Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

The multiple Grammy-winning catalog division of Sony Music Entertainment.

We're not the best, but we're pretty good.

He is, without a doubt, one of the djs who most contributed to the evolution of the dance scene in Portugal.
Beside him, were names like Underworld, Danny Tenaglia, Roger Sanchez, Dj Vibe, Deep Dish, François K, Carl Cox, Jeff Mills, Dave Clark, Groove Armada, among many others.
But more than the names, was and it is his work that stands out before everyone.
Beginning his career in the 1980s with residency at the Plateau (Official) and progression to the mythical "Alcântara Mar", he ended up, give life to the first album to be recorded by a club in Portugal: “The House of Rhythm”.

It was with this record that he achieved what was never achieved before, the first gold record in national electronic music.
In addition, there are numerous milestones associated with different projects, such as Delicado, Crystal Symphony, LL Project and DarkMountainGroup, a co-project with Alex Santos and whose first single, “Lose Control”, reached the number 1 from British DJ Magazine.
When in the mid-90s the first volume of the series of mixed compilations of the mythical Alcântara-Mar club was launched, Luís Leite was already a strong name in our club scene and a pioneer of dance music in Portugal. With a great impact of the compilation and his entry in the first place of the sales tops, Luís becomes part of one, at the time still small, group of DJs coming from the underground who managed to enter the Portuguese mainstream without compromising his music. It was 1996 and the pirate cassettes of the "Alcântara" CDs changed hands in schools and on the streets in large numbers, as if they belonged to Nirvana or Guns & Roses. Teenagers pissed off their parents to wear rings, shave their hair and blow their allowance up in Jimmy Doyle boots like ravers did.
With a mix of American hard house, b-sides of European trance, some English techno and new national production, Luís Leite built the monster that would become the sound of "Alcântara-Mar": naked, fast, oscillating between clubby exuberance and industrial austerity - with an undeniable crossover potential. Also with his production he created some of the greatest classics in our dance music; everyone who grew up in the 90's recognizes "Khine #3" when they hear it, and "Work In Progress" is not only one of the best moments at Kaos Records but it still retains an elegance that makes it modern. In collaboration with Alex S (Urban Dreams) he gave us the Delicado project in the early 2000s, where he exchanged electronic hardness for jazzy influences. Later,  also with Alex, he created one of the biggest international hits of the house of his time with the project Darkmountaingroup, released under the label Buzzin 'Fly by Ben Watt (Everything But The Girl). His dedication and genius ear are only comparable to his humility and work of spirit, typical of a time when DJs were just employees.
From then on, invitations to record mixed cds hadn’t stopped.
As a Dj invited - Clubs
Internationaly
Angola: Elinga Bar,Kappot (Luanda)
Belgium: Worldwide Liquid & Solid Tour 98 (Katsu)
Spain: Festimad 98(Madrid)/Vigo/Inércia & Sala Stress(Huelva)
La Rocca & Joy Eslava(La Coruña)/Industria Copera(Granada)/Club Lokkita (Badajoz)/Lloret del Mar(Barcelona) 
France: Follies Pigalle(Paris)/Galaxie(Amneville)
Luxembourg: Faktory12/Double Deuce/Byblos Club/Victory/Caffe de La Gare & Triplex(Luxembourg)
Norway: Neon(Oslo)
UK: The Venue(Jersey Island)
Switzerland: D Club/Xroom Club(Lausanne)/Moa Club_Jet Leg Room(Geneve)
Portugal:
- LUX Fragil (The Club and Bar 1st floor), Op Art Cafe, Budha Lx, Budha Club, Loft, Rocks, Locomia, Kadoc, Pacha(Ofir), Day After, Kremlin, Vaticano, Alcantara Club, Queens, Sound Planet, In Loco,
Hit Club, Vespas Club(Madeira Island), Challenger Club(Porto Santo Island), Wolf Club & Twins Club(Terceira Island_ Azores).

Among many others…

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