classical

Fee'chen

Purchased - Part 1

Mendelssohn's Song Without Words & Scriabin's Etude

Mendelssohn & Scriabin

baby song

60  BPM Mind Optimization

PaperStacks- The Real Me (StarGazer Intro)

Wagner  to Franz Liszt:

"Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams in which, from the first to the last, love shall, for once, find utter repletion. I have devised in my mind a Tristan und Isolde, the simplest, yet most full-blooded musical conception imaginable, and with the ‘black flag’ that waves at the end I shall cover myself over – to die"

Richard Wagner - Tristan und Isolde, Prelude

Johan Strauss - Vals Vienez

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Nocturne in E Flat Major, Op. 9: No. 2

Chopin - Nocturne in E Flat Major op. 9 No. 2

Richard Wagner - La Obertura De Rienzi

Aventine

Chord Left

Lyudvig Van Bethoven - Silentium

Me playing the opening movement of Beethoven's Pastoral sonata. LVB walking through nature, wrestling his demons, being all immortal... Hope you like.

Beethoven Piano Sonata In D Major, Op. 28 - 'Pastoral'  I. Allegro

Lullaby - Baby Mozart
Baby Classical Music 

Lullaby - Baby Mozart

Vladimir Oppenheim - Mendelssohn Song Without Words Op.62 No.1

Mendelssohn Song Without Words Op.62 No.1

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

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🍺 Buy me a Beer! 🍺

The Piano Sonata No. 12 in F major by Wolfgang Amadeus Mozart, K. 332/300k, was written at the same time as the Piano Sonata, K. 330 and Piano Sonata, K. 331 (Alla turca), Mozart numbering them as a set from one to three. They were once believed to have been written in the late 1770s in Paris, but it is now thought more likely that they date from 1783, by which time Mozart had moved to Vienna.

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Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784.

Adagio - The second movement is a slow movement in the key of B flat major with two halves repeated. In the autograph, the second half is essentially a repeat of its initial presentation with some minor tonal adjustments. In the earliest printed editions, however, it is considerably elaborated.

Retailers:

iTunes:
https://itunes.apple.com/gb/album/the-mozart-project/id1034980035

Google Play
https://play.google.com/store/music/album/The_Mozart_Project_Mozart?id=Batumgqtgiizmmajzp7nun2bawq&hl

Rdio
http://www.rdio.com/artist/Wolfgang_Amadeus_Mozart/album/Mozart_-_Symphonies%2C_Sonatas%2C_Serenades%2C_Concertos__Overtures/

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

HMV
https://www.hmvdigital.com/releases/4910498

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Groove
https://music.microsoft.com/album/wolfgang-amadeus-mozart/mozart-the-essential-collection/bz.15673C09-0100-11DB-89CA-0019B92A3933?target=web

Emusic
http://www.emusic.com/album/the-mozart-project/mozart/16177427/

Microsoft
https://www.microsoft.com/en-us/store/music/album/wolfgang-amadeus-mozart-haydn-light-orchestra/mozart-the-essential-collection/8d6kgx070nr0

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en_GB

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
https://www.youtube.com/c/indypoprecords

Featured Track & Playlists:

Warm It Up - Full Album - Danny Alex
https://www.youtube.com/playlist?list=PLn81b3BjuC0bpMvW5k1JhLVrsYJXWtVlz


You Betta' Listen - Danny Alex
https://www.youtube.com/watch?v=Z1cX1ODV5Ac

The Lockdown Sessions: Episode 1
https://www.youtube.com/watch?v=trGnKeH7PAc

The Lockdown Sessions: Episode 2
https://www.youtube.com/watch?v=mgvo8ugQdqg&t=215s

How Dare You!
https://www.youtube.com/watch?v=vm3faL98IwQ

Tidal

Piano Sonata No.12 in F-Major, K. 332: II. Adagio

Vladimir Oppenheim - Scriabin Etude in D-sharp minor Op 8. No 12

Scriabin Etude in D-sharp minor Op 8. No 12

Pachanga Boys - We Can Rhyme

Above And Beyond - Filmic

Prenatal Music by Mozart – Relaxation Music for Pregnant Women, Deep Meditation, Easy Labor & Delivery

Violin Concerto No. 2 in D Major, K. 211: II. Andante (Harp Version)

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

HNQO feat. bip - As I See [Off Recordings] out

Richard Wagner/ Die Meistersinger Prelude
Carnegie Mellon Philharmonic
Walter Morales, conductor
October 15, 2004
Great Hall of the College of Fine Arts
Carnegie Mellon University
Oakland, Pittsburgh

Richard Wagner: Die Meistersinger Prelude

Mozart symphony #40 - classic

Tiersen: 6 Pieces for Piano, Vol. 2: No. 4, La valse d'Amélie

No. 4, La Valse d'Amélie

Franz Liszt-Liebestraum No. 3 in A-Flat Major

Non Existent Love

A piece by Beethoven performed by Anton Batagov in 2001.

Beethoven: Fur Elise

Beethoven - Moonlight Sonata (FULL)

When i started to play piano two years ago les Trois Gymnopédie have been one of  main my goals. This is only the first one and probably is to be  fixed  somewhere sooner  or later.  In spite of this I'm happy of this first result. Some of my original dreams as a pianist are  becoming true !

Erik Satie - Gymnopédie N°1

Bethoven - Piano Sonata No.17 In D Minor Op.21, No.2 Tempest

Looking around in SC you can find a lot of Gymnopedie N°1 recordings, but barely one or two N°2. Yet in my opinion N°2 and N°3 are not less marvellous than the most famous one. The tremendous popolarity of N° 1 probably obscured the other two, As for me  playing this one and N°3 is even more emotional. I cant' believe how wonderful and moving is this little masterpiece.

Erik Satie - Gymnopédie N°2

Finally the third one. This is probably the most lyiric, very singing and beautifully sad. Probably the most difficult to perform in the "right" way. I listened to many great pianists and they have very different pace. But the best to me is Aldo Ciccolini rendition, whom I humbly tried to imitate...

Erik Satie - Gymnopédie N°3

Bach - Air on the G string

Pianist Vladimir Oppenheim performs as soloist throughout Canada, US & Israel.
His repertoire encompasses great classics and 20th century composers such as Beethoven, Rachmaninoff, Chopin, Scriabin, Ravel, Shostakovich, Messiaen, Bartok and others.
He has earned a Bachelor in Music in Piano performance from The Rubin Academy of Music in Jerusalem, Israel. Amongst Vladimir’s teachers, there were prominent pianists Boris Lvov & Michael Boguslavsky.
The years of studies at the Academy were devoted also to widening a piano repertoire. Vladimir received numerous acclaims for performances of Beethoven’s Piano Concerto No 2, Tchaikovsky’s No 1, and Rachmaninoff’s No 2 & 3 & Ravel's Piano Concerto for Left Hand.
As of late, Vladimir has continued his studies with pianist Gregory Haimovsky in New York, who himself was a pupil of a wonderful pianist Yakov Zak from Moscow conservatory.
Currently Vladimir Oppenheim lives in Toronto, Canada.