voyage

Rhythm

Original Sound Track

바다가 들린다

140107

뉴에이지

piano

기억

Bill Evans "Live at Art D'Lugoff's Top of The Gate.

Deluxe digi-pack & Limited edition 3LP, 180 gram box set.


 A newly unearthed discovery of Bill Evans recorded in Greenwich Village, NYC on October 23, 1968.

Featuring Eddie Gomez-Bass & Marty Morell-Drums. 

 2 Complete Never Before Released concerts!

 All previously unheard performances.

 The only Evans recording ever released from The Village Gate.

 Digitally remastered from the original tapes recorded & mixed live providing stellar sound & clarity.

 Features rare tracks (in some cases recorded live with the Bill Evans trio for the very first time).

 Deluxe 2 CD digi-pack contains 28 page booklet with essays by Nat Hentoff, Gary Burton, Eddie Gomez, Marty Morell, George Klabin & Art D'Lugoff's son, Raphael D'Lugoff.

 Includes iconic photos by Tom Copi, Jan Persson, Raymond Ross, Fred Seligo, & Herb Snitzer.

 Interesting historical documents including contracts, postcards, family photos and more.

Also Available as a Limited 3LP Box Set Edition:

 180 gram vinyl pressed on 12" LP's at 45 RPM by Record Technology Incorporated (R.T.I.).

 Deluxe hand numbered (lift off) 13"x13") box by Ross-Ellis.

 Mastered by Bernie Grundman.

 Includes 4 panel 12" x 12" version of the CD booklet.

TRACK LIST:

Disc One - Set 1 
1. Emily (Mandel & Mercer)
2. Witchcraft (C. Coleman)
3. Yesterdays (J. Kern)
4. Round Midnight (T. Monk)
5. My Funny Valentine (Rogers & Hart)
6. California Here I Come (De Sylva, Jolson & Myers)
7. Gone With The Wind (Magidson & Wrubel)
8. Alfie (B. Bacharach)
9. Turn Out The Stars (B. Evans)

Disc Two - Set 2 
1. Yesterdays (J. Kern)
2. Emily (Mandel & Mercer)
3. In A Sentimental Mood (D. Ellington)
4. Round Midnight (T. Monk)
5. Autumn Leaves (J. Kosma)
6. Someday My Prince Will Come (Churchill & Morey)
7. Mother Of Earl (E. Zindar)
8. Here's That Rainy Day (Burke & Van Heusen)

http://www.resonancerecords.org/release.php?cat=HCD-2012

Bill Evans - Someday My Prince Will Come

As promised, here's my set from DC10.

Reconstructed By Sasha at Beatport: http://btprt.dj/19YCaYU
Involv3r at iTunes: http://smarturl.it/Involv3r_iTunes

Last Night On Earth. Brixton Academy, NYE 2013. Tickets available here: http://bit.ly/NYE-13

Sasha Live: 
smarturl.it/SashaLive 

Find Sasha on: 
http://www.djsasha.com/
https://www.facebook.com/sasha 
https://twitter.com/sashaofficial 
https://www.youtube.com/djsasha 
https://www.instagram.com/djsashaofficial/ 
https://play.spotify.com/user/djsashaofficial 


Find Last Night On Earth on:
http://www.lastnightonearth.co.uk/
https://www.facebook.com/LastNightOnEarthMusic
https://twitter.com/LNOE_label
https://soundcloud.com/last-night-on-earth
https://play.spotify.com/user/lastnightonearthlabel/playlist/3vfit22evyY7LtNCcTilsW


Sasha @ Circo Loco / DC-10 - 09/09/13

A collection of our releases from October up to December all mixed together to give you a preview of all of our current releases. Enjoy

1, Feroziana - Final Touch
2, Darren Emerson - Hot Dog 
3, Darren Emerson - Hot Dog ( Florian Meindl Remix)
4, Carlo Lio & Kevin McKay - Droid Decay 
5, Carlo Lio & Kevin McKay - Fuck Jack 
6, Pig&Dan - Base
7, Pig&Dan - Viking Princess 

Bedrock Autumn/Winter 2013 Promo Mix

냉정과 열정사이- History

Jeff Nelson - 누군가 널 위해 기도하네

Piano i - 재즈 인 러브

Shotgun Marriage Original Ending Credit Soundtrack (2001)

Hitomi-Is It You

John Legend is an artist mature beyond his years. He is a crooner in the best possible sense of the word — self-assured, gentle and debonair. For Legend’s sophomore album Kanye West resumes his role as executive producer, but Once Again is a mellower affair than Get Lifted. The songs get their gentility from Legend’s low, cocoa-smooth vocals, which never fail to bring a potentially hyper song to a place of calm. Though Once Again features an impressive assembly of producers — including Craig Street, will.i.am and West (all contributed multiple songs) — Legend is wholly in control of the album’s tone and tempo. The hip-hop underpinnings are balanced by the elegant jazz of “Again” and “Maxine.” “Where Did My Baby Go” is so simple that it feels timeless — it could be a piece of an old album by Arthur Alexander or even Joan Baez, made new again by Legend’s warm breath. “Save Room” is a song that glides so sweetly and effortlessly that it challenges every shred of malice that might be lurking within the listener. Even sweeter is “Slow Dance,” a melody as compact and pretty as a jeweled pocketwatch.

Once Again

P.D.A. (We Just Don't Care)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

02. 바다가 들린다

04. 소녀의 생각

05. 깊은 밤에 혼자

센과 치히로의 행방불명 - 언제나 몇 번 이라도

차이코프스키 / 감상적인 왈츠

별의 왈츠

두려워_오지은(cover)

15 Outro - 미안하다 사랑한다

彼氏彼女の事情　BGM

kareshi kanojyo no jijyo：Instrumental

Karekano

팔로알토는 이제 무르익기 시작했다.

Paloalto 01. 이 밤이 지나고 나면 (feat. 211)

준서 허락

비오는 날에 기분 맞추어 집에 보이는 악보 연주한 곡~
원곡 : 바람이 지나가는 길 - 이웃집 토토로

바람이 지나가는 길 - 이웃집 토토로

02. 산책 - 영화 `이웃집 토토로` 중에서

17. 하울의 움직이는 성 - 세상의 약속

냉정과 열정사이 OST - 03. What a coincidences

봄날은 간다 OST - 18. 잊혀짐...또 다시 봄(One Fine Spring)

Die lange Version unseres Pianostückes aus der TV-Werbung

Travel Dreams - HRS Long

Light Dance, from the solo album "how my heart sings" in 2011.
Sync/Licensing inquiry to: info@schole-inc.com

official site: https://akirakosemura.com/
bandcamp: https://akirakosemura.bandcamp.com/
spotify: https://open.spotify.com/artist/4n1lW38WKgyPEIZowQ3AND?si=gwGM3HyeRACgj5z4pSVlug
itunes/apple: https://itunes.apple.com/artist/akirakosemura/216327255

냉정과 열정사이 OST - 03. What a coincidences

VoidShell