name title suggest, ‘Escape’ captures an uplifting spirit that climbs and climbs, the perfect embodiment of early naughties progressive house. On vocals, Richard Morel narrates the journey and further adds to the uplifiting aesthetic. On remix duties Omid and Francisco Savier provide deep, dark tribal takes on the original whilst Ignas retains more of the original’s euphoric nature. Rounding off the package Maher Daniel’s previously unreleased mix captures a dreamy, chill-out vibe in blissful fashion.

Omid16B - Escape (Driving To Heaven) (Omid's Epic Vocal Mix)

Artist: Meeshoo, Dave Aju
Title: Teleport EP
Label: Culprit
Release Date: 2020-06-29

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Teleport EP

Teleport (Dave Aju’s Remix

>> DOWNLOAD <<

Meeshoo - Teleport (Dave Aju’s Remix) [Culprit] [MI4L.com]

LaSalle Ep

LaSalle

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

Sfera Celeste Project - The Solar Return (Promo Mix 2011)

Visitors Records

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