The Upload #40

2020 - clear the fog - part. 3

Migala

Rote, a collaboration with @volte_face_bleed. EP2 out now on BleeD Music, vinyl and digital.

https://rote.bandcamp.com/album/ep2

Buy from Bandcamp

Rote - End Of The Sky

Out on September 14th. 

Digital: https://transatlanticrecords.bandcamp.com/album/dub-tapes-from-outer-space

Vinyl: https://lobsterrecords.co.uk/products/lds-dub-tapes-from-outer-space

LDS - Dub Tapes From Outer Space (TAR005)

Label: Frankfurt Beat Productions 
Genre: Electronic 
Style: Trance.
Released: 1993

Naghachian - Magic Keys

Interview + Download:  http://truantsblog.com/2019/truancy-volume-250-jane-fitz/

Soundcloud: @janefitz

Jane Fitz presents our milestone 250th Truancy Volume. Here she weaves a tapestry of sound where you can “press go and get on with it from the first record” . It of course see’s Jane’s ever evolving record bag and exceptional set programming sensibilities in full swing. Her ability to climb inside the head of a dancer and know what you need, but continually challenge and surprise you with what you might be capable of going mad for, is just part of what makes her so respected and in-demand. Admired by so many other artists and DJs across the musical spectrum and around the world, we wanted to unlock what it is like playing with such a lethal DJ. For this we briefly spoke with Carl H (Animals On Psychedelics), who has played b2b with Jane on numerous occasions, more recently at the otherworldly Brave Factory Festival closing.

http://truantsblog.com

Jane Fitz

Truancy Volume 250: Jane Fitz

The mysterious Seoul-based DJ and producer S.O.N.S joins us for the 65th edition of the Phonica Mix Series. Check out the full feature on our editorial site Off The Record 👉 bit.ly/PhonicaMix65

Full Feature

Phonica Mix Series 65: S.O.N.S

En este día, a la tarde, vimos un milagro bien grande, y fue que apareció una estrella encima de la nave después de puesto el sol, y se partió despidiendo rayos de luz a la continua, hasta que se uso sobre aquella villa o pueblo grande, y dejó un rastro en el aire que duró más de tres horas largas; y también vimos otras señales bien claras, por donde entendimos que Dios quería que…

Juan Díaz, Itineriario de la Armada

Identified Patient - M.G.D

Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music.

Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100 metre-high aluminium pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The effect is no less thrilling than crucial, as it presents an essential DJ of our times.

Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem Intellectual Killer. Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions.

Kern Vol.5 releases June 19th 2020, on 2CD, as well as a 3×12″ vinyl edition highlighting the rare and exclusive cuts found in the mix, packed in a full color gatefold sleeve, featuring exclusive photography.

The release of Kern Vol.5 mixed by Helena Hauff, will be celebrated on July 24th at Tresor in Berlin, featuring DJ sets by Helena Hauff, DJ Godfather, Morah, Privacy and live shows from Volruptus and L.F.T., as well as special secret guests.

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Kern Vol.5 mixed by Helena Hauff
(2CD / digital)

1. Esoterik – Mayhem
2. Mononom – Shrinking
3. Jaquarius – Metamine
4. Slaves Of Sinus – Chaos (And Me)
5. Galaxian – Private Tyranny <<< Kern Exclusive >>>
6. Blackmass Plastics – Holy Handgrenade
7. Volruptus – We Are The Cyborgs
8. Animistic Beliefs – An Eye For A.I.
9. Paul Blackford – Dance Yourself To Death
10. DJ Godfather & DJ Starski – City Of Boom
11. Dirty Hospital – The General
12. Galaxian – Glasgow To Detroit
13. SolarX – Bionic Man
14. The Advent – Work Dat
15. O-Wells – Park Jit
16. Privacy – Go
17. Morah & Hauff – Segment 3 <<< Kern Exclusive >>>
18. Somatic Responses – Open Window
19. Nasenbluten – Intellectual Killer
20. Subtopia – The Mob Rules (Umwelt Remix)
21. L.F.T. – Data Move <<< Kern Exclusive >>>
22. Q.D.T ‎ – Untitled
23. Machino – Ministerio <<< Kern Exclusive >>>
24. SC-164 – Telegraph
25. Shedbug – Sibelle
26. L.F.T. – Nucleon
27. Exzakt – Madrid Nights
28. Umwelt – Starless Night <<< Kern Exclusive >>>
29. Shinra – Pinwheel
30. Maarten van der Vleuten – Internaut
31. Andrea Parker + David Morley – After Dark

