PRE-ORDER OUR UPCOMING ALBUM "IV" HERE: 
iTunes: http://hyperurl.co/BBNGIV
Vinyl/CDs/Digital (Global): https://badbadnotgoodil.bandcamp.com/album/iv
Vinyl/CDs/Digital (Canada): http://craft-shop.ca/artists/badbadnotgood/badbadnotgood-iv

Management:
matt@peopleschampmgt.com 

Booking:
CANADA
furman@feldman-agency.com 
EUROPE
julesdelattre@theagencygroup.com
USA
josh@montereyinternational.net 


OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Stream/download The Circus https://mickjenkins.ffm.to/circus.pbt

Bookings:
gotclockwork.com

MGMT: gotclockwork@gmail.com

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

Genres : 
Melbourne Bounce, Deep House, Future House

Worldwide Bookings : 
ap@monsterainc.com

Festivals performed at : 
Sunburn Festival, Vh1 Supersonic, EVC, Sunrise Festival, Sound Nation, Sounds of Sunset and Wet Republic

Olly Esse has earned the honor of being one of the most eminent female DJs hailing from Italy. 
Having performed with the likes of Bob Sinclair, Robin Schultz, Vinai, Coccoluto, Ralf, Paul Thomas, Soda, Futuristic Polar bears, Nari Milani, Cristiano, Lost Stories, Zaeden, Kerano, Sartek, Anish Sood, Sound Avtar, Progressive Brothers and NDS more recently.


Touring in over 25 countries has helped her learn how to make everyone dance, her infectious energy makes you asking and wanting for more. has established herself as a rapidly emerging global sensation.

Volcano_Choir is following