// Lillithe --- Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical  //

/// Lillithe --- Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical  ///

Not Coming Back (Collab with Vocalatti)

Vocalatti - Not Coming Back ( Collab With John Buckle)

GET YOUR PERCEPTION OF THESE WILD SOUNDS

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Margareta & Eddy --- Rumba vegetarian

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , grzes włoszczyzna --- Blinded By The Light

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Llanpsych --- Modern Times with IPG1

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Neno J. --- Lost Souls

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Paploviante --- Painless - feat. 2nick8

Photo : Marielle Lemaire - Ariège - France

Marcher, c'est des captures d'images, des sentiments qui se composent, se transforment, se ruminent en de douces pensées. Dans l'enlacement continu du parcours, cette source de satiété physique offre une richesse grandissante à l'esprit. La pérégrination ancre nos sens dans cette réalité.

Walking is capturing images, feelings that are composed, transformed, ruminated in sweet thoughts. In the continuous embrace of the journey, this source of physical satiety offers a growing richness to the spirit. The journey anchors our senses in this reality.

Ce projet se compose d'un prélude, d'une pièce principale, de cet interlude suivi de son postlude.

3 - Sur Le Chemin - Avec Franck Douvin

Instrumental: DAN-DT @dan-t-3 
Vocals and lyrics: DelhyA
Art credit: DAN-DT

Échos d’ Automne 

Si l’automne vient surprendre les amants que juillet a laissés « naufragés »
C est le temps des regrets, le temps dépassé: celui de tout donner, il faut abandonner.

(All summer can bring may just leave in autumn with a breeze)

Le temps d’une larme,le temps d’un regard, il est déjà trop tard…
Le temps des silences, de l’indifférence, puis de l’évidence que le “doré” vire au noir…
C’est le mois des “mais”, le mois des “mais “, plus de mois de mai…du mois d’aimer!

Le temps de l’automne, le temps où tout détonne, le temps désormais se conjugue au passé
Le temps des tourmentes, le temps de ne plus prétendre,
Le temps le temps qui court et qui s arrête et puis…
Le temps,qui s en va, qui s en va, qui s en va, tout se fane!

Le temps de t’attendre, le temps de se comprendre, le temps d’apprendre, le temps dépassé, le temps des regrets, de tout donner!


Echos of Autumn 

If autumn comes to surprise lovers that July left "shipwrecked"
It is the time of regrets, the time exceeded: that of giving everything, we must give up.

(All summer can bring may just leave in autumn with a breeze)

The time of a tear, the time of a look, it's already too late
The time of silences, indifference, then evidence that gold turns dark
It is the month of "buts", the month of "buts", no more months of May... the month of love!

The time of autumn, the time when everything stands out, time is now combined with the past
The time of torments, the time to no longer pretend,
Time the time that runs and stops and then
Time, who goes, who goes, who goes, everything fades!

The time to wait, the time to understand each other, the time to learn, the time exceeded, the time of regrets, to give everything....

Échos d’ Automne (with DAN-DT)

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

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Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

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Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
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I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
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Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

Cast of Characters:
Steve's Planet-- @steve-vervaet —Steve—acoustic guitar, vocals, lyrics, composition/arrangement
TexMex Shaman– @texmex-shaman –Stephen–electric guitar, production, and mix
J.J. Terrell-- @j-j-terrell—JJ—organ and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and rhythm guitar
cgmaness-- @user-419254289-15129531 – Chris -- electric guitar
Llanpsych– @llanpsych –Tez–electric guitar 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass 

This song was written by Steve on the acoustic guitar. He passed it along to Ken, who added a sturdy rhythm acoustic guitar, as well as his always solid, dynamic drums to it. In short order, Ken got the rest of the Eclectic Collective together on it, starting with Josh, who added his five string fretless bass to complete the rhythm section. Next up was JJ, who's keys, both organ and piano, can be heard livening the whole thing up. Then came Tez with his fiery ripping guitar fills. 
We were all blown away, though, when Stephen added his equally ripping guitar fills as responses to Tez's parts. It really sounds like the two maestros are having a conversation. Not to be outdone, Chris sprinked some of his magical guitar to fill in the spaces, mostly at the beginning. 
Of course, we needed a competent producer to pull the whole thing together for us, especially with all the different voices in the stew. That person was Stephen, who was able to wrangle all of us and make it sound coherent, like the expert producer he is. 
We all really enjoy working on Steve's songs, although it's been a few months since we did one together.  It's been proven many times before that if,you start out with something good, and you end up with some thing great. We hope you enjoy listening to this as much as we enjoyed making it.

Original lyrics by Steve Vervaet:
I hope we ever meet x2
I hope to see you again
I hope to see you smile
I hope to be your friend x2
Hand in hand, hand in hand
Once again x3
I hope you shake my hand
On the boulevard
Gazing at the stars, gazing at the stars
I hope you ever be, a part of family
A comfort zone for me x2
To be around in everything I found
Please, please love me, forever being around
Hope you ever be, a part of me
Hope to touch your eyes, I hope to touch your love
One day you’ll see that you belong with me

Hope We Ever Meet - The Eclectic Collective with Steve's Planet

Mats bästa 1992

Rumba vegetarian. ( 1992 ) Eddy Mango - Margareta Theorin ( Eddy )

Pierre Bordetti productions (c) Avril/2024.
Composed, arranged, performed, and produced by:

Instrumental Classic Jazz

Classic Jazz inspired by my last visit to my favorite castle "Chenonceaux" (April 2024). The strong flow of the “Cher” river inspired me to play this swing.

