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In the last decade Berlin became a magnetic force of culture. With an enormous appeal to artists from all areas of expertise including music, design, architecture, theatre, dance and everything that helps the evolution of imagination and creativity. This is why it should come to no surprise that it is the birth place of both Iono Music and its founder - Matthias Sperlich.

Like many other labels, Iono Music was born in order to give its founder, Cubixx aka Matthias Sperlich, the freedom he needed to release his first creation as Koaxkaos – "Evolutyon". After he met Murus in 2003 at a Psytrance festival, they started working together for several years, and so Iono Music was established in 2005. Unlike many other labels, which are affected by fashion, hype and commercial factors, Iono Music has been motivated by the radiation that the music transmits and the way the body reacts to it. If the music changes the molecules and atoms into ion then it means it has been ionized*. The Ionization process can only be fully successful if your music is high quality Electronic music. Iono Music's main emphasis is on Progressive Psytrance and yet any Electronic style is accepted as long as it stands out of the others – after all it has to reach the top atmosphere to be an Iono…

Matthias Sperlich was born in 1977 in Berlin, Germany. He has over 15 years of experience behind the decks and has a long time love affair with electronic music. He works as a professional VFX artist for cinema and TV, which allows him to pursue his passion and vision of extraordinary music, while being guided by his perfectionist's standards. Since the beginning Cubixx knew that Iono Music could succeed only if he chooses each artist with extra care, examining every aspect to see if they belong in the Iono family. Thus all the artists and dj's you see in our website were picked one by one, after proving to be not only excellent artists but also great people.

Iono Music never stops to evolve, always being one step ahead with technology and new initiatives it had grown to be an exciting international label. Always on the move, Iono Music promises to give you the top notch music this atmosphere can offer.

*"The Ionosphere is a shell of electrons and electrically charged atoms and molecules that surrounds the Earth, stretching from a height of about 50 km to more than 1000 km. It owes its existence primarily to ultraviolet radiation from the Sun." (Taken from Wikipedia.org)

Also known as
@memalephmusic
@yofitofimusic
@unicornbloodofficial
@lazerx3
@onetwothreexyz

Management: harrow@milkhoneyla.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

wonderer in trance space ,don't just get high ,just get into psy ...

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