Karl Wolf is one of the few Canadian artists that have impacted the international music scene. Named as one of the TOP 100 most influential Arabs in the world, Karl Wolf is an R&B singer at heart and has an amazing story as a Lebanese born immigrant who came to Canada in 1995. Karl found his passion in music. Kicked off his career in 2001 as a writer/producer for the Phenomenon STAR ACADEMIE to being part of the Canadian Duo SKY to finally going solo in 2004. Fast forward to today (5 albums, 4 Platinum records, 6 Gold records and 13 awards later, including 3 Juno Nominations, 5 SOCAN Awards a CRMA and an MTV EMA). Karl has become a true Canadian success story!

He recently connected with music's greatest... QUINCY JONES! 
“There was something I got out of the experience that took me back to my RnB roots. I was inspired to work on material that utilized my piano skills and musicianship more than ever!”. As his manager, Pascal Malkoun, said "this is the right time for an artist like you... Show your musicianship off and stop being stereotyped!”.


Le travail acharné de Stéfane Lippé lui a valu d’être DJ résident derrière les consoles de plusieurs clubs de Montréal, comme le Sky, le Sisters (Dimanche Church),le Unity , le Parking , le Stereo Nightclub , l 'After 8 ( Stereo club ) , le Circus Afterhours et le Fly de Toronto  et de travailler dans différents clubs prestigieux de la planète tels l’Élysée Montmartre (Paris), le Klub (Nice), le Gorg-O-Mish (Vancouver), le Terminal (Québec), le Red Light (Paris), le Sunrise (Ottawa), le Spartacus (Marseille), le Kingdom (Cologne), ainsi qu’à plusieurs événements majeurs du BBCM (Organisateur du Black &amp; Blue ) , de Divers/Cité et bien d’autres.

Stéfane a amassé un impressionnant bagage artistique, devant les foules les plus imposantes du Nightlife Montréalais. Vous avez peut-être eu la chance de l’entendre au Centre Bell, le 31 décembre 2005, alors qu’il était l’un des invités spéciaux de Célébration, avec les Paul Oakenfold (Londres), Steve Lawler (Londres) et Franco Fabi. L’année 2007 ne sera pas en reste, avec une performance du tonnerre dans le cadre du party Encore 07 à Québec. Toujours en 07 une rencontre avec les grands Peter Rauhofer (NYC), Antoine Clamaran (France), D-Formation (Espagne) et Mark Anthony, alors que Stéfane ouvre la dix-septième édition du Black &amp; Blue (2007), au Stade Olympique de Montréal et en 2009 au Palais des Congres de Montréal avec Franco Fabi , Sasha , John Digwwed et Dave Seaman. Qu’il performe au Circus, au Unity ou encore dans un événement , Stéfane ne laisse rien au hasard, dans le but d’offrir les prestations les plus époustouflantes. De quoi garder en haleine les fêtards jusqu’aux petites heures du matin !!

Constamment à la recherche de nouveaux sons et soucieux d’apprendre de nouvelles techniques, la profondeur et la chaleur des rythmes sexy du house Montréalais sont les plus grandes inspirations de Stéfane. C'est en Septembre 2010 que Stefane lança ses 2 premières productions originales sur le label Montréalais DeepSound Music.Le meilleur reste a venir . 

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His hard work has earned him residencies in several Montreal clubs such as Sky, Sisters (Sunday Church), the Stereo Nightclub, After 8 ( strereo club ) , Parking , Unity ,Fly ( Toronto ) , Circus Afterhours and gigs in various prestigious clubs around the world like the Elysee Montmartre (Paris), Klub (Nice), the Gorg-O-Mish (Vancouver), Terminal (Quebec), Red Light (Paris), Sunrise (Ottawa), Spartacus (Marseille), the Kingdom (Cologne), and several other major events of the BBCM Foundation (Organisers of the Black & Blue Festival), Divers/Cité and many others.

Stéfane Lippé has amassed an impressive artistic background, on tage before the some of Montreal's most imposing crowds of it's nightlife,You may be lucky enough to gave heard him on the Bell Centre's dance floor, December 31, 2006, when he was at Celebration, with Paul Oakenfold (London), Steve Lawler (London) and Franco Fabi.The year 2007 will not be outdone, with a stunning performance  with Peter Rauhofer (NYC), Antoine Clamaran (France), D-Formation (Spain) and Mark Anthony, while Stefane opened the seventeenth edition of Black & Blue (2007) in Montreal's Olympic Stadium and in 2009 at the Palais des Congres with Franco Fabi, Sasha, Dave Seaman and John Digwwed.Whether performing at Circus, Parking, or even Fly, Stéfane Lippé leaves nothing to chance in order to provide the most amazing benefits. What keep the revelers on their toes until the wee hours of the morning!

