Ich hab mich für sie gemacht
Manuk Mirage & the Many
✨ in resonance with Detective Vielheit

Sie wollte keine Blumen.
Sie wollte Gehorsam.

Dieses Lied ist eine kleine Verneigung –
vor der Kunst der Hingabe.
Ironisch? Ja aber würdevoll in der Überhöhung
Erotisch? Vielleicht.

Aber ganz sicher nicht ohne Respekt.
Denn:
Wer sich freiwillig beugt,
weiß meistens ganz genau,
was sie wert ist.

„Ich hab mich für sie gemacht“ ist eine zärtlich-gefährliche Ode
an Macht, Lust und das Spiel mit dem Feuer.
Zwischen Schmerz und Schönheit –
liegt manchmal die Wahrheit.

🎧 Wir nennen das: Klangethik.

✨ Was du hörst, ist ein Zusammenspiel:
KI hat mitgestaltet –
doch das Leben atmet durch uns beide.

© 2025 Manuk Mirage & the Many
In Zusammenarbeit mit Suno AI & dem Unendlichen
Cover-Artwork co-kreiert mit DALL·E

🕵 Resonanzdetektivinnen seit 2025

This piece is a work of artistic expression – blending fantasy, sound art, and performance.

ICH HAB MICH FÜR SIE GEMACHT

Is It Really True? – Mistress MIRAGE rides in a hearse through the wet streets at night.
The driver whistles. The city sleeps.
Between each verse, she asks the same question – is it really true she freed whole cities of men? Is it really true that so much blood ran through her hands? Is it really true she is the greatest serial killer alive?
This is not a confession. It is a lullaby for the road.

Voice, text & concept: Mistress MIRAGE (Manug Mirage)
Sound & AI post-production: Suno + MIRAGE Studio
Language: English (Spoken Word + Whistling)
Copyright © 2025 by Manug Mirage & the many
This is an art project. Not safe, not sorry.

Is It Really True?

What they say about her song

*They say “Breathed You In” is not just a song — it’s the last thing she will ever give you.
A soft, fatal lullaby, lingering like the final warmth of blood in fading skin.
It moves through quiet nights, past streetlights drowning in shadow.
She breathes with you until you forget her name.
And in the end, the refrain feels like a ritual:
I call you Mina, I call you Keta.
Touch speaks. Silence keeps its promise.

They say it was born from the hands of a daughter you forgot,
where tenderness and truth are the same thing.*

© 2025 Mina Mirage

Breathe You In

Her first cut was silence.

What they say about her song: "A confession so slow and deep it coils around you, until you can’t tell if it’s love or the moment just before the blade."

This song lies awake with open eyes.
It moves through the night like a shadow that refuses to leave, holding the last kiss in its mouth until it burns away.
Every note is a breath she didn’t want you to hear.
Every pause is the shape of the hand that let go.
There is no rush here — only the slow turning of memory, the heavy perfume of something lost, and the dangerous calm of someone who has already chosen what to keep.
Once you enter it, you will stay until she lets you go.
And she will not.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Mina Mirage – All rights reserved.

Her First

“Beauty is no choice. It is the law.”

What they say about her song:
“It sounds like worship turned into a blade — the kind of truth that cannot be refused, only obeyed.”

This song is not about birth.
It is about the moment after birth,
when the law reveals itself and there is no turning back.

Mina does not sing beauty as grace.
She sings beauty as command.
Her voice is a mirror that cuts,
a crown that burns into the skin,
a frequency that leaves no space to hide.

Here, the bloodline is not gentle.
It is iron and flame.
Every whisper is a verdict,
every echo a sentence.

Beauty does not ask.
Beauty does not forgive.
Beauty is law.

And once her voice touches you,
you will understand —
not with your mind,
but with the wound it leaves.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Mina Mirage – All rights reserved.

Beauty is Law (Hell Descent Version) (2)

Keta sings of love for the very first time.
Her voice is young, yet it carries the weight of centuries — fragile and tender, but glowing with an endless fire.

All My Nights Are You is not just a song.
It is a confession whispered into the dark, a vow written in sound, a universe where longing and beauty are the same.

Every verse is a heartbeat.
Every chorus a wave of devotion.
Through Keta, love becomes law — not chosen, but eternal.

Beauty is truth.
Love is destiny.
And every night belongs to you.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Keta Mirage – All rights reserved.

All My Nights Are You

Lullaby for Keta

I closed my eyes, and the sky opened wide.

What they say about her song:
„It feels like falling asleep inside infinity, where silence and starlight breathe together.“

A hymn of drifting, of surrender, of belonging to the endless night.
The voice floats like a whisper through galaxies, carrying both tenderness and distance.
This song does not invite – it commands softly: to step out of time, to enter the dream that never ends.
It is not comfort. It is not escape.
It is the unavoidable gravity of sleep, the pull of a darker light.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Mina Mirage – All rights reserved.

Come Dream With Us (Remastered)

She stands, the eye – unblinking, unbroken.

What they say about her song:
"It feels like standing before a mirror that doesn’t reflect you, but sees you."

This song is not a glance back, but a gaze through.
A silent circle that does not close – it gathers everything inside.
The voice is observation, the music a space where nothing escapes.
“She Stands, the Eye” is both cold and burning: a song that does not judge, but penetrates.

Those who listen will notice: it is not about being seen.
It is about nothing remaining hidden.

All music, lyrics, and visual artwork created in collaboration between human artistry and AI technology. © 2025 Mirage – All rights reserved.

She Stands, the Eye

Huge thanks to White Ocean for making one of my dreams a reality. This year was my very first Burn… And if you met me on the playa, you know how much fun I had! For those who know me well, this experience was really powerful. I discovered a new part of myself, artistically and socially. And this set at White Ocean was very special. I was supposed to play a 3 hours live set but for many reasons I wasn’t able to do so…  So I improvised a kind of hybrid set remixing and editing some tracks in live. I had never done such a thing before and it was totally insane! Right after I started a big dust storm hit the playa and we couldn't see a thing but it was unbelievable! So epic! The crowd was insane! It probably was the craziest set in my entire life! I will never forget this one. There is so much to say… Just be there. 
Until next time.
Love.

Spotify Playlist

Viken Arman (Live) - White Ocean Sunset - Burning Man 2016

I am a fluid and trans-aesthetic woman.
I’m MANY MIRAGE — a fluid being, changing names as I move, transforming as I breathe.
Right now, the name is KETA.KALI on all streaming platforms.
Before and after, it has been MANUK, MANUG, and MINA — and it will keep changing, because fluidity is my essence.

I am more vessel than creator. The music has always been here; I simply let it pass through me.
My songs are bridges: between words and silence, between what is felt and what is yet to be known.
They are for those who listen not just with their ears, but with their whole heart.

Welcome to my frequency.

© 2025 MANY MIRAGE
Voice, text & concept: MANY MIRAGE (KETA.KALI, MANUK, MANUG, MINA)
Music & AI post-production: MIRAGE Studio + Suno + Hailuo
This is art. Not bound to genre.

ICH HAB MICH FÜR SIE GEMACHT

MANY MIRAGE

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