Swing in Chenonceaux

Swing In Chenonceaux

IPG1's open collab offer 'Modern Times' given the Llanpsych treatment
Check out Ian's page here
https://soundcloud.com/ipg1

Beats courtesy of Looperman
Rimshot Trap Drum Loop by Steven Acer
Basic But Cool Drum Loop by MaliBeats17

Modern Times with IPG1

Hope (For one, two, tree guitars)

I close my eyes. 1733 ( 1994 ) Margareta Theorin ( Margareta )

Lost Souls (For three guitars & synth)

WALK ON THE WILD SIDE (Lou Reed Cover)
All instruments and Vocals by Andrew Borderick
Recorded, Produced & Mastered By Andrew Borderick
Released by AB Music 2024

INFINITY

WALK ON THE WILD SIDE

WALK ON THE WILD SIDE (Lou Reed Cover)

Pop Out ft Lil Beezi

Get On Your Feet / feat. SilverBella
Vocals and Lyrics:
SilverBella
https://www.looperman.com/acapellas/detail/21393/get-on-your-feet-main-vocals-95bpm-chill-out-acapella
https://soundcloud.com/silverbellasings
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

Get On Your Feet feat. SilverBella

The Doors of Perception

Collaboration featuring  Vocalatti .
Vocalatti Vocals and Piano.

https://soundcloud.com/vocalatti
John Buckle Synths samples and production.

Not Coming Back ( Collab with Vocalatti )

We hope you enjoy this first collaboration, John did a fantastic job of putting this all together . Please go over to listen to more of John’s amazing music @john-buckle-166792889:

John Buckle - Synths samples  and production
Vocalatti - Vocals piano and lyrics

Not Coming Back ( Collab With John Buckle)

the sound of deceit

The Sound Of Deceit

Painless / feat. 2nick8
Vocals and Lyrics:
2nick8
https://www.looperman.com/acapellas/detail/22230/painless-118bpm-indie-acapella
https://soundcloud.com/ds-nick
Paploviante:
Bass, Music Composing, Mis, Picture and Mastering

Painless - feat. 2nick8

Pierre Bordetti productions (c) 05/2024.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Blue in your eyes

Let's go in blue paradise,
fullness in live,
we fly up to the sky,
with peace of mind,

Blue in your eyes,
always this light,
dreams of getaways,
until the dark night,

Blue in your eyes,
Blue in your eyes...

Blue in your eyes

Blue In Your Eyes

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Queen´s Revenge

Ouroboros

Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical
Vocals: Patricia Edwards
https://www.looperman.com/acapellas/detail/16039/go-wise-warrior-and-ruler-lead-voice-only-cinema-by-patriciaedwards-95bpm-spoken-word-acapella
Vocals: Cxlxstical
https://www.looperman.com/acapellas/detail/22391/mindless-100bpm-spoken-word-acapella
Backing Track Obfuscated: Paploviante 
https://soundcloud.com/paploviante-and-friends/obfuscated-open-collab-offer
Lillithe: adding all Classical Instruments, Arrangement and Production

Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical

TRY feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/16701/t-r-y-by-patriciaedwards-80bpm-reggae-acapella
Paploviante:
E Bass, Composing, Arrangement, Picture, Mix and Mastering

TRY feat. Patricia Edwards

First track of a new album where I'll try to be more eclectic, with closer approach to some genres. Experimented on this one over-editing vocal line on the left, and getting midi files out of organic guitar melodies, which I could play with virtual instruments. I hope you'll enjoy a different Ruizzoid shape.

Dedicated to Germán Coppini’s ‘Golpes Bajos’, one of my favorite groups of the Spanish ‘Nueva Ola’.

Pic: “Trapped in the past”, taken by me casually in the street.

Lyrics (original/translated):

NO TODO ACABA (JUGUETES ROTOS)  /  NOT EVERYTHING ENDS (BROKEN TOYS)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hay cosas en la vida que no cambian nada.  /  there are things in life which don’t change at all.
Hazme pensar que no estás gastada,  /  Make me think that you are not worn,
que el paso de los años no te cambió nada.  /  that the passing years didn’t change you at all.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Juguetes rotos, muñecas olvidadas,  /  Broken toys, forgotten dolls,
la imagen de mi espejo parece cansada.  /  the image from my mirror seems to be tired.
La voz de la noche ya no me llama,  /  The voice of the night doesn’t call me anymore,
me  resisto a pensar que todo se acaba.  /  I refuse to think that everything ends.

Hazme pensar que lo nuestro no acaba  /  Make me think that our thing doesn’t end
cuando despierte por la mañana.  /  when I wake up in the morning.
Hazme pensar en ti con calma,  /  Make me think about you calmly,
hazme creer que te tengo amarrada.  /  make me think that I get you tied up.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

Hazme pensar que no todo acaba,  /  Make me think that not everything ends,
hazme creer que aún estoy en casa,  /  make me think that I’m still at home,
hazme pensar que duermo entre sábanas,   /  make me think that I sleep between sheets,
hazme pensar que nada cambia.  /  make me think that nothing changes.

Hazme pensar que no todo acaba.(bis)  /  Make me think that not everything ends. (bis)

ER31FI01 RUIZZO©1996 – FRANCÉS RECORDS®2016

No todo acaba (Juguetes rotos)

I am a singer songwriter producer from the North West in the  UK.....I love Jazz and Soul...in fact  all music brings me joy!, My music has had mainstream play on The BBC music app  on The Sun Lounge  show with Adam Dunning and BBC introducing  in Manchester with “ Roesh”  Jazz FM Curved Radio in Australia  and  KJazz radio UK . Please go over and  listen to my music on  Spotify.    I have been very lucky to have collaborated with some very talented musicians and singers, and a special thanks to all of them because I have learnt so much and I am still learning.Please check out my recent interviews with Meryana Tamera on Radiosparx!