📚 Study 👩🏾‍🎓 - Part 1

10 years ago, I recorded some piano improvisations with weather on my mind. This one is for all us cloud-gazers. And you know what they say about weather ... it always changes ... 

Stream: https://tinyurl.com/TAOClouds

Written and performed by Michael Price
http://www.michaelpricemusic.com

Recorded by at Snap Studios, London
http://www.snapstudios.co.uk/

Mastered by Katie Tavani
https://www.katietavini.co.uk/

Illustration & Animation by Deepesh Patel
https://www.artstation.com/deepeshpatel

The Anatomy of Clouds

The Anatomy Of Clouds

I contributed with a piece, alongside many wonderful artists, to the benefit compilation 'For Ukraine (Vol. 1)'. You can purchase the compilation on Headphone Commute's Bandcamp page (https://headphonecommute.bandcamp.com/album/for-ukraine-volume-1).
The proceeds will be donated to International Rescue Committee (http://rescue.org) to support displaced children and families from Ukraine. 

Thank you for your support!

Curated by Hollie Kenniff
Cover art by Thomas Meluch
Mastered by Rafael Anton Irisarri

Support/Buy

With You - 'For Ukraine (Volume 1)'

I found a sound that sounded familiar because it sounds like something I heard a couple of times in (short) video’s on social media platforms. I thought “what the heck” and in a ‘weak moment’ I decided to just jump the bandwagon. It’s a nice ominous sounding sound but at the same time mysterious and almost reassuring. I made a simple melody and put some synths and bass underneath. This sound is called “AphexTone” and comes from Carbon 2 (Reaktor library). As usual I’ve used a Spitfire Audio soundpackage. This time it’s from GAIKA’s “War Island”. I’ve also used the soundbank Ethereal Earth from Kontakt’s “Play Series Collection” and a sound from “Hypho” which is also by Kontakt. Just like in the last song I’ve posted I tried to make a guitar-sound from something that isn’t a guitar. It turned out pretty good. This song is nice and short (like a intermezzo piece) and I like to think of it like as a theme from a non-existing mysterious ‘old-school’ television series like the “X-Files” (or something like that). The title is an anagram of AphexTone. The picture is of a cuttlefish I saw near the coast of Tulamben in Bali. With some filters it looks even more alien especially with the light and the background that looks like it’s from an alien planet.

A Next Hope

THE MIMIKYU'S NIGHT

Leia steps out of the violet tear—and straight into the Age of the Dinosaurs. Humid jungle air hits her; ferns and cycads crowd under a white-hot sun. Her pocket watch floats beside her, ticking backward in warm gold light. A herd of hadrosaurs crashes through the trees while pterosaurs wheel overhead. In the clearing’s glare, two raptors slip between trunks, tails rigid and eyes fixed. Leia tightens her ivory cardigan over her green top and moves—small, quiet—through a world ruled by dinosaurs.

Age of the Dinos

Test Pilot

Test Pilot (Chilly Gonzales Re-Make)

Marks

-debut album
-influenced by nils frahm, olafur arnalds, sigur ros, max richter and more
-minimalistic neo-classical solo piano

                              

Better now

Merry Christmas to all of you, lovely people..!!

This is a studio recording on the Una Corda Piano 'live' - courtesy of the great pianist Marina Baranova! Thank you so much, Marina!

Una Corda Bach

Siciliano - Bach / Kempf - Marina Baranova / Una Corda Piano

http://heinali.bandcamp.com/album/sway-sway

Sway, Sway

All tracks on Mikrokosmos are recorded on a felted Yamaha P121 Upright Piano.

A Simple Waltz

El Ten Eleven

My Only Swerving

The Seasons

Autumn Rain Rework

For The Longest Time

Depuis le 21 mars, Vivian Roost, pianiste compositeur et producteur franco suisse, célèbre le Japon et la musique contemporaine avec "The Seasons", un album aérien empreint des univers artistiques d'Eric Satie, Claude Debussy, Philippe Glass, Ryuchi Sakamoto, Michael Nyman, Ólafur Arnalds ou encore Nils Frahm, et de sa touche poétique si personnelle acquise au pays du Soleil Levant. 

Sur son instrument de musique de prédilection, le piano, l'artiste, inspiré des grands poètes japonais, livre une ode à la vie. 4 saisons pour 4 univers sonores distincts et originaux, enregistrés sur 4 pianos centenaires méticuleusement restaurés. 

Plus qu’un album, une expérience auditive sensuelle et définitivement contemporaine.

Autumn Rain Rework

Vivian Roost

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