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Kern Vol.5 mixed by Helena Hauff
Exclusive & Rare
(3x12")

A. Esoterik – Mayhem
B1. Galaxian – Private Tyranny <<< Kern Exclusive >>>
B2. Morah & Hauff – Segment 3 <<< Kern Exclusive >>>
B3. DJ Godfather & DJ Starski – City Of Boom
C1. Q.D.T. ‎– Untitled
C2. Machino – Ministerio <<< Kern Exclusive >>>
D1. Umwelt – Starless Night <<< Kern Exclusive >>>
D2. Shinra – Pinwheel
E1. Nasenbluten – Intellectual Killer
E2. L.F.T. – Data Move <<< Kern Exclusive >>>
F1. Dirty Hospital - The General
F2. Andrea Parker & David Morley – After Dark

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Kern Vol.5 mixed by Helena Hauff

Buy on Tresor Store

L.F.T. - Data Move (taken from "Kern Vol.5 mixed by Helena Hauff" - out June 19th)

Selected unreleased tracks from TV.OUT’s archive made in 2017.

Gear Used:
Octatrack, Eurorack, Roland MC-202, Roland TR-606, Roland TR-707, Roland JV-2080, Roland Juno-106, Boss DR-660, DSI Mopho, Korg Poly-800, microKORG, Boss SE-70, Various Pedals, Tascam M-224, Tascam 424 MkIII.

Artwork by Danielle Erenberg

The Lost Trax Vol.2 (2017)

The Night At Green Bar

Step 1 винил сет @ Свора Оборот

Second instalment of 𝗦𝗘𝗤𝗨𝗘𝗡𝗖𝗘𝗦.

𝗦𝗘𝗤𝗨𝗘𝗡𝗖𝗘𝗦 // 𝟬𝟬𝟮

TASCAM DR-05X

CODE 313

EMEI
Miguel Angel Arbeláez, aka EMEI, Ciudad Santiago de Cali. Nació en el año 1993 y desde los 13 viene trabajando como productor y Dj. Actualmente es uno de las cabezas de UnderPlace concepto y marca que viene trabajando para la escena del valle.  Los antecedentes creativos dentro de la música urbana y como ingeniero electrónico aplicado al sonido han ofrecido EMEI, una visión instrumental muy amplia para la producción musical y para sus djs sets donde podremos encontrar varios subgéneros de la E-music; caracterizado por una esencia melódica y transversalizado por el minimal, sin dejar de lado un buen golpe.
 Ha tocado en sitios como : Mission, Eliptica, La Fabryk, Sonido Central, La Sala, entre otros.

Set  Emei Groove City 23-09-2020

Next up were are delighted to finally welcome Snakebite 616 (@nathan-jones-1) to the Research Podcast.

Snakebite 616, formerly known as Nathan Jones, bring his ear for buoyant and euphoric techno combined with cosmic, spiralling melodies in equal measure. The mix takes you and a trip that is both relaxing and driving at the same time a beautiful balance to bring to the table.

You can feel the influences from moments felt on a dance floor in Dublin, through to the time Nathan spent both playing and dancing in the clubs of Berlin.

We can't go to a club at the moment, but Nathan can take you there.

CODE 313

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