April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' 
– The Economist’s Intelligent Life

Buy CD/LP/DL

Peter Broderick – Part 4: The Dream

- - -Agnes Obel - Dorian

Out now on <a href="http://www.digi.gaga.com.au">Digi</a>. For more on what we do, visit <a href="http://www.gaga.com.au">our site</a>, or find us on <a href="http://www.twitter.com/gaga_music">Twitter</a> and <a href="http://www.facebook.com/GagaMusic">Facebook</a>. For licensing and publicity enquiries, <a href="mailto:info@gaga.com.au">get in touch</a>.

Japanese Wallpaper: Breathe In (feat. Wafia)

Zachary Cale "Blue Moth"

"Stay On My Shore" by Joan Shelley

Really quick cover. Kinda messy and I might have changed some lyrics but here it is. Lovely song.

Lyrics:

Chained to the wall of our room
Yeah you chained me like a dog in our room
I thought that's how it was
I thought that we were fine
Then the day was night
You were high, you were high
While I was doomed
And dying for
With no life,
With no light.

Tied to my bed,
I was younger then, I had nothing to spend
But time on you
But it made me love,
It made me love,
It made me love more

Do what you said, the words she said - left out
Over sky where I'll soon fly
And she took the time
To believe in, to believe in
What she said...

But it made me love,
But it made me love,
But it made me love more 

Love More (Sharon Van Etten Cover)

Mashup Coldplay - Yellow   &     Intrinsic Focus - Going Home

You can PRE-ORDER this release on Ltd. Vinyl or Digital Download via Erased Tapes:
http://erasedtapes.com/store/index/ERATP039

And the CD edition from our Japanese friends at Cote Labo:
http://www.cotelabo.com/discography.html



Nils Oliver Frahm + Peter Ray Broderick = Oliveray.

Being musical companions and label mates for years, it was just a matter of time until modern contemporaries Peter Broderick and Nils Frahm would start their first standalone project together.

Oliveray was born in their shared home city of Berlin and will see its debut release Wonders – a nice little collection of eight musical pieces – available on Vinyl/Digital via Erased Tapes and on CD via Japanese friends Cote Labo from December 12th, 2011.


Say hello to Oliveray!
Blog post by Peter Broderick:

I am super excited to announce the debut release from a project very dear to me!
Oliveray consists of me, Peter Ray Broderick, and one of my greatest friends in the world, the incredible musician / producer Nils Oliver Frahm. We’ve been collaborating in many ways these past couple years and traveling a lot together. Now finally we have arrived with our first truly 50/50 collaboration effort entitled Wonders.
It all started when I was asked to create a cover version for my great friends Efterklang. I asked Nils if he’d like to work with me on the project. So one day we got together in his studio and ran through the song (Harmonics) a couple times and then laid it down to tape in the most relaxed way possible – me playing the guitar and singing and him on the piano… We were both really happy and inspired with how easy and fun this process was. We thought you could hear and feel that relaxed atmosphere in the song.
So when our Japanese friends Cote Labo asked us to prepare some kind of release for our Japan tour, me and Nils set aside a couple days to record some music in a similar manner. Without much preconception we just set up the mics and started recording, with an aim to create a short album of half instrumentals, half vocal-based songs. We ran through a few fresh musical ideas that each of us had, improvising along with each other, sometimes just improvising entirely. And before we new it we had a nice little collection of eight intimate pieces of music.
The first official output of what will hopefully be a lifelong collaboration, Wonders feels really special to me. Here comes Oliveray!


TRACK LISTING: 01. Growing Waterwings 02. The Book She Wrote And In The Time 03. Piano In The Pond! 04. Harmonics 05. Hiding Hydiration 06. You Don't Love 07. Just Resign 08. Dreamer


OFFICIAL WEBSITES:   
      
PETERBRODERICK.NET
NILSFRAHM.DE
ERASEDTAPES.COM     

Wonders

Oliveray - Harmonics

Sigur Ros - "Lúppulagið"

Balmorhea - "Pyrakantha"

The exclusive Record Store Day vinyl release of Vitamin String Quartet Performs Sigur Rós is available Saturday, April 20th. Find a participating store near you here: http://vsq.io/rcrdstda

Pre-order now:
CD: http://vsq.io/sigrosvsq
iTunes: http://vsq.io/sigros

Vitamin Sting Quartet Performs Sigur Rós' "Svefn-g-englar"

Los Angeles, California serves as home base for the concept group called Vitamin String Quartet. The group is made up of studio musicians who are brought together to interpret and record orchestra style covers of music from all types of genres ranging metal, techno, country, pop, rock and hip-hop dance music. While the quartet uses a wide assortment of artists and instruments, one fairly constant member of the group is violinist Tom Tally. Tally has been intimately involved in the composing, arranging and conduction of many songs on approximately 50 of the albums that have been recorded by the group. While the group is referred to as a string quartet, the reality is that more individuals are usually involved, using instruments such as violins, cellos, percussion, brass and woodwinds. The group was originally brought together in 1999 as an experimental project. They wanted to determine the effects of using classical style instruments to create new and different sounds on popular recordings. Early on, the FM broadcast station WWHK in Concord, NH would play the group's music 24 hours a day, every day, for a period of time. The popularity of the group's music has led to the music being featured on TV and in the movies. Credits include So You Think You Can Dance (2008), TV show The Vampire Diaries (2010), the 100th episode of Gossip Girl and the fifth season finale of Modern Family (2014). Throughout the years, the group has been involved in the recording of over 200 different albums. In 2009, the group stepped out of the box a bit and recorded some original material provided by some of the various musicians on the album Per_Versions.