radical track , vocals are as wild as a fog horn

Obscure & captivating. Superb 👍🕊🙏👌💎

wow very fun track love the dope voice effects :)

Surrealism in this percussion work! Original creativity, I greatly appreciate! ❤️Love, 🕊️Peace, 🙏Respect

Superb instrumental with a beautiful sound. Perfectly successful.

(Written by Terry Reeves)
Terry Reeves: Vocals
Hans Albers: All instruments, Arrangement & production

From the age of 15 when I first stepped into the world of employment I was told it would be a major advantage to get a job that lasted through to the State retirement age of 65. At the time I'll admit it was not something I took at all seriously.  When you’re that age, the last thing on your mind is bloody retirement.   

However, by the time I reached my early 50’s and had been diagnosed with multiple sclerosis, my mind became a little more concentrated on reaching what might now  conceivably prove to be an eminently missable target.  In the interim, the UK government decided that, given the population was living considerably longer than it once had, they would incrementally be raising the retirement age, meaning that mine now became 66. 

Our dear old Nan was a dedicated Bingo player and knew that number callers used particular phrases for certain numbers, one of the best known being 66, known as  ‘Clickety Click’.  So reaching pensionable age became inextricably linked to Bingo, hence the title and subject matter of this song.   

The number one - ‘Kelly’s Eye’ - seemed a good place to start and having done some fascinating research, I worked my way through the Bingo calls, choosing the ones whose scansion worked best, until I reached the magic ‘Clickety Click'.  

As the chorus explains, there were no guarantees I’d actually get there, it was just a target.  But I did get there and this song celebrates the fact.  

The song ends with the traditional exclamation of the player who has won the game, being either ‘House!’ or ‘Bingo!’.  When I was recording the vocals, my constant and beautiful companion Marvin (it is he who is pictured in the cover art) reacted to my shouts with a loud bark, perfectly in time, so we decided to keep it in.  Marv is with me at 99% of the recordings and enjoys being involved when the opportunity presents.

As always, huge thanks to the wonderful Hans Albers for another brilliant backing track which is, as I think you’ll agree, perfect for the song.  That man is a genius.
Thanks so much for listening.   (Terry Reeves)


It all started with Ned Kelly’s eye (1)
A cup of tea (3) to stop going dry
Tom Mix (6) wearing hat, riding fast
Monkey’s cousin (12) hanging, trying to last
Key of the door (21), two little ducks (22)
Paid half a crown (26), keep up the luck
In a state (28), rise and shine (29) but alive
One dirty knee (33) to help jump and jive (35)

Sixty six not to preconceive
Sixty six, a target to achieve

Half way to laugh, more than eleven (37)
As life begins (40), time for fun (41) isn’t heaven
Up to tricks (46) towards four dozen (48)
Five-0, Five-0, it’s off to work (50) with percussion
Danny la Rue (52), a man at the door (54)
The snakes are alive (55) but don’t wriggle more
Shotts bus (56) to Scotland, check the sign
Variety of Heinz (57) to the Brighton Line (59)

Sixty six not to preconceive
Sixty six a target to achieve

A baker’s bun (61) all tickety boo (62)
Tickle me (63), almost retired (64) laughing too
Retirement age(65), it should have been fun
Clickety click (66), getting paid
Take the money and run  
Route 66, nearly there
Clickety click, the sound of my wheelchair

CLICKETY CLICK - CRIPPLE CLUB & HANS ALBERS

Ya.wav

The Allure

The Allure (IPG1 - Arse - Myth - Cosmic Keanu)

She cast a spell

Composition and Sampling collage by Synline
Featured on the album 'Welcome to Dystopia Land'https://on.soundcloud.com/vX696
This is my original, but before releasing it, my friend Mosa had already released a remix. I really like his version as well, so if you're interested, please give it a listen.
https://soundcloud.com/user-174681242/nature-signsynlinemozawa?si=6a5f58e5352345aea3c53cd9b041e87d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Nature Sign

Here's a jazz original.  I'm joined by the wonderful Sam Mendez, Georg Boehme, and Al Schulman.   Such a great sound with both the flute and Bari ranges and timbers and Al's showing off on such fine rhythm guitar and soloing.  Sam is no longer with us and never got a chance to hear this.  This smile's for you Sam.

https://soundcloud.com/santi-caballero
https://soundcloud.com/georg-boehme

Your Smile - Sam Mendez / Georg Boehme / Al Schulman / Jamie Rhind

Re-make of Mono-ha’s “Unbroken Sorrow”

Composition - Beta

This is a song that began with me laying down some bass, organ, piano, synth, and slide over a looped, heavily delayed guitar riff. I asked Ken to put some drums on it, which he did to perfection, as well as added some acoustic guitar. I then sent it to Tez, and asked him to come up with a lead part for it. He also delivered exactly what I wanted to hear. We dropped the initial looped guitar that was the whole basis for the song to begin with, which I think is pretty cool. Tez mixed and produced this, and what a fine job he did, too, as always. these two guys are wonderful collaborators--so talented and so easy to work with. What I told them was that I wanted to make sober people feel high when they listen to this. I hope it has that effect on you!

Ya.wav

VLADIMIR 2

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