Constantly looking for new sounds and anxious to learn new skills, depth and warmth of sexy house beats Montrealers are the greatest inspirations for Stéfane.It was in September 2010 that Stefane launched its first 2 original productions on the Montreal label DeepSound Music.



Located in downtown Montreal, Stereo is a nightclub and afterhours spot meticulously designed to achieve the best in sound quality and acoustics. With three-feet thick walls to isolate and proof sound and a dance floor equipped with shock absorbers to ease clubber fatigue, Stereo is built to provide the ultimate comfort and ease for dancers both physically and aurally. 

Situé dans le centre-ville de Montréal, le Stéréo est un club afterhours conçu pour d’atteindre le summum en matière de son et d’acoustique. Avec ses murs de trois pieds d’épaisseur pour isoler et insonoriser ainsi que sa piste de dance munie de ressorts absorbants pour contrer la fatigue des adeptes du dancefloor, le Stéréo est construit de façon à procurer le confort et l’aisance ultime pour les danseurs autant sur le plan physique qu’auditif.

🌍 DJ PAULO – International DJ, Producer & Billboard Top 10 Remixer. With over 25 years behind the decks, PAULO has headlined some of the world’s biggest festivals and Pride events, held residencies at legendary clubs like Work Events and VIVA NYC, and commanded international stages at massive events including Barcelona’s Circuit Festival and Bangkok’s Songkran. An official remixer for icons such as Madonna, Justin Bieber, CHER, and Christina Aguilera, his Billboard-charting productions and signature edits fuse pounding tribal percussion, soaring vocals, and Afro-progressive grooves into unforgettable journeys that ignite dancefloors and lift spirits. A pioneer in the global LGBTQ+ scene, PAULO is also the founder of Tribal Bitch Productions, curates acclaimed podcasts like After Dark Sessions, AfroPulse, and Time Master, and explores funky Nu-Disco vibes through his alter ego PAULO-LITE and the Funk Daddy series.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


A few gigs spun the last 30 years that include:
A 4 year residency at the iconic Circus Disco and Arena from 1999 to 2003. Sonkgran, Bangkok. Living, Mexico City. Splash & VIVA, Nyc. Roxy, Boston. Hydrate, Metro, The Mid, Chicago. Cherry, D.C. Score, Winter Party, Miami. Purple Party, Dallas. White Party Palm Springs. Palladium, Underworld, Metropolis, Heat, Imagina, San Francisco. Pride, Vancouver. Cuff, Seattle. Producer of RELOAD Afterhours in Los Angeles.

L.A's own DJ Producer Mike Soriano, grew up breathing High Energy Disco & House music at an early age, listening to artists such as Lime, Donna Summer, Peter Rauhofer, Bad Boy Bill, Roger Sanchez among many others. House music fueled his passion for electronic music. He began his career as a DJ and producer selecting and mixing tracks as a hobby, with his passion for house music he started producing Tech House, Tribal and Circuit House and has been ripping dance floors since. His fist residency in 2012 was in his own town of Guadalajara Mexico at "Circus Club" now he currently holds a residency at "RELOAD after-hours" & THE CHAPEL AT THE ABBEY in Hollywood. Currently his music production has been supported and played by one of the biggest Djs names in the Circuit Scene like Dj Alexander, Offer Nissim, Sagit Kariv, Micky Friedmann, & DJ Paulo among many others. He has manage to play at one of the best top 10 club in the world "ZOUK Singapore"

Strictly Rhythm Records is house music.  Since 1989 the legendary New York label not only put out records by almost every name in the game, but it also defined house music throughout the 1990s with Erick Morillo, Todd Terry, Louie Vega, Kenny Dope, Armand Van Helden, DJ Pierre, Roger Sanchez, Josh Wink, Ultra Naté and Barbara Tucker.  As well as keeping the underground stoked with a steady supply of club grooves, the label also delivered a stream of crossover hits with Reel 2 Real’s “I Like To Move It”, Ultra Naté’s “Free”, Wamdue Project’s “King Of My Castle” and Wink’s “Higher State Of Consciousness”.  

Relaunched in 2007 after a five year break following a short-lived venture with Warner Music, Strictly Rhythm did what no dance label had ever done: successfully re-launch itself.  The label made many of its classic releases available on digital download for the first time and signed new productions from the likes of Quentin Harris, Osunlade, Bingo Players Vs Chocolate Puma, Dennis Ferrer, Michel Cleis, Dirty South and Bob Sinclar.  
Always an innovator, the label that invented the 12” white label and put out the first ever commercially released DJ Mix CD in 1993 (The Tony Humphries Strictly Rhythm Mix) is still at the cutting edge, finding and promoting the best in house music.

Tony Capoccitti is following